Nomenclature For Museum Cataloging
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Author | : Paul Bourcier |
Publisher | : Rowman & Littlefield |
Total Pages | : 753 |
Release | : 2015-09-01 |
Genre | : Business & Economics |
ISBN | : 1442250992 |
Nomenclature 4.0 for Museum Cataloging is an updated and expanded edition of Robert G. Chenhall’s system for classifying human-made objects, originally published in 1978. The Chenhall system is the standard cataloging tool for thousands of museums and historical organizations across the United States and Canada. For this fourth edition, hundreds of new terms have been added, and every category, class, sub-class, and object term has been reviewed and revised as needed by a professional task force appointed by the American Association for State and Local History. This new edition features crucial revisions including: • A revised and updated users’ guide with new tips and advice • An expanded controlled vocabulary featuring nearly 950 new preferred terms • 475 more non-preferred terms in the index • An expanded and reorganized section on water transportation • Expanded coverage of exchange media, digital collections, electronic devices, archaeological and ethnographic objects, and more
Author | : Paul Bourcier |
Publisher | : Rowman & Littlefield |
Total Pages | : 746 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9780759111936 |
"Third edition of Robert G. Chenhall's system for classifying man-made objects."
Author | : Murtha Baca |
Publisher | : American Library Association |
Total Pages | : 420 |
Release | : 2006-06-12 |
Genre | : Architecture |
ISBN | : 9780838935644 |
In a visual and artifact-filled world, cataloging one-of-a-kind cultural objects without published guidelines and standards has been a challenge. Now for the first time, under the leadership of the Visual Resources Association, a cross-section of five visual and cultural heritage experts, along with scores of reviewers from varied institutions, have created a new data content standard focused on cultural materials. This cutting-edge reference offers practical resources for cataloging and flexibility to meet the needs of a wide range of institutions—from libraries to museums to archives. Consistently following these guidelines for selecting, ordering, and formatting data used to populate metadata elements in cultural materials' catalog records: Promotes good descriptive cataloging and reduces redundancy Builds a foundation of shared documentation Creates data sharing opportunities Enhances end-user access across institutional boundaries Complements existing standards (AACR) This is a must-have reference for museum professionals, visual resources curators, archivists, librarians and anyone who documents cultural objects (including architecture, paintings, sculpture, prints, manuscripts, photographs, visual media, performance art, archaeological sites, and artifacts) and their images.
Author | : Patricia Harpring |
Publisher | : Getty Publications |
Total Pages | : 259 |
Release | : 2010-04-13 |
Genre | : Art |
ISBN | : 160606018X |
This detailed book is a “how-to” guide to building controlled vocabulary tools, cataloging and indexing cultural materials with terms and names from controlled vocabularies, and using vocabularies in search engines and databases to enhance discovery and retrieval online. Also covered are the following: What are controlled vocabularies and why are they useful? Which vocabularies exist for cataloging art and cultural objects? How should they be integrated in a cataloging system? How should they be used for indexing and for retrieval? How should an institution construct a local authority file? The links in a controlled vocabulary ensure that relationships are defined and maintained for both cataloging and retrieval, clarifying whether a rose window and a Catherine wheel are the same thing, or how pot-metal glass is related to the more general term stained glass. The book provides organizations and individuals with a practical tool for creating and implementing vocabularies as reference tools, sources of documentation, and powerful enhancements for online searching.
Author | : Robert G. Chenhall |
Publisher | : Nashville : American Association for State and Local History |
Total Pages | : 540 |
Release | : 1978 |
Genre | : Art |
ISBN | : |
Author | : Paul Bourcier |
Publisher | : American Association for State |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Business & Economics |
ISBN | : 9781442250987 |
Nomenclature 4.0 for Museum Cataloging is an updated and expanded edition of Robert G. Chenhall's system for classifying human-made objects, originally published in 1978. The Chenhall system is the standard cataloging tool for thousands of museums and historical organizations across the United States and Canada. For this fourth edition, hundreds of new terms have been added, and every category, class, sub-class, and object term has been reviewed and revised as needed by a professional task force appointed by the American Association for State and Local History. This new edition features crucial revisions including: - A revised and updated users' guide with new tips and advice - An expanded controlled vocabulary featuring nearly 950 new preferred terms - 475 more non-preferred terms in the index - An expanded and reorganized section on water transportation - Expanded coverage of exchange media, digital collections, electronic devices, archaeological and ethnographic objects, and more AASLH has developed a free online community for all users and potential users of Nomenclature 4. Click here to access the Nomenclature 4.0 online community . Use this site to learn about Nomenclature 4.0, to share news and ask advice, and to submit your own proposals for additions and changes for future editions.
Author | : Robert G. Chenhall |
Publisher | : |
Total Pages | : 513 |
Release | : 1988-01-01 |
Genre | : Museum registration methods |
ISBN | : 9780910050937 |
Author | : Howard Hotson |
Publisher | : OUP Oxford |
Total Pages | : 351 |
Release | : 2007 |
Genre | : Education |
ISBN | : 0198174306 |
Ramism was the most controversial pedagogical movement to sweep through the Protestant world in the latter sixteenth century. This book, the first contextualized study of this rich tradition, has wide-ranging implications for the intellectual, cultural, and social histories not only of the Holy Roman Empire but also of the entire Protestant world in the crucial decades immediately preceding the advent of the "new philosophy" in the mid-seventeenth century.
Author | : Kristin L. Gallas |
Publisher | : Rowman & Littlefield |
Total Pages | : 149 |
Release | : 2014-12-23 |
Genre | : Business & Economics |
ISBN | : 0759123276 |
Interpreting Slavery at Museums and Historic Sites aims to move the field forward in its collective conversation about the interpretation of slavery—acknowledging the criticism of the past and acting in the present to develop an inclusive interpretation of slavery. Presenting the history of slavery in a comprehensive and conscientious manner is difficult and requires diligence and compassion—for the history itself, for those telling the story, and for those hearing the stories—but it’s a necessary part of our collective narrative about our past, present, and future. This book features best practices for: Interpreting slavery across the country and for many people. The history of slavery, while traditionally interpreted primarily on southern plantations, is increasingly recognized as relevant at historic sites across the nation. It is also more than just an African-American/European-American story—it is relevant to the history of citizens of Latino, Caribbean, African and indigenous descent, as well. It is also pertinent to those descended from immigrants who arrived after slavery, whose stories are deeply intertwined with the legacy of slavery and its aftermath. Developing support within an institution for the interpretation of slavery. Many institutions are reticent to approach such a potentially volatile subject, so this book examines how proponents at several sites, including Monticello and Mount Vernon, were able to make a strong case to their constituents. Training interpreters in not only a depth of knowledge of the subject but also the confidence to speak on this controversial issue in public and the compassion to handle such a sensitive historical issue. The book will be accessible and of interest for professionals at all levels in the public history field, as well as students at the undergraduate and graduate levels in museum studies and public history programs.
Author | : Jane K. Curry |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 169 |
Release | : 1994-07-21 |
Genre | : Performing Arts |
ISBN | : 0313031096 |
Many women held positions of great responsibility and power in the United States during the 19th century as theatre managers: managing stock companies, owning or leasing theatres, hiring actors and other personnel, selecting plays for production, directing rehearsals, supervising all production details, and promoting their dramatic offerings. Competing in risky business ventures, these women were remarkable for defying societal norms that restricted career opportunities for women. The activities of more than 50 such women are discussed in Nineteenth-Century American Women Theatre Managers, beginning with an account of 15 pioneering women managers who were all managing theatres before 24 December 1853, when Catherine Sinclair, often incorrectly identified as the first woman theatre manager in the United States, opened her theatre in San Francisco.