New York State 1990 91
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New York State Government
Author | : Robert B. Ward |
Publisher | : SUNY Press |
Total Pages | : 636 |
Release | : 2006-12-07 |
Genre | : Political Science |
ISBN | : 9781930912168 |
An expanded and updated edition of the 2002 book that has become required reading for policymakers, students, and active citizens.
New York Magazine
Author | : |
Publisher | : |
Total Pages | : 204 |
Release | : 1990-12-24 |
Genre | : |
ISBN | : |
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The New York State Reporter
Author | : New York (State). Courts |
Publisher | : |
Total Pages | : 1176 |
Release | : 1889 |
Genre | : Law reports, digests, etc |
ISBN | : |
The New York State Reporter
Author | : |
Publisher | : |
Total Pages | : 1166 |
Release | : 1889 |
Genre | : Law reports, digests, etc |
ISBN | : |
"Containing all the current decisions of the courts of record of New York State, namely: Court of Appeals, Supreme Court, New York Superior Court, New York Common Pleas, Superior Court of Buffalo, City Court of New York, City Court of Brooklyn, and the Surrogates' Courts" (varies slightly).
Industry
Author | : William Robin |
Publisher | : Oxford University Press |
Total Pages | : 288 |
Release | : 2021-02-08 |
Genre | : Music |
ISBN | : 0190068671 |
Amidst the heated fray of the Culture Wars emerged a scrappy festival in downtown New York City called Bang on a Can. Presenting eclectic, irreverent marathons of experimental music in crumbling venues on the Lower East Side, Bang on a Can sold out concerts for a genre that had been long considered box office poison. Through the 1980s and 1990s, three young, visionary composers--David Lang, Michael Gordon, and Julia Wolfe--nurtured Bang on a Can into a multifaceted organization with a major record deal, a virtuosic in-house ensemble, and a seat at the table at Lincoln Center, and in the process changed the landscape of avant-garde music in the United States. Bang on a Can captured a new public for new music. But they did not do so alone. As the twentieth century came to a close, the world of American composition pivoted away from the insular academy and towards the broader marketplace. In the wake of the unexpected popularity of Steve Reich and Philip Glass, classical presenters looked to contemporary music for relevance and record labels scrambled to reap its potential profits, all while government funding was imperilled by the evangelical right. Other institutions faltered amidst the vagaries of late capitalism, but the renegade Bang on a Can survived--and thrived--in a tumultuous and idealistic moment that made new music what it is today.