Nightwood Theatre

Nightwood Theatre
Author: Shelley Scott
Publisher: Athabasca University Press
Total Pages: 347
Release: 2010
Genre: Drama
ISBN: 1897425554

Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S

Contemporary Women Playwrights

Contemporary Women Playwrights
Author: Penny Farfan
Publisher: Bloomsbury Publishing
Total Pages: 486
Release: 2014-01-23
Genre: Performing Arts
ISBN: 1350316431

Breaking new ground in this century, this wide-ranging collection of essays is the first of its kind to address the work of contemporary international women playwrights. The book considers the work of established playwrights such as Caryl Churchill, Marie Clements, Lara Foot-Newton, Maria Irene Fornes, Sarah Kane, Lisa Kron, Young Jean Lee, Lynn Nottage, Suzan-Lori Parks, Djanet Sears, Caridad Svich, and Judith Thompson, but it also foregrounds important plays by many emerging writers. Divided into three sections-Histories, Conflicts, and Genres-the book explores such topics as the feminist history play, solo performance, transcultural dramaturgies, the identity play, the gendered terrain of war, and eco-drama, and encompasses work from the United States, Canada, Latin America, Oceania, South Africa, Egypt, and the United Kingdom. With contributions from leading international scholars and an introductory overview of the concerns and challenges facing women playwrights in this new century, Contemporary Women Playwrights explores the diversity and power of women's playwriting since 1990, highlighting key voices and examining crucial critical and theoretical developments within the field.

Who's Who of Canadian Women, 1999-2000

Who's Who of Canadian Women, 1999-2000
Author: Gillian Holmes
Publisher: University of Toronto Press
Total Pages: 1194
Release: 1999-06-01
Genre: Social Science
ISBN: 9780920966556

Who's Who of Canadian Women is a guide to the most powerfuland innovative women in Canada. Celebrating the talents and achievement of over 3,700 women, Who's Who of Canadian Women includes women from all over Canada, in all fields, including agriculture, academia, law, business, politics, journalism, religion, sports and entertainment. Each biography includes such information as personal data, education, career history, current employment, affiliations, interests and honours. A special comment section reveals personal thoughts, goals, and achievements of the profiled individual. Entries are indexed by employment of affilitation for easy reference. Published every two years, Who's Who of Canadian Women selects its biographees on merit alone. This collection is an essential resource for all those interested in the achievements of Canadian women.

Canadian Theatre History

Canadian Theatre History
Author: Don Rubin
Publisher:
Total Pages: 444
Release: 2004
Genre: Theater
ISBN:

A collection of original documents and publications by Canadian theatre professions and cultural commentators.

Redressing the Past

Redressing the Past
Author: Kym Bird
Publisher: McGill-Queen's Press - MQUP
Total Pages: 282
Release: 2004-03-10
Genre: Social Science
ISBN: 0773571477

Bird argues that the playwrights, their productions, and their texts express the contradictory relations within these forms of feminism: on the one hand they represent women's social and political emancipation and, on the other, they affirm patriarchal structures and the status quo. Implicitly, this study calls into question what traditionally constitutes drama by treating plays written in non-canonical forms, mounted in nonprofessional venues, and published by marginal presses or not at all as important literary, theatrical, and historical documents.

Goodnight Desdemona (Good Morning Juliet) (Play)

Goodnight Desdemona (Good Morning Juliet) (Play)
Author: Ann-Marie MacDonald
Publisher: Vintage Canada
Total Pages: 114
Release: 2012-10-23
Genre: Drama
ISBN: 0307366332

Goodnight Desdemona (Good Morning Juliet) is an exuberant comedy and feminist revisioning of Shakespeare’s Othello and Romeo and Juliet. It takes us from a dusty office in Canada’s Queen’s University, into the fraught and furious worlds of two of Shakespeare’s best-known tragedies, and turns them upside-down. Constance Ledbelly is the beleaguered “spinster” academic, and unlikely heroine who embarks on a quest for Shakespearean origins and, ultimately, her own identity. When she deciphers an ancient and neglected manuscript, Constance is propelled through a very modern rabbit hole and lands smack in the middle of the tragic turning points of each play in turn. Her attempts to save first Desdemona, then Juliet, from their harrowing fates, result in a wild unpredictable ride through comedy and near-tragedy, as mild-mannered Constance learns to love, sword-fight, dance Renaissance-style, and master a series of disguises… Goodnight Desdemona (Good Morning Juliet) a gender-bendy, big-hearted and crazily intelligent romp, where irony and anger sing in perfect harmony with innocence and poignancy.

Space and the Geographies of Theatre

Space and the Geographies of Theatre
Author: Michael McKinnie
Publisher:
Total Pages: 260
Release: 2007
Genre: Drama
ISBN:

Series sets out to make the best critical and scholarly work in the field readily available.

Gynocritics

Gynocritics
Author: Barbara Godard
Publisher:
Total Pages: 428
Release: 1987
Genre: Literary Collections
ISBN:

Winner of the Gabrielle Roy Prize for the Best Critical Work, 1987. The Dialogue Conference at York University provided an opportunity for a number of scholars to bring a feminist perspective to women's writing in Québec and English Canada. The essays in this volume explore women as readers and writers; the collection concludes with the first extensive bibliography of feminist criticism about Canadian and Québec literature, much of which is drawn from unindexed sources.