Nomai Dance Drama
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| Author | : Susan M. Asai |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 276 |
| Release | : 1999-11-30 |
| Genre | : Performing Arts |
| ISBN | : 1440826374 |
Nomai dance drama, an artistic expression combining sacred, communal, economic, and cultural spheres of community life in the district of Higashidorimura, is a performing tradition that provides an identity to agriculturally based villages. It has retained features characteristic of the music, drama, and sacred practices of medieval Japan. N=omai singing exhibits traits linked to Buddhist chanting. The instrumental music originates from folk Shinto. This study highlights the social and cultural value n=omaii has for the residents in villages that perform it by providing the historical context in which it is examined, as well as its current performance practices. As this work explores the aspects of agricultural Japanese society, revealed through a dance drama, it will appeal to music and drama scholars as well as students of Japanese culture and history. After establishing the historical lens from which to view n^D=omai drama, the theatrical and musical aspects are discussed in detail. Photographs and musical examples enhance this thorough, well-organized study.
| Author | : E. Rust |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 500 |
| Release | : 1996-08-23 |
| Genre | : Education |
| ISBN | : 0313033358 |
Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.
| Author | : Jennifer Post |
| Publisher | : Routledge |
| Total Pages | : 524 |
| Release | : 2013-03-01 |
| Genre | : Music |
| ISBN | : 113670518X |
Ethnomusicology: A Research and Information Guide is an annotated bibliography to books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts. Part One is organized by resource type in categories of greatest concern to students and scholars. It includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the last decades.
| Author | : Jane O'Dea |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 136 |
| Release | : 2000-09-30 |
| Genre | : Social Science |
| ISBN | : 0313030685 |
Drawing upon the past two decades of burgeoning literature in philosophy of music, this study offers a comprehensive, critical analysis of what is entailed in performance interpretation. It argues that integrity and other virtues offset the harm that virtuosity and rigid historical authenticity can impose on the perceptive judgment required of excellent musical interpretation. Proposed are challenging and provocative reassessments of the appropriate roles for virtuosity and historical authenticity in musical performance. Acknowledging the competitive ethos of the contemporary music scene, it details the kind of character a performer needs to develop in order to withstand those pressures and to achieve interpretive excellence. Performers are encouraged to examine and explore the ethical dimension of their art against their responsibilities to the diverse patrons they serve. Professional and student performers and instructors will appreciate this practical discussion of the ethical challenges performers confront when interpreting musical works. The ethical discourse applies to instrumental performance studies, the history and theory of music, general music pedagogy, and philosophy of music courses.
| Author | : Keith Kinder |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 158 |
| Release | : 2000-01-30 |
| Genre | : Music |
| ISBN | : 0313030251 |
This comprehensive study treats the wind works of Anton Bruckner as a complete genre and uses them to illustrate how the composer evolved in style throughout his career. A major nineteenth-century composer, organist, and church musician, Bruckner's compositional style changed dramatically in the early 1860s, dividing his career into two distinct parts. During his early career he immersed himself in the study of traditional musical principles including form, harmony, counterpoint, and orchestration. The second phase of his career, in which he composed the symphonies upon which much of his current reputation rests, was marked by his experimental approaches to harmony and tonality. Many of his early compositions exhibit landmarks of his later style. The wind instrument pieces incorporate the best aspects of both of Bruckner's styles and reflect the progress of his professional life. Organized chronologically, the music is studied and classified within set time periods. Each wind work of a particular period is reviewed according to the historical circumstances contributing to its creation, its specific musical content, and its success as a musical work in relation to wind music and specifically to Bruckner's development. The analyses of Bruckner's compositions are enhanced by musical examples throughout the text.
| Author | : Micah Issitt |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 556 |
| Release | : 2014-09-16 |
| Genre | : Religion |
| ISBN | : 1610694783 |
Covering secret societies, mysterious ancient traditions, and the often-mistaken history of the world's religious symbols, this book takes readers on a tour through the fascinating world of religious symbolism and reveals the most mysterious and misunderstood facets of religion. Hidden Religion: The Greatest Mysteries and Symbols of the World's Religious Beliefs not only explores the history and origins of widely recognizable symbols, like the Christian cross and the Star of David, but also introduces readers to more obscure symbols from religious traditions around the world—even defunct ones like those of the ancient Aztec and Mayan societies. In addition, the book discusses the "religious secrets" found in the major religions, including secret societies of Christianity, Judaism, Islam, and Buddhism. Containing more than 170 entries, the encyclopedia is organized by religious category, such as Abrahamic, East Asian, and African Diasporic religions, then alphabetically within each category. Each entry is prefaced with a short introduction that explains where and when the religious tradition originated and describes the religion today. This information is followed by an analysis of the historical development and use of symbols along with an explanation of connections between symbols used by different religions, such as shared astrological symbolism in the form of moon, sun, or star motifs.
| Author | : Lorraine Gorrell |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 326 |
| Release | : 2002-09-30 |
| Genre | : Music |
| ISBN | : 0313095787 |
Esteemed by many of his most distinguished contemporaries, including Arnold Schoenberg , Alexander Zemlinsky (1871-1942) was a protégé of Brahms and Mahler. Despite this, he was overshadowed by the composers of the second Viennese school, and for many years after his death was remembered merely as the brother-in-law of Schoenberg. But with centenary celebrations of Zemlinsky's birth, scholars began a careful examination of his works and realized they had discovered a forgotten master. Zemlinsky's wonderful melodic gift was manifested in operas, choral works, chamber music, and symphonic pieces, but was realized most fully in his more than one hundred songs. In this important new study—the first such work in English—Lorraine Gorrell focuses on these songs, revealing the ways in which they represented a bridge between the 19th-century romantic lied and the 20th-century avant-garde. Of interest to scholars studying both the German art song and the development of the second Viennese school, Gorrell's work uses Zemlinsky's songs as a lens through which to examine an important, highly influential musical figure.
| Author | : Thomas Licata |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 267 |
| Release | : 2002-09-30 |
| Genre | : Music |
| ISBN | : 031307688X |
Electroacoustic music, a flourishing medium for over half a century, remains today, in a wide array of technological forms, one of the major areas of creative activity in music. However, it has long been overlooked in theoretical studies—possibly in part because it does away with traditional scores and notation. In this landmark collection, a group of distinguished composers and theorists who have actively worked in the field present detailed analyses of important electroacoustic works while also demonstrating some recent approaches to the analysis of the music of this medium. Included here are discussions of such significant works as Karlheinz Stockhausen's Gesang der Jünglinge (1955/56), Iannis Xenakis' Diamorphoses (1957), and Jean-Claude Risset's Contours (1982). Overall, the collection aims to elucidate the sonic design of each of the electroacoustic music works under investigation, using its best examples as a lens through which to examine an unduly neglected genre. Demonstrating recent techniques in the analysis of electroacoustic music, the volume also considers various compositional approaches as well as computer applications that have become an irreplaceable tool in the composing of this music. So little has been written about this 20th-century art form that Electroacoustic Music: Analytical Perspectives is at once a fresh, bold step forward in musicology and analysis.
| Author | : Sally Macarthur |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 225 |
| Release | : 2001-10-30 |
| Genre | : Social Science |
| ISBN | : 0313075050 |
Is there such a thing as women's music? Do women write and listen to music differently than men do? While recognizing that the differences among women are as distinct as the differences between genders, this bold new study examines gender's influence on music. The author's unique analytical strategy shows, in its application to actual musical compositions, that there is a fluid relationship between the music and the analyst, between the text and the context, and that 20th-century music is inextricably bound to notions of gender that transcend aesthetics. Much of the work on women's music to date has failed to deal critically with the actual compositions, settling instead for more biographical or sociological approaches. In this respect, this work fills an important void. Using many concrete examples and careful analyses of the work of such undervalued composers as Alma Mahler-Werfel, Anne Boyd, and Moya Henderson, it grounds the abstract firmly, and fascinatingly, in the practical.
| Author | : Dorene Groocock |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 247 |
| Release | : 2003-02-28 |
| Genre | : Social Science |
| ISBN | : 0313052425 |
Eminently readable despite the complexity of its subject, Fugal Composition: A Guide to the Study of Bach's 48 guides the reader in studying the 48 fugues of the composer's Well-Tempered Clavier. Author Joseph Groocock analyzes each of the fugues individually, both verbally and diagrammatically, and includes such elements as overall structure, episodes, stretto, subsidiary subjects, and countersubjects. The appendices and index furnish a ready reference for the scholar or researcher seeking information or guidance on specific points. Meanwhile, the volume's editor supplies comparative analyses using current and previous scholarship on every fugue-illustrating where the author supports or challenges other viewpoints. In all, the analyses contained in Fugal Composition establish the extraordinary diversity of Bach's fugal style, in such a way that readers gain a new understanding of these significant and beautiful works of music.
