Philosophy manual: a South-South perspective
Author | : Chanthalangsy, Phinith |
Publisher | : UNESCO Publishing |
Total Pages | : 236 |
Release | : 2014-12-31 |
Genre | : Philosophy |
ISBN | : 9231010069 |
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Author | : Chanthalangsy, Phinith |
Publisher | : UNESCO Publishing |
Total Pages | : 236 |
Release | : 2014-12-31 |
Genre | : Philosophy |
ISBN | : 9231010069 |
Author | : Emanuele Coccia |
Publisher | : John Wiley & Sons |
Total Pages | : 180 |
Release | : 2021-06-09 |
Genre | : Philosophy |
ISBN | : 1509545689 |
We are all fascinated by the mystery of metamorphosis – of the caterpillar that transforms itself into a butterfly. Their bodies have almost nothing in common. They don’t share the same world: one crawls on the ground and the other flutters its wings in the air. And yet they are one and the same life. Emanuele Coccia argues that metamorphosis – the phenomenon that allows the same life to subsist in disparate bodies – is the relationship that binds all species together and unites the living with the non-living. Bacteria, viruses, fungi, plants, animals: they are all one and the same life. Each species, including the human species, is the metamorphosis of all those that preceded it – the same life, cobbling together a new body and a new form in order to exist differently. And there is no opposition between the living and the non-living: life is always the reincarnation of the non-living, a carnival of the telluric substance of a planet – the Earth – that continually draws new faces and new ways of being out of even the smallest particle of its disparate body. By highlighting what joins humans together with other forms of life, Coccia’s brilliant reflection on metamorphosis encourages us to abandon our view of the human species as static and independent and to recognize instead that we are part of a much larger and interconnected form of life.
Author | : Ogden N. Rood |
Publisher | : Alpha Edition |
Total Pages | : 338 |
Release | : 2019-12 |
Genre | : History |
ISBN | : 9789353926113 |
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author | : Sofie Lachapelle |
Publisher | : JHU Press |
Total Pages | : 210 |
Release | : 2011-06-01 |
Genre | : Body, Mind & Spirit |
ISBN | : 1421401177 |
“A convincing account of science’s flirtation with the marginal and the marvelous” from the author of Conjuring Science (Journal of the History of the Behavioral Sciences). Séances were wildly popular in France between 1850 and 1930, when members of the general public and scholars alike turned to the wondrous as a means of understanding and explaining the world. Sofie Lachapelle explores how five distinct groups attempted to use and legitimize séances: spiritists, who tried to create a new “science” concerned with the spiritual realm and the afterlife; occultists, who hoped to connect ancient revelations with contemporary science; physicians, psychiatrists, and psychologists, who developed a pathology of supernatural experiences; psychical researchers, who drew on the unexplained experiences of the public to create a new field of research; and metapsychists, who attempted to develop a new science of yet-to-be understood natural forces. An enlightening and entertaining narrative that includes colorful people like “Allan Kardec”—a pseudonymous former mathematics teacher from Lyon who wrote successful works on the science of the séance and what happened after death—Investigating the Supernatural reveals the rich and vibrant diversity of unorthodox beliefs and practices that existed at the borders of the French scientific culture in the late nineteenth and early twentieth centuries. “What is science? . . . In her engaging book, Sophie Lachapelle probes for an answer by looking at the liminal realm between science and superstition and the attempt to render the supernatural explicable in naturalistic terms.” —Isis “A welcome addition to the growing literature on spiritism, occultism and physical research in modern France.” —French History
Author | : Francis Frascina |
Publisher | : Psychology Press |
Total Pages | : 408 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780415228671 |
This revised edition features ten new articles and is fully updated to take account of new critical approaches to post-war American art.
Author | : Janet Oppenheim |
Publisher | : Cambridge University Press |
Total Pages | : 536 |
Release | : 1985 |
Genre | : History |
ISBN | : 9780521347679 |
A study of the public fascination with spiritualism and psychical research in Victorian and Edwardian times.
Author | : Ali Abdel Razek |
Publisher | : Edinburgh University Press |
Total Pages | : 183 |
Release | : 2013-09-24 |
Genre | : History |
ISBN | : 0748689400 |
The translation of an essay first published in Egypt in 1925, which took the contemporaries of its author by storm. At a time when the Muslim world was in great turmoil over the question of the abolition of the caliphate by Mustapha Kamal Ataturk in Turke
Author | : Umberto Eco |
Publisher | : Harvard University Press |
Total Pages | : 324 |
Release | : 1989 |
Genre | : Art |
ISBN | : 9780674639768 |
This book is significant for its concept of "openness"--the artist's decision to leave arrangements of some constituents of a work to the public or to chance--and for its anticipation of two themes of literary theory: the element of multiplicity and plurality in art, and the insistence on literary response as an interaction between reader and text.
Author | : Pierre-Louis Mathieu |
Publisher | : Rizzoli International Publications |
Total Pages | : 228 |
Release | : 1990 |
Genre | : Architecture |
ISBN | : |
Beginning with the Pre-Raphaelites and those pivotal French artists (de Chavannes, Moreau, Redon and others) who assured the transition from romanticism to symbolism, this magnificent (and splendidly color-illustrated) work turns to examine Gauguin's contribution to the spread of symbolism, an inter