Popular 19th Century Painting
Author | : Philip Hook |
Publisher | : |
Total Pages | : 642 |
Release | : 1986 |
Genre | : Antiques & Collectibles |
ISBN | : |
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Author | : Philip Hook |
Publisher | : |
Total Pages | : 642 |
Release | : 1986 |
Genre | : Antiques & Collectibles |
ISBN | : |
Author | : Sterling and Francine Clark Art Institute |
Publisher | : Clark Art Institute |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Painting |
ISBN | : 9780300179651 |
The core of the Clark's collection was assembled by Robert Sterling Clark (1877-1956), who once declared, "I like all kinds of art if it is good of its kind." This monumental, two-volume publication is the first fully documented catalogue of the Institute's collection of European paintings. The quality of this collection reflects the founder's philosophy in its inclusion of masterpieces as diverse as William-Adolphe Bouguereau's Nymphs and Satyr (1873) and Pierre-Auguste Renoir's A Box at the Theater (1880); works by academic painters such as Jean-Léon Gérôme; Barbizon painters such as Camille Corot and Jean-François Millet; and the Impressionists Camille Pissarro and Edgar Degas. More recent acquisitions include Théodore Rousseau's Farm in the Landes (1844-67) and Claude Monet's Rouen Cathedral (1894), and works by John Constable and J. M. W. Turner. Published on the 100th anniversary of Sterling Clark's first purchase of a European painting, these handsome volumes document each of the 374 paintings in the collection, with essays by prominent scholars, detailed bibliographic and art historical apparatus, technical notes, and over 450 color illustrations. Distributed for the Sterling and Francine Clark Art Institute
Author | : Lorenz Eitner |
Publisher | : Princeton University Press |
Total Pages | : 440 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
The National Gallery's collection encompasses the neoclassicism of Jacques-Louis David as well as the naturalism of the Barbizon painters. The works of Jean-August-Dominique Ingres, such as the Gallery's famous portrait of Madame Moitessier, are precursors to the classical style that dominated later in the century. Jean-Baptiste-Camille Corot's verdant landscapes, Honoré Daumier's political satires, and Jean-François Millet's realism are also included in this richly illustrated volume.
Author | : Torsten Gunnarsson |
Publisher | : Yale University Press |
Total Pages | : 318 |
Release | : 1998-01-01 |
Genre | : Art |
ISBN | : 0300070411 |
This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.
Author | : William Rau |
Publisher | : Acc Art Books |
Total Pages | : 0 |
Release | : 2013-01-28 |
Genre | : Painting, European |
ISBN | : 9781851497300 |
Presents the historical context behind the 19th-century's artistic movements, including Romantic Painting, The Pre-Raphaelite Brotherhood, Realist Painting , Academic Painting, and Impressionist Painting.
Author | : Robert Rosenblum |
Publisher | : Discontinued 3pd |
Total Pages | : 552 |
Release | : 2005 |
Genre | : Art |
ISBN | : |
Originally published twenty years ago, "Nineteenth Century Art, Second Edition "remains true to the original, with its superior survey of Western painting and sculpture presented in four historical parts, beginning in 1776 and ending with the dawn of the new century. This book draws on the historical documentation of the period, tracing the dynamics of the making and viewing of art, and examining the reciprocal influences of art and technology, art and politics, art and literature, art and music. For nineteenth century art enthusiasts.
Author | : Susan Sidlauskas |
Publisher | : |
Total Pages | : 230 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780521770248 |
Reveals why the domestic interior figured prominently in visual culture from the 1850s to 1920s.
Author | : Geraldine Norman |
Publisher | : Univ of California Press |
Total Pages | : 1030 |
Release | : 2023-12-22 |
Genre | : Art |
ISBN | : 0520326687 |
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977.
Author | : Albert Boime |
Publisher | : |
Total Pages | : 330 |
Release | : 1986 |
Genre | : Academic art, French |
ISBN | : 9780300244458 |
"Using words and works of both pupils and masters of the French Academy of Beaux-Arts, this fascinating book provides a wealth of information about the environment and studio practices of French official art from 1830 to 1890. Albert Boime describes the training of new pupils in the Academic ateliers, from the time they began and were set to copy engravings and casts to their copying of the old masters in the Louvre to their work before the live model and landscape painting out-of-doors. Boime's account includes not only a history of the transition from guild-controlled arts sanctioned by the church to an academic system sponsored by the state but also a reassessment of the positive role played by the Academy's teaching program in the evolution of the independent movements of the nineteenth century"--Publisher's description.
Author | : Anthea Callen |
Publisher | : Reaktion Books |
Total Pages | : 338 |
Release | : 2015-02-15 |
Genre | : Art |
ISBN | : 178023418X |
In The Work of Art, Anthea Callen analyzes the self-portraits, portraits of fellow artists, photographs, prints, and studio images of prominent nineteenth-century French Impressionist painters, exploring the emergence of modern artistic identity and its relation to the idea of creative work. Landscape painting in general, she argues, and the “plein air” oil sketch in particular were the key drivers of change in artistic practice in the nineteenth century—leading to the Impressionist revolution. Putting the work of artists from Courbet and Cézanne to Pissaro under a microscope, Callen examines modes of self-representation and painting methods, paying particular attention to the painters’ touch and mark-making. Using innovative methods of analysis, she provides new and intriguing ways of understanding material practice within its historical moment and the cultural meanings it generates. Richly illustrated with 180 color and black-and-white images, The Work of Art offers fresh insights into the development of avant-garde French painting and the concept of the modern artist.