The Complete Works of Friedrich Nietzsche
Author | : Friedrich Wilhelm Nietzsche |
Publisher | : |
Total Pages | : 452 |
Release | : 1911 |
Genre | : Philosophy, German |
ISBN | : |
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Author | : Friedrich Wilhelm Nietzsche |
Publisher | : |
Total Pages | : 452 |
Release | : 1911 |
Genre | : Philosophy, German |
ISBN | : |
Author | : Paul Raimond Daniels |
Publisher | : Routledge |
Total Pages | : 252 |
Release | : 2014-09-19 |
Genre | : Philosophy |
ISBN | : 1317548094 |
Nietzsche's philosophy - at once revolutionary, erudite and deep - reaches into all spheres of the arts. Well into a second century of influence, the profundity of his ideas and the complexity of his writings still determine Nietzsche's power to engage his readers. His first book, "The Birth of Tragedy", presents us with a lively inquiry into the existential meaning of Greek tragedy. We are confronted with the idea that the awful truth of our existence can be revealed through tragic art, whereby our relationship to the world transfigures from pessimistic despair into sublime elation and affirmation. It is a landmark text in his oeuvre and remains an important book both for newcomers to Nietzsche and those wishing to enrich their appreciation of his mature writings. "Nietzsche and The Birth of Tragedy" provides a clear account of the text and explores the philosophical, literary and historical influences bearing upon it. Each chapter examines part of the text, explaining the ideas presented and assessing relevant scholarly points of interpretation. The book will be an invaluable guide to readers in Philosophy, Literary Studies and Classics coming to "The Birth of Tragedy" for the first time.
Author | : Friedrich Wilhelm Nietzsche |
Publisher | : Oxford University Press, USA |
Total Pages | : 228 |
Release | : 2000 |
Genre | : Literary Criticism |
ISBN | : 9780192832924 |
This new edition of Nietzsche's discussion of the nature of art, science, and religion, expounds on the origins of Greek tragedy and its relevance to the German culture of its time. The book's argument raises important questions about the problematic nature of cultural origins, which are still valid today.
Author | : M. S. Silk |
Publisher | : Cambridge University Press |
Total Pages | : 483 |
Release | : 2016-09 |
Genre | : Art |
ISBN | : 1107144760 |
This influential book was the first comprehensive study of Nietzsche's earliest work, The Birth of Tragedy (1872).
Author | : John Sallis |
Publisher | : University of Chicago Press |
Total Pages | : 169 |
Release | : 1991-04-09 |
Genre | : Philosophy |
ISBN | : 0226734374 |
Boldly contesting recent scholarship, Sallis argues that The Birth of Tragedy is a rethinking of art at the limit of metaphysics. His close reading focuses on the complexity of the Apollinian/Dionysian dyad and on the crossing of these basic art impulses in tragedy. "Sallis effectively calls into question some commonly accepted and simplistic ideas about Nietzsche's early thinking and its debt to Schopenhauer, and proposes alternatives that are worth considering."—Richard Schacht, Times Literary Supplement
Author | : Friedrich Nietzsche |
Publisher | : Vintage |
Total Pages | : 239 |
Release | : 2010-05-05 |
Genre | : Philosophy |
ISBN | : 030743298X |
Two representative and important works in one volume by one of the greatest German philosophers. The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book.
Author | : Friedrich Nietzsche |
Publisher | : The Floating Press |
Total Pages | : 172 |
Release | : 2016-12-01 |
Genre | : Literary Criticism |
ISBN | : 1776673174 |
This classic work of creative criticism from German philosopher Friedrich Nietzsche argues that ancient Greek drama represents the highest form of art ever produced. In the first section of the book, Nietzsche presents an in-depth analysis of Athenian tragedy and its many merits. In the second section, Nietzsche contrasts the refinement of classical tragedy with what he regards as the cultural wasteland of the nineteenth-century.
Author | : James I. Porter |
Publisher | : Stanford University Press |
Total Pages | : 244 |
Release | : 2000 |
Genre | : Philosophy |
ISBN | : 9780804737005 |
This book argues that The Birth of Tragedy, Nietzsche's first book, does not mark a rupture with his prior philosophical undertakings but is, in fact, continuous with them and with his later writings as well. It shows that many of the book's elements are reminiscent of Nietzsche's earlier revisions of philology and anticipate the later writings.
Author | : Friedrich Nietzsche |
Publisher | : ببلومانيا للنشر والتوزيع |
Total Pages | : 420 |
Release | : 2024-08-27 |
Genre | : Philosophy |
ISBN | : |
Thus Spake Zarathustra is a foundational work of Western literature and is widely considered to be Friedrich Nietzsche’s masterpiece. It includes the German philosopher’s famous discussion of the phrase ‘God is dead’ as well as his concept of the Superman. Nietzsche delineates his Will to Power theory and devotes pages to critiquing Christian thinking, in particular Christianity’s definition of good and evil.