Objects Of Art And Clocks
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Author | : Simon Goodman |
Publisher | : Simon and Schuster |
Total Pages | : 368 |
Release | : 2016-08-16 |
Genre | : Art |
ISBN | : 1451697643 |
The passionate, true story of one man's quest to reclaim what the Nazis stole from his family--their beloved art collection--and to restore their legacy. Simon Goodman's grandparents came from German Jewish banking dynasties and perished in concentration camps. And that's almost all he knew--his father rarely spoke of their family history or heritage. But when he passed away, and Simon received his father's papers, a story began to emerge. The Gutmanns, as they were known then, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a world-class art collection that included works by Degas, Renoir, Botticelli, and many others, including a Renaissance clock engraved with scenes from the legend of Orpheus. The Nazi regime snatched everything the Gutmanns had labored to build: their art, their wealth, their social standing, and their very lives. Simon grew up in London with little knowledge of his father's efforts to recover their family's possessions. It was only after his father's death that Simon began to piece together the clues about the stolen legacy and the Nazi looting machine. He learned much of the collection had gone to Hitler and Goring; other works had been smuggled through Switzerland, sold and resold, with many pieces now in famous museums. More still had been recovered by Allied forces only to be stolen again by bureaucrats-- European governments quietly absorbed thousands of works of art into their own collections. Through painstaking detective work across two continents, Simon proved that many pieces belonged to his family, and successfully secured their return-- the first Nazi looting case to be settled in the United States. Goodman's dramatic story reveals a rich family history almost obliterated by the Nazis. It is not only the account of a twenty-year long detective hunt for family treasure, but an unforgettable tale of redemption and restoration.
Author | : South Kensington Museum |
Publisher | : |
Total Pages | : 56 |
Release | : 1873 |
Genre | : Art |
ISBN | : |
Author | : Robin Thornes |
Publisher | : Getty Publications |
Total Pages | : 73 |
Release | : 2000-02-03 |
Genre | : Art |
ISBN | : 0892365722 |
The illicit trade in art and other cultural objects now constitutes one of the most prevalent categories of international crime. Law-enforcement agencies have long recognized that documentation is critical to the protection and recovery of these objects. Standards were needed that would make it possible for information on stolen objects to move easily across electronic networks and, at the same time, that would be intelligible to law enforcement and art communities alike. Developed through the collaboration of museums, police and customs agencies, the art trade, the insurance industry, and appraisers of art and antiques, Object ID is an international standard that defines the minimal information needed to identify art, antiques, and antiquities. Introduction to Object ID summarizes the evolution of Object ID, explains its nine categories, and offers guidelines for using them. The book provides suggestions for writing descriptions of objects and includes a brief discussion of five additional categories that some institutions opt to employ. The second part of the book sets out guidelines for choosing viewpoints, selecting backgrounds, and positioning lighting when documenting cultural objects with photography. The Introduction to series acquaints professionals and students with the complex issues and technologies in the production, management, and dissemination of cultural heritage information resources.
Author | : Worshipful Company of Ironmongers (London, England) |
Publisher | : |
Total Pages | : 730 |
Release | : 1863 |
Genre | : Archaeological museums and collections |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 896 |
Release | : 1903 |
Genre | : Arts |
ISBN | : |
Author | : Wallace Nutting |
Publisher | : |
Total Pages | : 312 |
Release | : 2020-02-20 |
Genre | : |
ISBN | : |
There's always time for a great clock in your life. Famed collector and clock enthusiast Wallace Nutting originally released The Clock Book in 1924, a celebration of the decorative properties of more than 250 clocks pictured with detailed descriptions of their functions and makers. Antique clock enthusiasts should find immense enjoyment pouring through the images and intricacies of this fascinating collection of clocks that span the ages, in addition to historic clock dates and lists of artist and craftspeople. This special edition reprint of The Clock Book enlarges the page sizes, includes a spectacular new cover design, and retains the original retro period font for a most enjoyable contemporary reading experience. In addition to photographs, illustrations, and historical perspective, more than 100 pages are devoted to classic American clockmakers and period manufacturers, as well as lists of European and foreign clockmakers from around the world. Includes: Notable Clock Dates More than 250 photographs and Illustrations An Introduction by Mr. Wallace List of Former Foreign Clockmakers List of American Clockmakers Description of Illustrations and more
Author | : Clare Vincent |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 292 |
Release | : 2015-11-25 |
Genre | : Antiques & Collectibles |
ISBN | : 1588395790 |
Among the world's greatest technological and imaginative achievements is the invention and development of the timepiece. Examining for the first time The Metropolitan Museum of Art's unparalleled collection of European clocks and watches created from the late Renaissance through the nineteenth century, this fascinating book enriches our understanding of the origins and evolution of these ingenious works. It showcases fifty-four clocks, watches, and other timekeeping devices, each represented with an in-depth description and new photography of the exterior and the inner mechanisms. Among these masterpieces is an ornate sixteenth-century celestial timepiece that accurately predicts the trajectory of the sun, moon, and stars; an eighteenth-century longcase clock by David Roentgen that shows the time in the ten most important cities of the day; and a nineteenth-century watch featuring a penetrating portrait of Czar Nicholas I of Russia. Created by the best craftsmen in Austria, England, Flanders, France, Germany, Italy, the Netherlands, and Switzerland, these magnificent timepieces have been selected for their remarkable beauty and design, as well as their sophisticated mechanics. Built upon decades of expert research, this publication is a long-overdue survey of these stunning visual and technological marvels.
Author | : Silvio Gaggi |
Publisher | : University of Pennsylvania Press |
Total Pages | : 218 |
Release | : 2015-08-10 |
Genre | : Literary Criticism |
ISBN | : 1512802271 |
Silvio Gaggi's survey of the vast terrain of twentieth century arts and ideas is unique not only for its scope but also for the clarity and cohesiveness it brings to wide-ranging, seemingly disparate works. By identifying underlying epistemological, aesthetic, and ethical issues. Gaggi draws connections among such modern and postmodern masterpieces as Pirandello's and Brecht's theater, Fowles's and Barth's fiction, Warhol's paintings, Godard's and Bergman's films, and Derrida's literary theory. Modern/Postmodern begins with a discussion of the profound skepticism—about traditional beliefs and about our ability to know the self—that lies at the heart of both modernism and postmodernism. Gaggi identifies the modernist response to this doubt as the rejection of mimesis in favor of a purely formalistic or expressionistic art. The postmodern response, on the other hand, is above all to create art that is self-referential (concerned with art itself, the history of art, or its processes). Drawing from the work of Piranadello and Brecht, paradigms that can be applies to many different art works, Gaggi emphasizes how these works from diverse media relate to one another and what their relationships are to the contemporary artistic and philosophical climate. He concentrates on the works themselves, but examines theory as a parallel manifestation of the same obsessions that inform recent literature and art. Gaggi asks, finally, if self-referential art can also be politically and ethically engaged with the reality outside it. He concludes that the postmodern obsession with language, narrativity, and artifice is not necessarily a decadent indulgence but is, at its best, an honest inquiry into the problems, questions, and paradoxes of language. Modern/Postmodern is a lively approach to postmodern art that will interest all students and scholars of contemporary art and literature.
Author | : |
Publisher | : |
Total Pages | : 1030 |
Release | : 1852 |
Genre | : Great Exhibition |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 878 |
Release | : 1876 |
Genre | : |
ISBN | : |