Nuclear Films
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Author | : Jack G. Shaheen |
Publisher | : |
Total Pages | : 224 |
Release | : 1978 |
Genre | : Performing Arts |
ISBN | : |
This first book-length critical examination of nuclear war motion picturesfeature films, documentaries, and educational short filmsin addition to recognizing a new film genre reflects an important era of modern film history.Taken as a whole, the 25 contributions by 21 film specialists brought together here provide a comprehensive view of 32 feature films, documentaries, and educational short films comprising a representative selection of the new genreall produced between 1946 and 1975 by American, French, British, and Japanese film makers. In addition to discussions of such well-known films as "On the Beach," " Hiroshima," " Mon Amour," " "and "Dr. Strangelove," " "the collection analyzes and comments on a number of less well known but important films such as "A Thousand Cranes," " Countdown to Zero," and "To Die, To Live," " "documentaries and educational short films that hitherto have been inadequately presented in cinema literature.Marshall Flaum, one of the outstanding figures in the field of television documentaries, has provided an unusually interesting Foreword, and Jack Shaheen, the editor of the volume, has added a perceptive Preface and has appended a list of distributors and credits. A major contribution to the serious study of the nuclear war film genre, the book thus provides an analytic text with apparatus and notes, and will be of interest to general readers as well as students of the film and film makers."
Author | : Mick Broderick |
Publisher | : McFarland |
Total Pages | : 246 |
Release | : 1991 |
Genre | : Performing Arts |
ISBN | : 9780899505435 |
Author | : Mick Broderick |
Publisher | : Routledge |
Total Pages | : 324 |
Release | : 2013-11-05 |
Genre | : Social Science |
ISBN | : 1136883258 |
First Published in 1996. This collection of works is in response to American film scholar and long-term resident of Japan, Donald Richie, words:’ The Japanese failure to come to terms with Hiroshima is one which is shared by everybody in the world today,’ from over thirty years ago, when responding to the Japanese subgenre of cinema which had dealt with the atom bombings of Hiroshima and Nagasaki. Three decades on, the question lingers, does this appraisal remain valid? Hibakusha Cinema is an attempt - perhaps momentarily - to reorient critical focus upon a rarely discussed, yet important feature of Japanese cinema. The essays collected here represent a mix of Japanese and western (pan-Pacific) scholarship harnessing multidisciplinary methodologies, ranging from close textual analysis, archival and historical argument, anthropological assessment, literary and film comparative analyses to psychological and ideological hermeneutics.
Author | : Kevin Hamilton |
Publisher | : Interfaces: Studies in Visual Culture |
Total Pages | : 0 |
Release | : 2019 |
Genre | : Cold War |
ISBN | : 9781512603279 |
"The story of the Cold War era Lookout Mountain Laboratory, or the 1352nd Photographic Group of the United States Air Force, which employed hundreds of Hollywood studio veterans. Engages with issues of the Cold War state and visual culture"--
Author | : |
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Total Pages | : |
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ISBN | : 9781789383843 |
Author | : Paul Williams |
Publisher | : Liverpool University Press |
Total Pages | : 289 |
Release | : 2011-01-01 |
Genre | : Literary Criticism |
ISBN | : 1846317088 |
Ranging across fiction and poetry, critical theory and film, comics and speeches, Race, Ethnicity and Nuclear War explores how writers, thinkers, and filmmakers have tackled the question: Are nuclear weapons white? Paul Williams addresses myriad representations of nuclear weapons: the Manhattan Project, the destruction of Hiroshima and Nagasaki, nuclear tests across the globe, and the anxiety surrounding the superpowers' devastating arsenals. Ultimately, Williams concludes that many texts act as a reminder that the power enjoyed by the white Western world imperils the whole planet.
Author | : Sean M. Maloney |
Publisher | : U of Nebraska Press |
Total Pages | : 641 |
Release | : 2020-07-01 |
Genre | : Performing Arts |
ISBN | : 1640123490 |
King of the Cold War crisis film, Dr. Strangelove became a cultural touchstone from the moment of its release in 1964. The duck-and-cover generation saw it as a satire on nuclear issues and Cold War thinking. Subsequent generations, removed from the film's historical moment, came to view it as a quasi-documentary about an unfathomable secret world. Sean M. Maloney uses Dr. Strangelove and other genre classics like Fail Safe and The Bedford Incident to investigate a curious pop cultural contradiction. Nuclear crisis films repeatedly portrayed the failures of the Cold War's deterrent system. Yet the system worked. What does this inconsistency tell us about the genre? What does it tell us about the deterrent system, for that matter? Blending film analysis with Cold War history, Maloney looks at how the celluloid crises stack up against reality--or at least as much of reality as we can reconstruct from these films with confidence. The result is a daring intellectual foray that casts new light on Dr. Strangelove, one of the Cold War era's defining films.
Author | : Toni A. Perrine |
Publisher | : Routledge |
Total Pages | : 306 |
Release | : 2019-01-22 |
Genre | : History |
ISBN | : 1317732197 |
Just as we generally pay scant attention to the potential dangers of nuclear power and nuclear war, until quite recently, scholars have made limited critical attempts to understand the cultural manifestations of the nuclear status quo. Films that feature nuclear issues most often simplify and trivialize the subject. They also convey a sense of the ambivalence and anxiety that pervades cultural responses to our nuclear capability. The production of popular narrative films with nuclear topics largely conforms to periods of heightened nuclear awareness or fear, such as the fear of fallout from nuclear testing manifested in the atomic creatures in science fiction movies of the late 1950s. By their very numbers, and through a set of recurring stylistic and narrative conventions, nuclear films reflect a deep-seated cultural anxiety. This study includes detailed textual analysis of films that depict nuclear issues including the development and use of the first atomic bombs, nuclear testing and the fear of fallout, nuclear power, the Cold War arms race, loose nukes, and future nuclear war and its aftermath.(Includes bibliographic references, index, filmography, choronology; Illustrated)
Author | : Per F Dahl |
Publisher | : CRC Press |
Total Pages | : 420 |
Release | : 2023-05-31 |
Genre | : Science |
ISBN | : 1000948366 |
Heavy water (deuterium oxide) played a sinister role in the race for nuclear energy during the World War II. It was a key factor in Germany's bid to harness atomic energy primarily as a source of electric power; its acute shortage was a factor in Japan's decision not to pursue seriously nuclear weaponry; its very existence was a nagging thorn in the side of the Allied powers. Books and films have dwelt on the Allies' efforts to deny the Germans heavy water by military means; however, a history of heavy water has yet to be written. Filling this gap, Heavy Water and the Wartime Race for Nuclear Energy concentrates on the circumstances whereby Norway became the preeminent producer of heavy water and on the scientific role the rare isotope of hydrogen played in the wartime efforts by the Axis and Allied powers alike. Instead of a purely technical treatise on heavy water, the book describes the social history of the subject. The book covers the discovery and early uses of deuterium before World War II and its large-scale production by Norsk Hydro in Norway, especially under German control. It also discusses the French-German race for the Norwegian heavy-water stocks in 1940 and heavy water's importance for the subsequent German uranium project, including the Allied sabotage and bombing of the Norwegian plants, as well as its lesser role in Allied projects, especially in the United States and Canada. The book concludes with an overall assessment of the importance and the perceived importance of heavy water for the German program, which alone staked everything on heavy water in its quest for a nuclear chain reaction.
Author | : Spencer R. Weart |
Publisher | : Harvard University Press |
Total Pages | : 381 |
Release | : 2012-04-02 |
Genre | : History |
ISBN | : 0674065069 |
After a tsunami destroyed the cooling system at Japan's Fukushima Nuclear Power Plant, triggering a meltdown, protesters around the world challenged the use of nuclear power. Germany announced it would close its plants by 2022. Although the ills of fossil fuels are better understood than ever, the threat of climate change has never aroused the same visceral dread or swift action. Spencer Weart dissects this paradox, demonstrating that a powerful web of images surrounding nuclear energy holds us captive, allowing fear, rather than facts, to drive our thinking and public policy.Building on his classic, Nuclear Fear, Weart follows nuclear imagery from its origins in the symbolism of medieval alchemy to its appearance in film and fiction. Long before nuclear fission was discovered, fantasies of the destroyed planet, the transforming ray, and the white city of the future took root in the popular imagination. At the turn of the twentieth century when limited facts about radioactivity became known, they produced a blurred picture upon which scientists and the public projected their hopes and fears. These fears were magnified during the Cold War, when mushroom clouds no longer needed to be imagined; they appeared on the evening news. Weart examines nuclear anxiety in sources as diverse as Alain Resnais's film Hiroshima Mon Amour, Cormac McCarthy's novel The Road, and the television show The Simpsons.Recognizing how much we remain in thrall to these setpieces of the imagination, Weart hopes, will help us resist manipulation from both sides of the nuclear debate.