North By Northwest
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Author | : Ernest Lehman |
Publisher | : |
Total Pages | : 196 |
Release | : 2000 |
Genre | : Performing Arts |
ISBN | : 9780571202690 |
Described by Stuart Hall as "one of the most riveting and important films produced by a black writer in recent years," "My Beautiful Laundrette" was a significant production for its director Stephen Frears and its writer Hanif Kureshi. Christine Geraghty considers it a crossover film: between television and cinema, realism and fantasy, and as an independent film targeting a popular audience. She deftly shows how it has remained an important and timely film in the 1990s and early 2000s, and her exploration of the film itself is an original and entertaining achievement.
Author | : Dan Williams |
Publisher | : Longman Publishing Group |
Total Pages | : 94 |
Release | : 2001 |
Genre | : Fiction |
ISBN | : |
Examines the film North by northwest, starring Cary Grant, directed by Alfred Hitchcock.
Author | : Louis Black |
Publisher | : University of Texas Press |
Total Pages | : 416 |
Release | : 2018-02-26 |
Genre | : Performing Arts |
ISBN | : 1477315446 |
Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.
Author | : James Naremore |
Publisher | : |
Total Pages | : 238 |
Release | : 1993 |
Genre | : Performing Arts |
ISBN | : 9780813520063 |
Author | : Alfred Hitchcock |
Publisher | : Univ of California Press |
Total Pages | : 374 |
Release | : 1997-11-04 |
Genre | : Biography & Autobiography |
ISBN | : 9780520212220 |
Hitchcock writings about himself and his films
Author | : Marshall Deutelbaum |
Publisher | : John Wiley & Sons |
Total Pages | : 425 |
Release | : 2009-02-24 |
Genre | : Performing Arts |
ISBN | : 1405155566 |
This new edition of A Hitchcock Reader aims to preserve what has been so satisfying and successful in the first edition: a comprehensive anthology that may be used as a critical text in introductory or advanced film courses, while also satisfying Hitchcock scholars by representing the rich variety of critical responses to the director's films over the years. a total of 20 of Hitchcock's films are discussed in depth - many others are considered in passing section introductions by the editors that contextualize the essays and the films they discuss well-researched bibliographic references, which will allow readers to broaden the scope of their study of Alfred Hitchcock
Author | : Jonathan Freedman |
Publisher | : Cambridge University Press |
Total Pages | : 289 |
Release | : 2015-07-08 |
Genre | : Literary Criticism |
ISBN | : 1107107571 |
In this Companion, leading film scholars and critics of American culture and imagination trace Hitchcock's interplay with the Hollywood studio system, the Cold War, and new forms of sexuality, gender, and desire over his thirty-year American career.
Author | : Robin Wood |
Publisher | : Columbia University Press |
Total Pages | : 516 |
Release | : 2002 |
Genre | : Performing Arts |
ISBN | : 9780231126953 |
When Hitchcock's Films was first published, it quickly became known as a new kind of book on film and as a necessary text in the growing body of Hitchcock criticism. This revised edition of Hitchcock's Films Revisited includes a substantial new preface in which Wood reveals his personal history as a critic--including his coming out as a gay man, his views on his previous critical work, and how his writings, his love of film, and his personal life and have remained deeply intertwined through the years. This revised edition also includes a new chapter on Marnie.
Author | : Charlotte Chandler |
Publisher | : Simon and Schuster |
Total Pages | : 433 |
Release | : 2008-12-09 |
Genre | : Biography & Autobiography |
ISBN | : 1847397093 |
IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.
Author | : Edward White |
Publisher | : W. W. Norton & Company |
Total Pages | : 343 |
Release | : 2021-04-13 |
Genre | : Biography & Autobiography |
ISBN | : 1324002409 |
Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “The Londoner”; “The Man of God.” Each of these angles reveals something fundamental about the man he was and the mythological creature he has become, presenting not just the life Hitchcock lived but also the various versions of himself that he projected, and those projected on his behalf. From Hitchcock’s early work in England to his most celebrated films, White astutely analyzes Hitchcock’s oeuvre and provides new interpretations. He also delves into Hitchcock’s ideas about gender; his complicated relationships with “his women”—not only Grace Kelly and Tippi Hedren but also his female audiences—as well as leading men such as Cary Grant, and writes movingly of Hitchcock’s devotion to his wife and lifelong companion, Alma, who made vital contributions to numerous classic Hitchcock films, and burnished his mythology. And White is trenchant in his assessment of the Hitchcock persona, so carefully created that Hitchcock became not only a figurehead for his own industry but nothing less than a cultural icon. Ultimately, White’s portrayal illuminates a vital truth: Hitchcock was more than a Hollywood titan; he was the definitive modern artist, and his significance reaches far beyond the confines of cinema.