Not So Innocent Feminized By The Seemingly Sweet New Girl
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| Author | : Nikki Crescent |
| Publisher | : Princess Publishing |
| Total Pages | : 79 |
| Release | : |
| Genre | : Fiction |
| ISBN | : |
Ryan feels bad for Iris, the new girl in class. She seems so innocent and she’s taking so much abuse from the other students, just because she used to go to the expensive private school across the street. It doesn’t help that she’s still wearing her old school uniform, and it definitely doesn’t help that she used to hang out with the kids that made fun of the public schools kids who are now her classmates. After a long week of listening to his classmates calling Iris mean names, Ryan decides to confront her after school, to help her feel better. The two quickly form a bond and Iris spills her guts, telling Ryan about her divorcing parents and her status-obsessed mother. Apparently, her mother even makes her wear the old private school uniform out of the house so the neighbours won’t find out that she’s actually now going to a public school. Now, Iris thinks Ryan can help her out. She wants clothes—regular girl clothes—so she sends Ryan to the mall with all of her allowance. “Buy me some outfits and hide them in your locker,” she says. Ryan reluctantly agrees to the task, but he has no idea that it’s just the beginning of his own radical feminization. This book contains: feminization, sissification, mtf, m2f, transformation, transgender, trans, girly boy, effeminate, genderswap, gender swap, sissy, sissies, t-girl, transition, steamy erotica, crossdressing, crossdresser, transsexual, emasculation.
| Author | : Sonja Samberger |
| Publisher | : LIT Verlag Münster |
| Total Pages | : 332 |
| Release | : 2005 |
| Genre | : Poetry |
| ISBN | : 9783825886165 |
"The creator of the new composition in the arts is an outlaw until he is a classic", Gertrude Stein wrote in 1926. Unlike male modernists such as T. S. Eliot or Ezra Pound, the modernist women poets Edith Sitwell, Amy Lowell, Stein and H. D. never became "high" modernist models but remained "artistic outlaws". The present study shows how these women were present on the modernist scene but followed their own concepts and struggled to establish their position as modernist women poets. Defying definition, the four poets not only richly contributed to modernism, but were indeed its developers.
| Author | : Rachel Dickinson |
| Publisher | : Routledge |
| Total Pages | : 415 |
| Release | : 2017-12-02 |
| Genre | : Literary Criticism |
| ISBN | : 1351194771 |
"The great Library Edition of the Works of John Ruskin spans 39 volumes and, over the course of the century, further compilations of his private diaries and letters have appeared: but the most important epistolary relationship of his later years, shared with his Scottish cousin Joan (Agnew Ruskin) Severn, has until now been entirely unpublished. These letters - more than 3,000 of them - have been challenging for Ruskin scholars to draw upon, with their baby-talk, apparent nonsense and unelaborated personal references. Yet they contain important statements of Ruskins opinions on travel, on fashion, on the ideal arts and crafts home, on effective education and other questions: and Ruskin often used his letters to Severn as a substitute for his personal diary. In this important new edition, Dickinson presents an edited, annotated selection of a correspondence which, until now, has been almost inaccessible to scholars of Ruskin and of the Victorian period."
| Author | : Lisa Mendelman |
| Publisher | : Oxford University Press |
| Total Pages | : 256 |
| Release | : 2019-12-17 |
| Genre | : Literary Criticism |
| ISBN | : 0192589717 |
Modern Sentimentalism examines how American female novelists reinvented sentimentalism in the modernist period. Just as the birth of the modern woman has long been imagined as the death of sentimental feeling, modernist literary innovation has been understood to reject sentimental aesthetics. Modern Sentimentalism reframes these perceptions of cultural evolution. Taking up icons such as the New Woman, the flapper, the free lover, the New Negro woman, and the divorcée, this book argues that these figures embody aspects of a traditional sentimentality while also recognizing sentiment as incompatible with ideals of modern selfhood. These double binds equally beleaguer the protagonists and shape the styles of writers like Willa Cather, Edith Wharton, Anita Loos, and Jessie Fauset. 'Modern sentimentalism' thus translates nineteenth-century conventions of sincerity and emotional fulfillment into the skeptical, self-conscious modes of interwar cultural production. Reading canonical and under-examined novels in concert with legal briefs, scientific treatises, and other transatlantic period discourse, and combining traditional and quantitative methods of archival research, Modern Sentimentalism demonstrates that feminine feeling, far from being peripheral to twentieth-century modernism, animates its central principles and preoccupations.
| Author | : Mayako Murai |
| Publisher | : Wayne State University Press |
| Total Pages | : 193 |
| Release | : 2015-11-01 |
| Genre | : Literary Criticism |
| ISBN | : 0814339506 |
Brings contemporary Japanese literary and artistic fairy-tale adaptations into conversation with Euro-American feminist fairy-tale re-creation and scholarship. As in the United States, fairy-tale characters, motifs, and patterns (many from the Western canon) have pervaded recent Japanese culture. Like their Western counterparts, these contemporary adaptations tend to have a more female-oriented perspective than traditional tales and feature female characters with independent spirits.In From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West,Mayako Murai examines the uses of fairy tales in the works of Japanese women writers and artists since the 1990s in the light of Euro-American feminist fairy-tale re-creation and scholarship. After giving a sketch of the history of the reception of European fairy tales in Japan since the late nineteenth century, Murai outlines the development of fairy-tale retellings and criticism in Japan since the 1970s. Chapters that follow examine the uses of fairy-tale intertexts in the works of four contemporary writers and artists that resist and disrupt the dominant fairy-tale discourses in both Japan and the West. Murai considers Tawada Yoko’s reworking of the animal bride and bridegroom tale, Ogawa Yoko’s feminist treatment of the Bluebeard story, Yanagi Miwa’s visual restaging of familiar fairy-tale scenes, and Konoike Tomoko’s visual representations of the motif of the girl’s encounter with the wolf in the woods in different media and contexts. Forty illustrations round out Murai’s criticism, showing how fairy tales have helped artists reconfigure oppositions between male and female, human and animal, and culture and nature. From Dog Bridegroom to Wolf Girl invites readers to trace the threads of the fairy-tale web with eyes that are both transcultural and culturally sensitive in order to unravel the intricate ways in which different traditions intersect and clash in today’s globalising world. Fairy-tale scholars and readers interested in issues of literary and artistic adaptation will enjoy this volume.
| Author | : Bram Stoker |
| Publisher | : Random House Books for Young Readers |
| Total Pages | : 97 |
| Release | : 1982-04-12 |
| Genre | : Juvenile Fiction |
| ISBN | : 0394848284 |
String garlic by the window and hang a cross around your neck! The most powerful vampire of all time returns in our Stepping Stone Classic adaption of the original tale by Bran Stoker. Follow Johnathan Harker, Mina Harker, and Dr. Abraham van Helsing as they discover the true nature of evil. Their battle to destroy Count Dracula takes them from the crags of his castle to the streets of London... and back again.
| Author | : Joy Allison Indira Mahabir |
| Publisher | : Routledge |
| Total Pages | : 288 |
| Release | : 2013 |
| Genre | : Literary Criticism |
| ISBN | : 041550967X |
This book is the first collection on Indo-Caribbean women's writing and the first work to offer a sustained analysis of the literature from a range of theoretical and critical perspectives, such as ecocriticism, feminist, queer, post-colonial and Caribbean cultural theories. The essays not only lay the framework of an emerging and growing field, but also critically situate internationally acclaimed writers such as Shani Mootoo, Lakshmi Persaud and Ramabai Espinet within this emerging tradition. Indo-Caribbean women writers provide a fresh new perspective in Caribbean literature, be it in their unique representations of plantation history, anti-colonial movements, diasporic identities, feminisms, ethnicity and race, or contemporary Caribbean societies and culture. The book offers a theoretical reading of the poetics, politics and cultural traditions that inform Indo-Caribbean women's writing, arguing that while women writers work with and through postcolonial and Caribbean cultural theories, they also respond to a distinctive set of influences and realities specific to their positioning within the Indo-Caribbean community and the wider national, regional and global imaginary. Contributors visit the overlap between national and transnational engagements in Indo-Caribbean women's literature, considering the writers' response to local or nationally specific contexts, and the writers' response to the diasporic and transnational modalities of Caribbean and Indo-Caribbean communities.
| Author | : Lynne Joyrich |
| Publisher | : Indiana University Press |
| Total Pages | : 260 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780253210784 |
"This is an ambitious analysis of television studies as a whole." --Library Journal Focusing on U.S. television of the 1980s--from Miami Vice, Moonlighting, and Pee-wee's Playhouse to Max Headroom--Lynne Joyrich explores how gender affects the reception of television. She traces how the medium has been chracterized as "feminine" and then turns to the television shows themselves and analyzes a range of genres and forms.
| Author | : Dominic Lennard |
| Publisher | : SUNY Press |
| Total Pages | : 198 |
| Release | : 2014-10-09 |
| Genre | : Performing Arts |
| ISBN | : 1438453299 |
Examines the complexities and contradictions that arise when the monsters in the movies are children. Since the 1950s, children have provided some of horrors most effective and enduring villains, from dainty psychopath Rhoda Penmark of The Bad Seed (1956) and spectacularly possessed Regan MacNeil of The Exorcist (1973) to psychic ghost-girl Samara of The Ring (2002) and adopted terror Esther of Orphan (2009). Using a variety of critical approaches, including those of cinema studies, cultural studies, gender studies, and psychoanalysis, Bad Seeds and Holy Terrors offers the first full-length study of these child monsters. In doing so, the book highlights horror as a topic of analysis that is especially pertinent socially and politically, exposing the genre as a site of deep ambivalence towardand even hatred ofchildren. This is impeccably well researched and presented. It holds its own at the top of film studies scholarship. Sprightly in its survey across key areas of cultural anxiety and able to draw on a range of lucid examples, Lennard produces sophisticated and complex extended analyses where necessary. A pleasure to read. Linda Ruth Williams, University of Southampton, United Kingdom
| Author | : Patricia Ann Heid |
| Publisher | : |
| Total Pages | : 608 |
| Release | : 1997 |
| Genre | : Incas |
| ISBN | : |
