Nine Essays On Homer
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| Author | : Miriam Carlisle |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 268 |
| Release | : 1999 |
| Genre | : Literary Collections |
| ISBN | : 9780847694242 |
The essays in this collection addresses questions of intense interest in Homeric studies today: the questions of performance and poet-audience interaction, especially as depicted in idealized performances within the Iliad and the Odyssey; the ways in which epic incorporates material of diverse genres, such as women's laments, blame poetry, or folk tales; how the ideological balance of epic can change and be influenced by 'alternative ideologies' introduced through the incorporation of new material; the implications of the continuity of tradition for etymological studies; and how the traditional nature of epic affects textual criticism. The essays differ in focus and method, but all share one fundamental approach to Homer: an understanding of the Homeric tradition as a poetic system that expresses and preserves what is culturally important and a view of the Homeric epics as instances of a cultural tradition which they attempt to explore through the epics themselves and through the comparative, anthropological, and linguistic evidence they bring to bear on these texts. A unique collection that explores Homeric poetry through a variety of tools and approaches--linguistics, philology, cultural anthropology, sociology, textual criticism, and archeology--this volume will be of interest to all scholars and students of oral poetry and Classical literature.
| Author | : Arthur Platt |
| Publisher | : CUP Archive |
| Total Pages | : 250 |
| Release | : 1927 |
| Genre | : English essays |
| ISBN | : |
| Author | : Casey Dué |
| Publisher | : Harvard University Press |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Epic poetry, Greek |
| ISBN | : 9780674035591 |
The tenth book of the Iliad has been doubted, ignored, and even scorned in Homeric scholarship. Using established methods for interpreting oral traditional poetry, however, Due and Ebbott illuminate many of the interpretive questions that strictly literary approaches find unsolvable, and they demonstrate how the episode shares in the oral traditional nature of the whole epic, even though its poetics are specific to its nocturnal ambush plot. True to their multitextual approach to the text, Due and Ebbott have included a series of critical texts of Iliad 10, including the tenth-century Venetus A manuscript and select papyri, and discuss these individual witnesses and the variations they offer. The essays and commentary explore Iliad 10 within the larger contexts of Homeric epic and the epic tradition. --Book Jacket.
| Author | : Kostas Myrsiades |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 259 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : 0838642195 |
These nine new essays on Homer's epics deal not only with major Homeric themes of time (honor), kleos (fame), geras (rewards), the psychology of Homeric warriors, and the re-evaluation of type scenes, but also with Homer's influence on contemporary film. Following the introduction and an essay which sets the historical background for the epics, four essays are devoted to fresh analysis of key passages and themes while another four turn to a discussion of the film Troy and Homer's influence on two other genres of American cinema.
| Author | : Plutarch |
| Publisher | : |
| Total Pages | : 332 |
| Release | : 1996 |
| Genre | : Literary Criticism |
| ISBN | : 9780788502590 |
This bilingual edition, with introduction and brief commentary, makes accessible for the first time in English a text of great importance for the history and interpretation of Homer. Although attributed to Plutarch, the Essay is probably the work of a grammaticus of the second and thirdcentury and is the single most valuable source of evidence for the nature of the teaching of Homer in the schools of the Roman Empire. Well represented in the manuscript tradition, the Essay was used as prefatory material by Renaissance editors of Homer, beginning with the editio princeps (1488), and so exercised a powerful influence on Renaissance and early-modern readers, who often refer to "Plutarch" as an authority on Homer. The newly edited Greek text is presented with facing translation.
| Author | : Homer |
| Publisher | : Franklin Classics Trade Press |
| Total Pages | : 404 |
| Release | : 2018-10-23 |
| Genre | : |
| ISBN | : 9780344068126 |
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
| Author | : Kostas Myrsiades |
| Publisher | : Rutgers University Press |
| Total Pages | : 365 |
| Release | : 2019-04-05 |
| Genre | : Literary Criticism |
| ISBN | : 1684481368 |
Reading Homer's Odyssey is a book by book commentary on the epic's major themes. Each of the epic's 24 books are divided into sections to stress the length and the importance placed on specific topics and episodes. Footnotes are provided throughout to clarify and complete myths that Homer leaves unfinished, to explain certain terms and phrases, and to provide background information whenever necessary. Additionally, there is a bibliography on the Odyssey, as well as bibliographies that accompany each book's commentary.
| Author | : Maureen Alden |
| Publisher | : Oxford University Press |
| Total Pages | : 445 |
| Release | : 2017-09-15 |
| Genre | : Literary Criticism |
| ISBN | : 0192524283 |
Readers coming to the Odyssey for the first time are often dazzled and bewildered by the wealth of material it contains which is seemingly unrelated to the central story: the main plot of Odysseus' return to Ithaca is complicated by myriad secondary narratives related by the poet and his characters, including Odysseus' own fantastic tales of Lotus Eaters, Sirens, and cannibal giants. Although these 'para-narratives' are a source of pleasure and entertainment in their own right, each also has a special relevance to its immediate context, elucidating Odysseus' predicament and also subtly influencing and guiding the audience's reception of the main story. By exploring variations on the basic story-shape, drawing on familiar tales, anecdotes, and mythology, or inserting analogous situations, they create illuminating parallels to the main narrative and prompt specific responses in readers or listeners. This is the case even when details are suppressed or altered, as the audience may still experience the reverberations of the better-known version of the tradition, and it also applies to the characters themselves, who are often provided with a model of action for imitation or avoidance in their immediate contexts.
| Author | : Felix Budelmann |
| Publisher | : Oxford University Press |
| Total Pages | : 328 |
| Release | : 2018-03-09 |
| Genre | : Literary Criticism |
| ISBN | : 0192528378 |
Recent decades have seen a major expansion in our understanding of how early Greek lyric functioned in its social, political, and ritual contexts, and the fundamental role song played in the day-to-day lives of communities, groups, and individuals has been the object of intense study. This volume places its focus elsewhere, and attempts to illuminate poetic effects that cannot be captured in functional terms alone. Employing a range of interpretative methods, it explores the idea of lyric performances as 'textual events'. Some chapters investigate the pragmatic relationship between real performance contexts and imaginative settings, while others consider how lyric poems position themselves in relation to earlier texts and textual traditions, or discuss the distinctive encounters lyric poems create between listeners, authors, and performers. Individual lyric texts and authors, such as Sappho, Alcaeus, and Pindar, are analysed in detail, alongside treatments of the relationship between lyric and the Homeric Hymns. Building on the renewed concern with the aesthetic in the study of Greek lyric and beyond, Textual Events aims to re-examine the relationship between the poems' formal features and their historical contexts. Lyric poems are a type of socio-political discourse, but they are also objects of attention in themselves. They enable reflection on social and ritual practices as much as they are embedded within them. As well as expressing cultural norms, lyric challenges listeners to think about and experience the world afresh.
| Author | : Ann Suter |
| Publisher | : Oxford University Press |
| Total Pages | : 301 |
| Release | : 2008-02-05 |
| Genre | : Art |
| ISBN | : 0195336925 |
Lament seems to have been universal in the ancient world. As such, it is an excellent touchstone for the comparative study of attitudes towards death and the afterlife, human relations to the divine, views of the cosmos, and the constitution of the fabric of society in different times and places. This collection of essays offers the first ever comparative approach to ancient Mediterranean and Near Eastern traditions of lament. Beginning with the Sumerian and Hittite traditions, the volume moves on to examine Bronze Age iconographic representations of lamentation, Homeric lament, depictions of lament in Greek tragedy and parodic comedy, and finally lament in ancient Rome. The list of contributors includes such noted scholars as Richard Martin, Ian Rutherford, and Alison Keith.Lament comes at a time when the conclusions of the first wave of the study of lament-especially Greek lament-have received widespread acceptance, including the notions that lament is a female genre; that men risked feminization if they lamented; that there were efforts to control female lamentation; and that a lamenting woman was a powerful figure and a threat to the orderly functioning of the male public sphere. Lament revisits these issues by reexamining what kinds of functions the term lament can include, and by expanding the study of lament to other genres of literature, cultures, and periods in the ancient world. The studies included here reflect the variety of critical issues raised over the past 25 years, and as such, provide an overview of the history of critical thinking on the subject.
