John Payne Collier

John Payne Collier
Author: Arthur Freeman
Publisher: Yale University Press
Total Pages: 1543
Release: 2004-01-01
Genre: Biography & Autobiography
ISBN: 0300096615

John Payne Collier (1789–1883), one of the most controversial figures in the history of literary scholarship, pursued a double career. A prolific and highly influential writer on the drama, poetry, and popular prose of Shakespeare's age, Collier was at the same time the promulgator of a great body of forgeries and false evidence, seriously affecting the text and biography of Shakespeare and many others. This monumental two-volume work for the first time addresses the whole of Collier's activity, systematically sorting out his genuine achievements from his impostures. Arthur and Janet Freeman reassess the scholar-forger's long life, milieu, and relations with a large circle of associates and rivals while presenting a chronological bibliography of his extensive publications, all fully annotated with regard to their creditability. The authors also survey the broader history of literary forgery in Great Britain and consider why so talented a man not only yielded to its temptations but also persisted in it throughout his life.

Revenge Tragedy and Classical Philosophy on the Early Modern Stage

Revenge Tragedy and Classical Philosophy on the Early Modern Stage
Author: Christopher Crosbie
Publisher: Edinburgh University Press
Total Pages: 320
Release: 2018-11-14
Genre: Literary Criticism
ISBN: 1474440282

This book discovers within early modern revenge tragedy the surprising shaping presence of a wide array of classical philosophies not commonly affiliated with the genre.

Sublimity

Sublimity
Author: James Kirwan
Publisher: Routledge
Total Pages: 257
Release: 2014-02-04
Genre: Philosophy
ISBN: 1135455759

Sublimity addresses the nature of the sublime experience itself, and the function that experience has played, and continues to play, within aesthetic discourse. The book both updates and revises existing treatments of the sublime in the eighteenth century, examines its neglected role in the nineteenth century aesthetics, and analyzes the significance of the modifications the concept has undergone in order to serve the interests of contemporary aesthetics. The book thus offers the most comprehensive coverage of the history of the sublime available.