Nightwood Theatre Reviews And Articles 1979
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Author | : Shelley Scott |
Publisher | : Athabasca University Press |
Total Pages | : 347 |
Release | : 2010 |
Genre | : Drama |
ISBN | : 1897425554 |
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S
Author | : Penny Farfan |
Publisher | : Bloomsbury Publishing |
Total Pages | : 486 |
Release | : 2014-01-23 |
Genre | : Performing Arts |
ISBN | : 1350316431 |
Breaking new ground in this century, this wide-ranging collection of essays is the first of its kind to address the work of contemporary international women playwrights. The book considers the work of established playwrights such as Caryl Churchill, Marie Clements, Lara Foot-Newton, Maria Irene Fornes, Sarah Kane, Lisa Kron, Young Jean Lee, Lynn Nottage, Suzan-Lori Parks, Djanet Sears, Caridad Svich, and Judith Thompson, but it also foregrounds important plays by many emerging writers. Divided into three sections-Histories, Conflicts, and Genres-the book explores such topics as the feminist history play, solo performance, transcultural dramaturgies, the identity play, the gendered terrain of war, and eco-drama, and encompasses work from the United States, Canada, Latin America, Oceania, South Africa, Egypt, and the United Kingdom. With contributions from leading international scholars and an introductory overview of the concerns and challenges facing women playwrights in this new century, Contemporary Women Playwrights explores the diversity and power of women's playwriting since 1990, highlighting key voices and examining crucial critical and theoretical developments within the field.
Author | : Gillian Holmes |
Publisher | : University of Toronto Press |
Total Pages | : 1194 |
Release | : 1999-06-01 |
Genre | : Social Science |
ISBN | : 9780920966556 |
Who's Who of Canadian Women is a guide to the most powerfuland innovative women in Canada. Celebrating the talents and achievement of over 3,700 women, Who's Who of Canadian Women includes women from all over Canada, in all fields, including agriculture, academia, law, business, politics, journalism, religion, sports and entertainment. Each biography includes such information as personal data, education, career history, current employment, affiliations, interests and honours. A special comment section reveals personal thoughts, goals, and achievements of the profiled individual. Entries are indexed by employment of affilitation for easy reference. Published every two years, Who's Who of Canadian Women selects its biographees on merit alone. This collection is an essential resource for all those interested in the achievements of Canadian women.
Author | : Don Rubin |
Publisher | : |
Total Pages | : 444 |
Release | : 2004 |
Genre | : Theater |
ISBN | : |
A collection of original documents and publications by Canadian theatre professions and cultural commentators.
Author | : Kym Bird |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 282 |
Release | : 2004-03-10 |
Genre | : Social Science |
ISBN | : 0773571477 |
Bird argues that the playwrights, their productions, and their texts express the contradictory relations within these forms of feminism: on the one hand they represent women's social and political emancipation and, on the other, they affirm patriarchal structures and the status quo. Implicitly, this study calls into question what traditionally constitutes drama by treating plays written in non-canonical forms, mounted in nonprofessional venues, and published by marginal presses or not at all as important literary, theatrical, and historical documents.
Author | : |
Publisher | : |
Total Pages | : 680 |
Release | : 1985 |
Genre | : Canadian drama |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 510 |
Release | : 1996 |
Genre | : Canadian drama |
ISBN | : |
Author | : Ann-Marie MacDonald |
Publisher | : Vintage Canada |
Total Pages | : 114 |
Release | : 2012-10-23 |
Genre | : Drama |
ISBN | : 0307366332 |
Goodnight Desdemona (Good Morning Juliet) is an exuberant comedy and feminist revisioning of Shakespeare’s Othello and Romeo and Juliet. It takes us from a dusty office in Canada’s Queen’s University, into the fraught and furious worlds of two of Shakespeare’s best-known tragedies, and turns them upside-down. Constance Ledbelly is the beleaguered “spinster” academic, and unlikely heroine who embarks on a quest for Shakespearean origins and, ultimately, her own identity. When she deciphers an ancient and neglected manuscript, Constance is propelled through a very modern rabbit hole and lands smack in the middle of the tragic turning points of each play in turn. Her attempts to save first Desdemona, then Juliet, from their harrowing fates, result in a wild unpredictable ride through comedy and near-tragedy, as mild-mannered Constance learns to love, sword-fight, dance Renaissance-style, and master a series of disguises… Goodnight Desdemona (Good Morning Juliet) a gender-bendy, big-hearted and crazily intelligent romp, where irony and anger sing in perfect harmony with innocence and poignancy.
Author | : Michael McKinnie |
Publisher | : |
Total Pages | : 260 |
Release | : 2007 |
Genre | : Drama |
ISBN | : |
Series sets out to make the best critical and scholarly work in the field readily available.
Author | : Barbara Godard |
Publisher | : |
Total Pages | : 428 |
Release | : 1987 |
Genre | : Literary Collections |
ISBN | : |
Winner of the Gabrielle Roy Prize for the Best Critical Work, 1987. The Dialogue Conference at York University provided an opportunity for a number of scholars to bring a feminist perspective to women's writing in Québec and English Canada. The essays in this volume explore women as readers and writers; the collection concludes with the first extensive bibliography of feminist criticism about Canadian and Québec literature, much of which is drawn from unindexed sources.