Note From Thomas Woolner
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Selected Letters of William Michael Rossetti
Author | : Roger W. Peattie |
Publisher | : Penn State Press |
Total Pages | : 765 |
Release | : 2010-11-01 |
Genre | : Literary Criticism |
ISBN | : 0271044241 |
Tennyson’s Camelot
Author | : David Staines |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 294 |
Release | : 2010-10-30 |
Genre | : Literary Criticism |
ISBN | : 1554587948 |
As the principal narrative poem of nineteenth-century England, Tennyson's Idylls of the King is an ambitious and widely influential reworking of the Arthurian legends of the Middle Ages, which have provided a great body of myth and symbol to writers, painters, and composers for the past hundred years. Tennyson's treatment of these legends is now valued as a deeply significant oblique commentary on cultural decadence and the precarious balance of civilization. Drawing upon published and unpublished materials, Tennyson's Camelot studies the Idylls of the King from the perspective of all its medieval sources. In noting the Arthurian literature Tennyson knew and paying special attention to the works that became central to his Arthurian creation, the volume reveals the poet's immense knowledge of the medieval legends and his varied approaches to his sources. The author follows the chronology of composition of the Idylls, allowing the reader to see Tennyson's evolving conception of his poem and his changing attitudes to the medieval accounts. The Idylls of the King stands, ultimately, as the poet's own Camelot, his legacy to his generation, an indictment of his society through a vindication of his idealism.
Tennyson
Author | : John Batchelor |
Publisher | : Random House |
Total Pages | : 452 |
Release | : 2012-11-01 |
Genre | : Biography & Autobiography |
ISBN | : 1448138566 |
Alfred Lord Tennyson, Queen Victoria’s favourite poet, commanded a wider readership than any other of his time. His ascendancy was neither the triumph of pure genius nor an accident of history:he skilfully crafted his own career and his relationships with his audience. Fame and recognition came, lavishly and in abundance, but the hunger for more never left him. Like many successful Victorians, he was a provincial determined to make good in the capital while retaining his regional strengths. One of eleven children, he remained close to his extended family and never lost his Lincolnshire accent.Resolving never to be anything except ‘a poet’, he wore his hair long, smoked incessantly and sported a cloak and wide-brimmed Spanish hat. Tennyson ranged widely in his poetry, turning his interests in geology, evolution and Arthurian legend into verse, but much of his workrelates to his personal life. The tragic loss of Arthur Hallam, a brilliant friend and fellow Apostle at Cambridge, fed into some of his most successful and best-known poems. It took Tennyson seventeen years to complete his great elegy for Hallam, In Memoriam, a work which established his fame and secured his appointment as Poet Laureate. The poet who wrote The Lady of Shalott and The Charge of the Light Brigade has become a permanent part of our culture. This enjoyable and thoughtful new biography shows him as a Romantic as well as a Victorian, exploring both the poems and Tennyson’s attempts at play writing, as well as the pressures of his age and the personal relationships that made the man.