Nightwood Theatre Performance Files 1984
Download Nightwood Theatre Performance Files 1984 full books in PDF, epub, and Kindle. Read online free Nightwood Theatre Performance Files 1984 ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Shelley Scott |
Publisher | : Athabasca University Press |
Total Pages | : 347 |
Release | : 2010 |
Genre | : Drama |
ISBN | : 1897425554 |
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S
Author | : Elizabeth Lumley |
Publisher | : |
Total Pages | : 1464 |
Release | : 2008-01-05 |
Genre | : Biography & Autobiography |
ISBN | : 9780802040718 |
Now in its ninety-eighth year of publication, this standard Canadian reference source contains the most comprehensive and authoritative biographical information on notable living Canadians. Those listed are carefully selected because of the positions they hold in Canadian society, or because of the contribution they have made to life in Canada. The volume is updated annually to ensure accuracy, and 600 new entries are added each year to keep current with developing trends and issues in Canadian society. Included are outstanding Canadians from all walks of life: politics, media, academia, business, sports and the arts, from every area of human activity. Each entry details birth date and place, education, family, career history, memberships, creative works, honours and awards, and full addresses. Indispensable to researchers, students, media, business, government and schools, Canadian Who's Who is an invaluable source of general knowledge. The complete text of Canadian Who's Who is also available on CD-ROM, in a comprehensively indexed and fully searchable format. Search 'astronaut' or 'entrepreneur of the year,' 'aboriginal achievement award' and 'Order of Canada' and discover a wealth of information. Fast, easy and more accessible than ever, the Canadian Who's Who on CD-ROM is an essential addition to your electronic library.
Author | : Susan Bennett |
Publisher | : Routledge |
Total Pages | : 261 |
Release | : 2013-09-13 |
Genre | : Performing Arts |
ISBN | : 1136207171 |
Susan Bennett's highly successful Theatre Audiences is a unique full-length study of the audience as cultural phenomenon, which looks at both theories of spectatorship and the practice of different theatres and their audiences. Published here in a brand new updated edition, Theatre Audiences now includes: • a new preface by the author • a stunning extra chapter on intercultural theatre • a revised up-to-date bibliography. Theatre Audiences is a must-buy for teachers and students interested in spectatorship and theatre audiences, and will be valuable reading for practitioners and others involved in the theatre.
Author | : Sky Gilbert |
Publisher | : Playwrights Canada Press |
Total Pages | : 0 |
Release | : 2006 |
Genre | : |
ISBN | : 9780887547058 |
A comedy about three drag queens who must defend themselves against society.
Author | : Megan Terry |
Publisher | : |
Total Pages | : 82 |
Release | : 2017-12-11 |
Genre | : Drama |
ISBN | : 9780881457216 |
Through the use of dialogue, music, chant, dance, pantomime, and image, the play satirizes attitudes toward the Vietnam war. It attempts to present the very complicated, tragic, and helplessly divided atmosphere that prevailed in America, and to look at hapless emotions in a hopelessly complex mythology of war. With the technique of "transformations" the play unfolds. People change from flowers to individuals to machines, from one character to another, from character into actor into bystander and back to character or abstract image or comment; women change to men and back to women again. Americans change into Vietnamese into Viet Cong and back to American soldiers. The line of the play follows several soldiers from birth, to induction, to indoctrination, to overseas, to battle, to fraternization, and to death. Along the way we meet their mothers, their instructors, their superiors, their elected officials, their friends and their enemies, their tormentors and finally their ghosts. A strong ensemble spirit emerges via the actors' technique and interaction with one another and with the audience. The form of the play is constructed so as to manifest the reality of theatre--not as a replica of or comment upon life but as a part of life--and thus restore its urgency and relevance. ..".the best new play since THE BRIG and THE CONNECTION...the theme and scope the variety and density of VIET ROCK would have excited Brecht." Richard Schechner, T D R "VIET ROCK vividly expressed is a breakthrough...extraordinary on at least two counts. It is the first realized theatrical statement about the Vietnam war...and a rare instance of theater confronting issues broader than individual psychology...I would like to assert my admiration." Michael Smith, Village Voice "Wild...an acid indictment...ensemble acting effects that have to be seen to be believed...VIET ROCK has been brilliantly staged, these Open Theater types are contributing something new to the concept and technique of stagecraft." Tomo., Variety
Author | : Ruth Freydank |
Publisher | : |
Total Pages | : 682 |
Release | : 1996 |
Genre | : Libraries |
ISBN | : |
Author | : Charlotte Perkins Gilman |
Publisher | : Modernista |
Total Pages | : 18 |
Release | : 2024-03-21 |
Genre | : |
ISBN | : 9180946518 |
She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.
Author | : Leland Poague |
Publisher | : Routledge |
Total Pages | : 514 |
Release | : 2003-09-02 |
Genre | : Literary Criticism |
ISBN | : 1135575347 |
Susan Sontag: An Annotated Bibliographycatalogues the works of one of America's most prolific and important 20th century authors. Known for her philosophical writings on American culture, topics left untouched by Sontag's writings are few and far between. This volume is an exhaustive collection that includes her novels, essays, reviews, films and interviews. Each entry is accompanied by an annotated bibliography.
Author | : Diane Warren |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 212 |
Release | : 2008 |
Genre | : Literary Criticism |
ISBN | : 9780754639206 |
Diane Warren argues that Barnes' writings were significant in their immediate early twentieth-century context, in which gender boundaries were being effectively redrawn, and continue to contribute to present-day debates on identity. By considering all of her major writings, Warren illuminates the danger of assessing individual texts, such as Barnes' best-known novel, Nightwood, in isolation.
Author | : Samuel R. Delany |
Publisher | : Wesleyan University Press |
Total Pages | : 336 |
Release | : 2018-08-14 |
Genre | : Literary Criticism |
ISBN | : 081957192X |
Collected interviews featuring the Nebula Award–winning author and his thoughts on topics like literary criticism, comic books, race, and sexuality. For nearly three decades, Samuel R. Delany’s science fiction has transported millions of readers to the fringes of time, technology, and outer space. Now Delany surveys the realms of his own experience as a writer, critic, theorist, and gay Black man in this collection of written interviews, a type of guided essay. Because the written interview avoids the “mutual presence positioned at the semantic core” of traditional interview, Delany explains, “a kind of cut remains between the participants—a fissure in which the truths there may be more malleable, less rigid.” Within that fissure Delany pursues the breadth and depth of his ideas on language and theory, the politics of literary composition, the experience of marginality, and the philosophical, commercial, and personal contexts of writing today. Gathered from sources as diverse as Diacritics and The Comics Journal, these interviews reveal the broad range of Delany’s thought and interests. “Delany has a unique place in late twentieth century letters. A lifelong inhabitant of the margins, both social and literary, he has used his marginalized status as a lens to focus his astute observations of American literature and society. From these interviews his voice emerges, provocative, precise, and engaging.” —Kathleen Spencer, University of Nebraska “Samuel R. Delany never shies away from contestable positions or provocative opinions. In his fiction, Delany can write like quicksilver, and in lectures or panel discussions, he is easily SF’s most articulate spokesperson in academia. . . . There is much here that is not covered in Delany’s critical or autobiographical writings, and much that anyone seriously interested in SF—or many of Delany’s other favorite topics—ought to consider.” —Locus “Delany is fascinating whether discussing SF, comics, or his experiences as a Black American, and this collection . . . is as entertaining as it is informative.” —Science Fiction Chronicle “Yevgeny Zamyatin? Stanislaw Lem? Forget it! Delany is both, with a lot of Borges and Bruno Schultz thrown in.” —Village Voice