Obras Completas V1poesias
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Author | : César Vallejo |
Publisher | : Linkgua Digital |
Total Pages | : 0 |
Release | : 2023-12 |
Genre | : Literary Collections |
ISBN | : 9788490075913 |
Los Poemas humanos de César Vallejo, fueron escritos entre 1931 y 1937, y publicados en París en 1939 por Georgette Vallejo, viuda del poeta, y Raúl Porras Barrenechea. La edición contenía además otros dos libros de poemas de Vallejo escritos entre 1923 y 1929: Poemas en prosa, y España, aparta de mí este cáliz. Se llamó Poemas humanos a un grupo de 76 poemas, diferenciados de los Poemas en prosa. En 1961 aparecieron como libro independiente publicados en Lima. Después, en una nueva edición de la Obra poética completa de Vallejo (Lima, Francisco Moncloa Editores, 1968). La crítica ha considerado los Poemas humanos entre lo mejor de la obra de Vallejo. Durante la edición parisina, Georgette y Raúl Porras dudaron qué título poner a este grupo de poemas que Vallejo dejó en una carpeta sin ninguna indicación. Georgette conservaba una libreta de apuntes del poeta. En ella se mencionaba un libro de poemas humanos; y le pareció que este podría ser un título adecuado. Sin embargo, el rótulo poemas humanos (en minúsculas, en la libreta de notas) era una alusión al tema de un libro en marcha, no su título. Y años después, Georgette consideró que lo más acertado habría sido titular a este conjunto Versos nuevos. Tras la edición parisina de Poemas humanos en 1939 aparecieron otras ediciones: Poesías completas. 1918-1938, con recopilación, prólogo y notas de César Miró (Buenos Aires, Editorial Losada, 1949). Y en 1968, Georgette publicó la Obra poética completa, junto a los manuscritos originales en facsímil. Otras ediciones de las Obras completas de Vallejo han respetado la división de la edición de Moncloa. Aunque en esta edición Georgette cambió el orden en que dispuso los poemas en 1939. En la edición de Moncloa los Poemas humanos son 76. Según el testimonio de Georgette, fueron escritos entre octubre de 1931 y el 21 de noviembre de 1937. El poema más conocido de este libro es Piedra negra sobre una piedra blanca: Me moriré en París con aguacero, un día del cual tengo ya el recuerdo. Me moriré en París -y no me corro- tal vez un jueves, como es hoy, de otoño. Su título alude a la tradición de los habitantes de Santiago de Chuco, ciudad del poeta, de colocar una piedra negra sobre una piedra blanca para señalar los entierros.
Author | : Fernando Pessoa |
Publisher | : Austin : University of Texas Press |
Total Pages | : 212 |
Release | : 1972 |
Genre | : Literary Criticism |
ISBN | : |
Fernando Pessoa, the great Portuguese poet and prose writer, has become an icon not only in his native Portugal -- where his likeness once adorned a monetary note -- but also in France, where he is revered in much the same way that Whitman is here. Never before has such a comprehensive and beautifully translated edition of his poetry been available in English. Richard Zenith has taken three of Pessoa's major "heteronyms" (the poet's term for his numerous literary alter egos), as well as the poetry Pessoa wrote "as himself", and created a volume of extraordinary emotional depth and poetic precision. With an introduction that throws light on the work and on the elusive man himself, Fernando Pessoa and Co. is an important addition to world literature.
Author | : |
Publisher | : |
Total Pages | : 1674 |
Release | : 1995 |
Genre | : Arts |
ISBN | : |
A multidisciplinary index covering the journal literature of the arts and humanities. It fully covers 1,144 of the world's leading arts and humanities journals, and it indexes individually selected, relevant items from over 6,800 major science and social science journals.
Author | : K G Saur Books |
Publisher | : K. G. Saur |
Total Pages | : 1468 |
Release | : 2006 |
Genre | : Computers |
ISBN | : 9783598117121 |
Author | : |
Publisher | : |
Total Pages | : 1418 |
Release | : 2009 |
Genre | : Microcards |
ISBN | : |
Author | : Arthur Rimbaud |
Publisher | : Harper Perennial |
Total Pages | : 309 |
Release | : 1976 |
Genre | : |
ISBN | : 9780060904906 |
Presents a new translation and a revised chronology along with a sketch of the poet's life.
Author | : University of California, Los Angeles. Library |
Publisher | : |
Total Pages | : 1044 |
Release | : 1963 |
Genre | : Library catalogs |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 582 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
Author | : Michelle Clayton |
Publisher | : Univ of California Press |
Total Pages | : 682 |
Release | : 2011-01-10 |
Genre | : Literary Criticism |
ISBN | : 0520948289 |
Set against the cultural and political backdrop of interwar Europe and the Americas, Poetry in Pieces is the first major study of the Peruvian poet César Vallejo (1892–1938) to appear in English in more than thirty years. Vallejo lived and wrote in two distinct settings—Peru and Paris—which were continually crisscrossed by new developments in aesthetics, politics, and practices of everyday life; his poetry and prose therefore need to be read in connection with modernity in all its forms and spaces. Michelle Clayton combines close readings of Vallejo’s writings with cultural, historical, and theoretical analysis, connecting Vallejo—and Latin American poetry—to the broader panorama of international modernism and the avant-garde, and to writers and artists such as Rainer Maria Rilke, James Joyce, Georges Bataille, and Charlie Chaplin. Poetry in Pieces sheds new light on one of the key figures in twentieth-century Latin American literature, while exploring ways of rethinking the parameters of international lyric modernity.
Author | : E.L. Doctorow |
Publisher | : Random House |
Total Pages | : 320 |
Release | : 2010-11-10 |
Genre | : Fiction |
ISBN | : 0307762955 |
The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia. His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life—marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him. In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different. It is a confession of his most intimate relationships—with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents’ innocence; visiting his mother and father in the Death House. It is a book of investigation: transcribing Daniel’s interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks. It is a book of judgments of everyone involved in the case—lawyers, police, informers, friends, and the Isaacson family itself. It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country—its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.