Nobodys Nation
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Author | : Paul Breslin |
Publisher | : University of Chicago Press |
Total Pages | : 345 |
Release | : 2009-02-15 |
Genre | : Literary Criticism |
ISBN | : 0226074285 |
Nobody's Nation offers an illuminating look at the St. Lucian, Nobel-Prize-winning writer, Derek Walcott, and grounds his work firmly in the context of West Indian history. Paul Breslin argues that Walcott's poems and plays are bound up with an effort to re-imagine West Indian society since its emergence from colonial rule, its ill-fated attempt at political unity, and its subsequent dispersal into tiny nation-states. According to Breslin, Walcott's work is centrally concerned with the West Indies' imputed absence from history and lack of cohesive national identity or cultural tradition. Walcott sees this lack not as impoverishment but as an open space for creation. In his poems and plays, West Indian history becomes a realm of necessity, something to be confronted, contested, and remade through literature. What is most vexed and inspired in Walcott's work can be traced to this quixotic struggle. Linking extensive archival research and new interviews with Walcott himself to detailed critical readings of major works, Nobody's Nation will take its place as the definitive study of the poet.
Author | : Luis Alberto Urrea |
Publisher | : University of Arizona Press |
Total Pages | : 204 |
Release | : 1998 |
Genre | : Poetry |
ISBN | : 9780816522705 |
Born in Tijuana to a Mexican father and an Anglo mother, Urrea moved to San Diego at age three. In this memoir of his childhood, Urrea describes his experiences growing up in the barrio and his search for cultural identity.
Author | : Richard Glukstad |
Publisher | : iUniverse |
Total Pages | : 126 |
Release | : 2007 |
Genre | : History |
ISBN | : 0595420842 |
If you are a red blooded American who really loves and wants to help your country, then this book is a must read for you! It gives Americans of all walks of life the chance to sit down and calmly look at themselves with the hope that they will take to heart the author's analysis and common sense suggestions. The book is not intended to be a complete makeover of America, but rather a way to save what's great and improve what may be in the way of our survival as the world's greatest superpower in history. Remember, nobody is perfect!
Author | : Arnold Weinstein |
Publisher | : Oxford University Press |
Total Pages | : 368 |
Release | : 1993-03-11 |
Genre | : Literary Criticism |
ISBN | : 0190281960 |
Nobody's Home is a bold view of the American novel from its beginnings to the contemporary scene. Focusing on some of the deepest instincts of American life and culture--individual liberty, freedom of speech, constructing a life--Arnold Weinstein brilliantly sketches the remarkable career of the American self in some of the major works of the past one hundred fifty years. Weinstein contends that American writers are haunted by the twin specters of the self as a mirage, as Nobody, and by the brutal forces of culture and ideology that deny selfhood to people on the basis of money, sex, and color of skin. His central thesis is that language makes possible freedoms and accomplishments that are achievable in no other realm, and that American fiction is a fascinating record of the human fight against coercion, of the kinds of maneuvering room that we may find in life and in art. This study is unique in several respects: it offers some of the keenest readings of major American texts that have ever been written, including some of the most significant works of the past decades, and it fashions a rich and supple view of the American novel as a writerly form of freedom, in sharp contrast to today's critical emphasis on blindness and co-option.
Author | : T.J. Winnifrith |
Publisher | : Andrews UK Limited |
Total Pages | : 236 |
Release | : 2021-05-05 |
Genre | : History |
ISBN | : 1909930954 |
The Roman, Byzantine and Ottoman Empires, foreign invasion, communism and tribal conflict: these have been the realities of life in Northern Albania for centuries. In this rich and comprehensive history, Tom Winnifrith examines the many different elements that have shaped this independent and little-known region of the Balkans. He explores the fundamental division between the South of Albania and its mysterious, romantic North - more feudal, more tribal, more Catholic and more prone to Austrian and Italian influence. It is also a region less affected by Greece, both ancient and modern, and by medieval Byzantium or the Orthodox faith. Northern Albania, with a terrain and climate much harsher than the south of the country, has traditionally had little respect for law and authority while its inhabitants remain in thrall to an ancient honour code -- the kanun -- demanding blood feuds and terrible revenge. Nobody's Kingdom traces the history of this ruggedly beautiful region, frequently disturbed by both invaders and internal strife yet retaining a distinct national identity and character. From its origins in the ancient kingdom of Illyria and the Roman province of Illyricum, through Byzantine and Ottoman rule, the granting of Albanian independence in 1912, the rise and fall of communism to its current fragile democracy, Northern Albania can be seen as a cultural crossroads - especially remarkable given its mountainous and difficult landscape. This book, both scholarly and readable, is the first modern comprehensive history of Northern Albania and is a timely and accessible introduction to a remote and inaccessible region.
Author | : Elizabeth Bartholet |
Publisher | : Beacon Press |
Total Pages | : 322 |
Release | : 2000-11-17 |
Genre | : Family & Relationships |
ISBN | : 9780807023198 |
Nobody's Children is an intense look at child welfare policies on abuse and neglect, foster care, and adoption. Elizabeth Bartholet, one of the nation's leading experts on family law, challenges the accepted orthodoxy that treats children as belonging to their kinship and their racial groups and that locks them into inadequate biological and foster homes. She asks us to apply the lessons learned from the battered women's movement as we look at battered children, and to question why family preservation ideology still reigns supreme when children rather than adult women are involved. Bartholet asks us to take seriously the adoption option. She calls on the entire community to take responsibility for its children, to think of the children at risk of abuse and neglect as belonging to all of us, and to ensure that "Nobody's Children" become treasured members of somebody's family.
Author | : Dubravka Ugrešić |
Publisher | : Open Letter Books |
Total Pages | : 307 |
Release | : 2008 |
Genre | : Literary Collections |
ISBN | : 1934824003 |
In her long career, Ugresic has published several novels (e.g., The Ministry of Pain), but she made her name with her essay collections, which have caused controversy and earned her the admiration of writers and critics abroad. In these latest musings, written over the course of several years, Ugresic leaves no stone unturned and no thought contained, doing what she does best: writing about the human condition through her own experience. Refusing to establish a central theme, she touches upon a wide range of topics: the paradox of multiculturalism, metaphors as our "defense against nightmares," the eerie similarities between capitalism and communism, and ways in which we try to rise hopelessly above our less-than-perfect existence. Along the way, she pays homage to the works of literature that have influenced her own creative process, in an effort to pay "a symbolic literary tax on narcissim" because "writing is not the humblest of vocations." Perhaps not, but Ugresic certainly knows how to balance being a critic with being criticized. Recommended for all libraries collecting cultural criticism.--Mirela Roncevic, Library Journal Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Author | : Andrew C. Comrie |
Publisher | : Open Book Publishers |
Total Pages | : 432 |
Release | : 2021-02-23 |
Genre | : Education |
ISBN | : 1800641109 |
How do university finances really work? From flagship public research universities to small, private liberal arts colleges, there are few aspects of these institutions associated with more confusion, myths or lack of understanding than how they fund themselves and function in the business of higher education. Using simple, approachable explanations supported by clear illustrations, this book takes the reader on an engaging and enlightening tour of how the money flows. How does the university really pay for itself? Why do tuition and fees rise so fast? Why do universities lose money on research? Do most donations go to athletics? Grounded in hard data, original analyses, and the practical experience of a seasoned administrator, this book provides refreshingly clear answers and comprehensive insights for anyone on or off campus who is interested in the business of the university: how it earns its money, how it spends it, and how it all works.
Author | : Dean Atta |
Publisher | : Saqi |
Total Pages | : 80 |
Release | : 2013-03-04 |
Genre | : Poetry |
ISBN | : 1908906170 |
Revolutionary, reflective and romantic, I Am Nobody's Nigger is the powerful debut collection by one of the UK's finest emerging poets. Exploring race, identity and sexuality, Dean Atta shares his perspective on family, friendship, relationships and London life, from riots to one-night stands. Longlisted for the Polari First Book Prize 2014'Go Dean Atta. Speak the truth. Tweet the truth. Upload it. Let it ring out over the digital domain and strike at the heart of the offline wireless and disconnected.' Lemn Sissay 'Dean Atta's poetry is as honest as truth itself. He follows no trend; he seeks no favours ... Beyond black, beyond white, beyond straight, beyond gay, so I say. Love your eyes over these words of truth. You will be uplifted.' Benjamin Zephaniah 'Righteous and forceful' Peter Tatchell'I can do nothing but take my hat off to Dean Atta for speaking out, saying what he believed, and doing it so effectively and powerfully that countless people heard it who would never normally have done so. Poetry is a powerful tool, and I Am Nobody's Nigger is a perfect example of when that tool shows its full strength.' Huffington Post' Huffington Post 'Raconteur Dean Atta doing what he does best; articulating London's dark, deep-rooted social cancers through a beautiful and intricately personal narrative.' Clash
Author | : Brian M. Reed |
Publisher | : Cornell University Press |
Total Pages | : 242 |
Release | : 2013-08-15 |
Genre | : Literary Criticism |
ISBN | : 0801469570 |
Since the turn of the new millennium English-language verse has entered a new historical phase, but explanations vary as to what has actually happened and why. What might constitute a viable avant-garde poetics in the aftermath of such momentous developments as 9/11, globalization, and the financial crisis? Much of this discussion has taken place in ephemeral venues such as blogs, e-zines, public lectures, and conferences. Nobody's Business is the first book to treat the emergence of Flarf and Conceptual Poetry in a serious way. In his engaging account, Brian M. Reed argues that these movements must be understood in relation to the proliferation of digital communications technologies and their integration into the corporate workplace.Writers such as Andrea Brady, Craig Dworkin, Kenneth Goldsmith, Danny Snelson, and Rachel Zolf specifically target for criticism the institutions, skill sets, and values that make possible the smooth functioning of a postindustrial, globalized economy. Authorship comes in for particular scrutiny: how does writing a poem differ in any meaningful way from other forms of "content providing"? While often adept at using new technologies, these writers nonetheless choose to explore anachronism, ineptitude, and error as aesthetic and political strategies. The results can appear derivative, tedious, or vulgar; they can also be stirring, compelling, and even sublime. As Reed sees it, this new generation of writers is carrying on the Duchampian practice of generating antiart that both challenges prevalent definitions or art and calls into question the legitimacy of the institutions that define it.