Norma Jeane Baker Of Troy
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Author | : Anne Carson |
Publisher | : New Directions Publishing |
Total Pages | : 46 |
Release | : 2020-02-25 |
Genre | : Poetry |
ISBN | : 0811229378 |
Anne Carson’s new work that reconsiders the stories of two iconic women—Marilyn Monroe and Helen of Troy—from their point of view Winner of the Governor General Award in Poetry Norma Jeane Baker of Troy is a meditation on the destabilizing and destructive power of beauty, drawing together Helen of Troy and Marilyn Monroe, twin avatars of female fascination separated by millennia but united in mythopoeic force. Norma Jeane Baker was staged in the spring of 2019 at The Shed’s Griffin Theater in New York, starring actor Ben Whishaw and soprano Renée Fleming and directed by Katie Mitchell.
Author | : Anne Carson |
Publisher | : Vintage |
Total Pages | : 155 |
Release | : 2009-05-20 |
Genre | : Poetry |
ISBN | : 0307557871 |
Following her widely acclaimed Autobiography of Red ("A spellbinding achievement" --Susan Sontag), a new collection of poetry and prose that displays Anne Carson's signature mixture of opposites--the classic and the modern, cinema and print, narrative and verse. In Men in the Off Hours, Carson reinvents figures as diverse as Oedipus, Emily Dickinson, and Audubon. She views the writings of Sappho, St. Augustine, and Catullus through a modern lens. She sets up startling juxtapositions (Lazarus among video paraphernalia; Virginia Woolf and Thucydides discussing war). And in a final prose poem, she meditates on the recent death of her mother. With its quiet, acute spirituality, its fearless wit and sensuality, and its joyful understanding that "the fact of the matter for humans is imperfection," Men in the Off Hours shows us "the most exciting poet writing in English today" (Michael Ondaatje) at her best.
Author | : Anne Carson |
Publisher | : New Directions Publishing |
Total Pages | : 166 |
Release | : 1995 |
Genre | : Poetry |
ISBN | : 9780811213028 |
Anne Carson's poetry - characterized by various reviewers as "short talks", "essays", or "verse narratives" - combines the confessional and the critical in a voice all her own. Known as a remarkable classicist, Anne Carson in Glass, Irony and God weaves contemporary and ancient poetic strands with stunning style. This collection includes: "The Glass Essay", a powerful poem about the end of a love affair, told in the context of Carson's reading of the Bronte sisters; "Book of Isaiah", a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome", about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.
Author | : Euripides |
Publisher | : New Directions Publishing |
Total Pages | : 84 |
Release | : 2021-05-25 |
Genre | : Comics & Graphic Novels |
ISBN | : 0811230805 |
A fantastic comic-book collaboration between the artist Rosanna Bruno and the poet Anne Carson, based on Euripides’s famous tragedy A NEW YORK TIMES BEST GRAPHIC NOVEL OF 2021 Here is a new comic-book version of Euripides’s classic The Trojan Women, which follows the fates of Hekabe, Andromache, and Kassandra after Troy has been sacked and all its men killed. This collaboration between the visual artist Rosanna Bruno and the poet and classicist Anne Carson attempts to give a genuine representation of how human beings are affected by warfare. Therefore, all the characters take the form of animals (except Kassandra, whose mind is in another world).
Author | : Anne Carson |
Publisher | : New Directions Publishing Corporation |
Total Pages | : 0 |
Release | : 2010 |
Genre | : Artists' books |
ISBN | : 9780811218702 |
Presents a facsimilie of a book the author created after the death of her brother, and includes poetry, family photographs, letters, and sketches that deal with coming to terms with the loss.
Author | : Anne Carson |
Publisher | : New Directions Publishing Corporation |
Total Pages | : 0 |
Release | : 2014 |
Genre | : American poetry |
ISBN | : 9780811223171 |
Anne Carson's take on Albertine, Marcel Proust's famous love interest
Author | : Anne Carson |
Publisher | : Princeton University Press |
Total Pages | : 156 |
Release | : 2009-04-11 |
Genre | : Literary Criticism |
ISBN | : 1400823153 |
The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? Carson reveals the two poets' striking commonalities. In Carson's view Simonides and Celan share a similar mentality or disposition toward the world, language and the work of the poet. Economy of the Unlost begins by showing how each of the two poets stands in a state of alienation between two worlds. In Simonides' case, the gift economy of fifth-century b.c. Greece was giving way to one based on money and commodities, while Celan's life spanned pre- and post-Holocaust worlds, and he himself, writing in German, became estranged from his native language. Carson goes on to consider various aspects of the two poets' techniques for coming to grips with the invisible through the visible world. A focus on the genre of the epitaph grants insights into the kinds of exchange the poets envision between the living and the dead. Assessing the impact on Simonidean composition of the material fact of inscription on stone, Carson suggests that a need for brevity influenced the exactitude and clarity of Simonides' style, and proposes a comparison with Celan's interest in the "negative design" of printmaking: both poets, though in different ways, employ a kind of negative image making, cutting away all that is superfluous. This book's juxtaposition of the two poets illuminates their differences--Simonides' fundamental faith in the power of the word, Celan's ultimate despair--as well as their similarities; it provides fertile ground for the virtuosic interplay of Carson's scholarship and her poetic sensibility.
Author | : Laura Jansen |
Publisher | : Bloomsbury Publishing |
Total Pages | : 321 |
Release | : 2021-10-07 |
Genre | : Literary Collections |
ISBN | : 1350174777 |
From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically-oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a multi-praxis, cross-disciplinary perspective, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. Anne Carson/Antiquity collects twenty essays by poets, translators, artists, practitioners and scholars. It offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past.
Author | : Anne Carson |
Publisher | : Random House |
Total Pages | : 208 |
Release | : 2021-11-04 |
Genre | : Poetry |
ISBN | : 1473598176 |
'Fans of Anne Carson, rejoice!... Carson's depth of knowledge about Greek mythology coupled with her poetic sensibility and illustrations is sure to breathe new life into this oft-told story.' Lit Hub H of H Playbook is an explosion of thought, in drawings and language, about a Greek tragedy called Herakles by the 5th-century BC poet Euripides. In myth Herakles is an embodiment of manly violence who returns home after years of making war on enemies and monsters (his famous "Labours of Herakles") to find he cannot adapt himself to a life of peacetime domesticity. He goes berserk and murders his whole family. Suicide is his next idea. Amazingly, this does not happen. Due to the intervention of his friend Theseus, Herakles comes to believe he is not, after all, indelibly stained by his own crimes, nor is his life without value. It remains for the reader to judge this redemptive outcome. "I think there is no such thing as an innocent landscape," said Anselm Kiefer, painter of forests grown tall on bones.
Author | : Jean Davies Okimoto |
Publisher | : Endicott & Hugh Books |
Total Pages | : 206 |
Release | : 2012-02 |
Genre | : Fiction |
ISBN | : 0983711534 |
"It's the first summer of her retirement and librarian Maggie Lewis is relishing the unfolding of sweet summer days on Vashon Island: walking on the beach, reading the classics, and kayaking. But in June when a sudden storm hits the island, Maggie's summer becomes about as peaceful as navigating whitewater. Not only does her wealthy sister arrive uninvited with a startling announcement, but Maggie finds herself entangled with her new Baker's Beach neighbor, Walter Hathaway. A famous children's author and recovering alcoholic, Walter has a history with Maggie they would each like to forget."--Page 4 of cover.