The Last Days of Pompeii

The Last Days of Pompeii
Author: Edward Bulwer Lytton Baron Lytton
Publisher:
Total Pages: 332
Release: 1850
Genre: Pompeii (Extinct city)
ISBN:

Historisk roman om livet i Pompeii i de sidste dage før ødelæggelsen år 79 f. Kr.

Paul Clifford (1830). By: Edward Bulwer Lytton

Paul Clifford (1830). By: Edward Bulwer Lytton
Author: Edward Bulwer-Lytton
Publisher: Createspace Independent Publishing Platform
Total Pages: 302
Release: 2018-05-12
Genre:
ISBN: 9781719053167

Paul Clifford is a novel published in 1830 by English author Edward Bulwer-Lytton. It tells the life of Paul Clifford, a man who leads a dual life as both a criminal and an upscale gentleman. The book was successful upon its release. It is the source of the famous opening phrase "It was a dark and stormy night.. Paul Clifford tells the story of a chivalrous highwayman in the time of the French Revolution. Brought up not knowing his origins and living an evil life, Clifford is arrested for theft. The love of his life is Lucy Brandon. Brought before her uncle, Judge Brandon, for the robbery, it is unexpectedly revealed that Clifford is Brandon's son. That revelation complicates the trial, but Judge Brandon tries Clifford and condemns him to death. Clifford escapes from jail. With his lover and cousin, Lucy, he makes his way to America......... Edward George Earle Lytton Bulwer-Lytton, 1st Baron Lytton, PC (25 May 1803 - 18 January 1873) was an English novelist, poet, playwright, and politician. He was immensely popular with the reading public and wrote a stream of bestselling novels which earned him a considerable fortune. He coined the phrases "the great unwashed," "pursuit of the almighty dollar," "the pen is mightier than the sword," "dweller on the threshold," and the well-known and much-parodied opening line "It was a dark and stormy night." After his death, Bulwer-Lytton suffered a tremendous decline in reputation and today is best known for the "dark and stormy night" line and the Bulwer-Lytton Fiction Contest, to determine the "opening sentence of the worst of all possible novels." Life: Bulwer-Lytton was born on 25 May 1803 to General William Earle Bulwer of Heydon Hall and Wood Dalling, Norfolk and Elizabeth Barbara Lytton, daughter of Richard Warburton Lytton of Knebworth, Hertfordshire. He had two older brothers, William Earle Lytton Bulwer (1799-1877) and Henry (1801-1872), later Lord Dalling and Bulwer. When Edward was four, his father died and his mother moved to London. He was a delicate, neurotic child and was discontented at a number of boarding schools. But he was precocious and Mr. Wallington at Baling encouraged him to publish, at the age of fifteen, an immature work, Ishmael and Other Poems. In 1822 he entered Trinity College, Cambridge, where he met John Auldjo, but shortly afterwards moved to Trinity Hall. In 1825 he won the Chancellor's Gold Medal for English verse.In the following year he took his BA degree and printed, for private circulation, a small volume of poems, Weeds and Wild Flowers. He purchased a commission in the army in 1826, but sold it in 1829 without serving.In August 1827, he married Rosina Doyle Wheeler (1802-1882), a famous Irish beauty, but against his mother's wishes, who withdrew his allowance, so that he was forced to work for a living.They had two children, Lady Emily Elizabeth Bulwer-Lytton (1828-1848), and (Edward) Robert Lytton Bulwer-Lytton, 1st Earl of Lytton (1831-1891) who became Governor-General and Viceroy of British India (1876-1880). His writing and political work strained their marriage, while his infidelity embittered Rosina;in 1833 they separated acrimoniously and in 1836 the separation became legal. Three years later, Rosina published Cheveley, or the Man of Honour (1839), a near-libellous fiction bitterly satirising her husband's alleged hypocrisy. In June 1858, when her husband was standing as parliamentary candidate for Hertfordshire, she indignantly denounced him at the hustings. He retaliated by threatening her publishers, withholding her allowance, and denying her access to the children.Finally he had her committed to a mental asylum, but after a public outcry, she was released a few weeks later. This incident was chronicled in her memoir, A Blighted Life (1880)...................

Rienzi

Rienzi
Author: Edward Bulwer Lytton Baron Lytton
Publisher:
Total Pages: 332
Release: 1854
Genre:
ISBN:

Zanoni

Zanoni
Author: Edward Bulwer Lytton Baron Lytton
Publisher:
Total Pages: 312
Release: 1842
Genre: France
ISBN:

A Strange Story

A Strange Story
Author: Edward Bulwer Lytton Baron Lytton
Publisher:
Total Pages: 590
Release: 1862
Genre: Fantasy fiction
ISBN:

The Last Days of Pompeii

The Last Days of Pompeii
Author: Edward Bulwer Lytton Baron Lytton
Publisher:
Total Pages: 340
Release: 1834
Genre: Pompeii (Extinct city)
ISBN:

Written on the rectos of 180 p. (MA 247) and 131 p. (MA 248), containing the following portions of the novel: Book I, chapters 5, 8; Book II, chapters 4, 5, 9; Book III, chapters 2, 3; Book V, chapters 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, and last. With revisions and corrections throughout. MA 247 is followed by four blank leaves. MA 248 contains two additional leaves at end with notes relating to the provenance of the manuscript.

From Pompeii

From Pompeii
Author: Ingrid D. Rowland
Publisher: Harvard University Press
Total Pages: 289
Release: 2014-03-24
Genre: History
ISBN: 0674416538

When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.

The Last Days of Pompeii

The Last Days of Pompeii
Author: Victoria C. Gardner Coates
Publisher: Getty Publications
Total Pages: 268
Release: 2012
Genre: Art
ISBN: 1606061151

Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of The Last Days of Pompeii: Decadence, Apocalypse, Resurrection explore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media--from paintings, prints, and sculpture, to theatrical performances, photography, and film. This lavishly illustrated volume--featuring the works of artists such as Piranesi, Fragonard, Kaufmann, Ingres, Chass�riau, and Alma-Tadema, as well as Duchamp, Dal�, Rothko, Rauschenberg, and Warhol--surveys the legacy of Pompeii in the modern imagination under the three overarching rubrics of decadence, apocalypse, and resurrection. Decadence investigates the perception of Pompeii as a site of impending and well-deserved doom due to the excesses of the ancient Romans, such as paganism, licentiousness, greed, gluttony, and violence. The catastrophic demise of the Vesuvian sites has become inexorably linked with the understanding of antiquity, turning Pompeii into a fundamental allegory for Apocalypse, to which all subsequent disasters (natural or man-made) are related, from the San Francisco earthquake of 1906 to Hiroshima, Nagasaki, 9/11, and Hurricane Katrina. Resurrection examines how Pompeii and the Vesuvian cities have been reincarnated in modern guise through both scientific archaeology and fantasy, as each successive cultural reality superimposed its values and ideas on the distant past. An exhibition of the same name will be on view at the Getty Villa from September 12, 2012, through January 7, 2013; at the Cleveland Museum of Art from February 24 through May 19, 2013; and at the Mus�e national des beaux-arts du Qu�bec from June 13 through November 8, 2013.

Pompeii

Pompeii
Author: Mary Beard
Publisher: Profile Books
Total Pages: 385
Release: 2010-07-09
Genre: History
ISBN: 1847650643

WINNER OF THE WOLFSON HISTORY PRIZE 2008 'The world's most controversial classicist debunks our movie-style myths about the Roman town with meticulous scholarship and propulsive energy' Laura Silverman, Daily Mail The ruins of Pompeii, buried by an explosion of Vesuvius in 79 CE, offer the best evidence we have of everyday life in the Roman empire. This remarkable book rises to the challenge of making sense of those remains, as well as exploding many myths: the very date of the eruption, probably a few months later than usually thought; or the hygiene of the baths which must have been hotbeds of germs; or the legendary number of brothels, most likely only one; or the massive death count, maybe less than ten per cent of the population. An extraordinary and involving portrait of an ancient town, its life and its continuing re-discovery, by Britain's favourite classicist.