New Work Mai Thu Perret
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Author | : Carlos Fuentes |
Publisher | : A&C Black |
Total Pages | : 263 |
Release | : 2012-08-16 |
Genre | : Fiction |
ISBN | : 1408837498 |
_______________________ A DRAMATIC FICTIONAL PORTRAIT OF THE US-MEXICO BORDER, MIGRATION, AND ITS IMPACT ON PEOPLE'S LIVES _______________________ Through this network of nine personal stories, Carlos Fuentes sets out to explain Mexico and America to each other – and to the rest of the world. He presents a dramatic fictional portrait of the relationship between the United States and Mexico, as played out in a Mexican dynasty led by a powerful Mexican oligarch with complex ties north of the border. It is the story of Mexican families who send their sons north to provide for whole villages with dollars and of Mexican tycoons who exploit their own people. Young Jose Francisco grows up in Texas, determined to write about the border world – the immigrants and illegals, Mexican poverty and Yankee prosperity – stories to break the stand-off silence with a victory shout, to shatter at last the crystal frontier.
Author | : Mai-Thu Perret |
Publisher | : JRP Ringier |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Installations (Art) |
ISBN | : 9783037642016 |
Mai-Thu Perret (*1976 in Geneva, where she lives and works) studied at Cambridge University and the Whitney Independent Study Program, New York. The first body of works she developed is entitled "The Crystal Frontier" (1999-): a series that comprises text and objects, which she describes as either the hypothetical production of a group of women living in autarchy in the desert of New Mexico, or the materialization of the principles that shape their everyday life. Investigating our relationships to common objects found in contemporary art, design spaces, and everyday shops, the artist engages with the consequences and changing realities of utopian thinking as it becomes incorporated into capitalism's mainstream. The book includes most of her projects so far, introduced by short captions she has written, as well as newly commissioned essays by Elisabeth Lebovici and Diedrich Diederichsen. In 2010-2011 Mai-Thu Perret had solo exhibitions at UMMA in Ann Arbor, the Aargauer Kunsthaus in Aarau, the Mamco in Geneva, the Haus Konstruktiv in Zurich, and the Magasin in Grenoble. Publisher's note.
Author | : Laura Moriarty |
Publisher | : |
Total Pages | : 276 |
Release | : 2006 |
Genre | : Fiction |
ISBN | : |
Stella Nemo, the most appealing sort of sophisticated naif, plunges her paper ship, the Nautilus, into deepest, blackest space, crossing into the fraught domains of other planets and other minds, beaming requests for information to Ada Byron (a clone and psychic information scientist), and dreaming of the renaissance poet Thomas Wyatt (who exists as data). Stella's mission: to attempt to think and to write without being disturbed, derailed or killed.
Author | : Mathieu Copeland |
Publisher | : Jrp Ringier |
Total Pages | : 534 |
Release | : 2009 |
Genre | : Art |
ISBN | : |
Edited by Matthieu Copeland, Clive Phillpot, John Armleder, Mai-Thu Perret.
Author | : Laura Hoptman |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2008-06-04 |
Genre | : Art |
ISBN | : 9780714848822 |
The first major monograph dedicated to the work of the internationally acclaimed abstract painter.
Author | : Apsara DiQuinzio |
Publisher | : |
Total Pages | : 336 |
Release | : 2020-08 |
Genre | : Art, Modern |
ISBN | : 9780983881377 |
"In 1980 Lucy Lippard argued that feminist art is "neither a style nor a movement" but rather "a value system, a revolutionary strategy, a way of life." New Time: Art and Feminisms in the Twenty-First Century takes Lippard's statement as a point of departure, examining the values, strategies, and ways of life reflected in recent feminist art. Although artworks made since 2000 are the primary focus, the objects and installations discussed span several generations, mediums, geographies, and political sensibilities, conveying the heterogeneous, intergenerational, and gender-fluid nature of feminist practices. In keeping with Griselda Pollock's observation that "feminism is a historical project and thus is itself constantly shaped and remodelled in relation to the living process of women's struggles," New Time argues that feminist art in the twenty-first century encompasses myriad issues and perspectives and therefore cannot be reduced to a single subject, style, or agenda. It further reflects the forms of resistance that are constantly emerging in response to developments in politics and society. This richly illustrated volume presents works by more than seventy artists and collectives, including Laura Aguilar, Louise Bourgeois, Andrea Bowers, Judy Chicago, Ellen Gallagher, Luchita Hurtado, Lynn Hershman Leeson, Kalup Linzy, Goshka Macuga, Mai-Thu Perret, Carol Rama, Kiki Smith, Sturtevant, and Kara Walker. It examines their work though themes such as the problematic stereotypes associated with hysteria; the gendered gaze; the revisitation of historical subjects through a feminist lens; fragmented representations of the female body; shifting categories of gender; activism, domesticity, and labor; female anger; and feminist utopias"--
Author | : Heidi Zuckerman |
Publisher | : |
Total Pages | : |
Release | : 2022-01-21 |
Genre | : |
ISBN | : 9781792379536 |
Author | : César Aira |
Publisher | : New Directions Publishing |
Total Pages | : 288 |
Release | : 2015-03-03 |
Genre | : Fiction |
ISBN | : 081122418X |
A delirious collection of short stories from the Latin American master of micro-fiction. A delirious collection of short stories from the Latin American master of microfiction, César Aira–the author of at least eighty novels, most of them barely one hundred pages long–The Musical Brain & Other Stories comprises twenty tales about oddballs, freaks, and loonies. Aira, with his fuga hacia adelante or "flight forward" into the unknown, gives us imponderables to ponder and bizarre and seemingly out-of-context plot lines, as well as thoughtful and passionate takes on everyday reality. The title story, first published in the New Yorker, is the creme de la creme of this exhilarating collection.
Author | : Clare Lilley |
Publisher | : Phaidon Press |
Total Pages | : 0 |
Release | : 2017-10-02 |
Genre | : Art |
ISBN | : 9780714874609 |
A global survey of 100 of today's most important clay and ceramic artists, chosen by leading art world professionals. Vitamin C celebrates the revival of clay as a material for contemporary visual artists, featuring a wide range of global talent as selected by the world's leading curators, critics, and art professionals. Clay and ceramics have in recent years been elevated from craft to high art material, with the resulting artworks being coveted by collectors and exhibited in museums around the world. Packed with illustrations, Vitamin C is a vibrant and incredibly timely survey - the first of its kind. Artists include: Caroline Achaintre, Ai Weiwei, Aaron Angell, Edmund de Waal, Theaster Gates, Marisa Merz, Ron Nagle, Gabriel Orozco, Grayson Perry, Sterling Ruby, Thomas Schütte, Richard Slee, Clare Twomey, Jesse Wine, and Betty Woodman. Nominators include: Pablo Leon de la Barra, Iwona Blazwick, Mary Ceruti, Dan Fox, Jens Hoffmann, Christine Macel, James Meyer, Jed Morse, Beatrix Ruf, Patrizia Sandretto Re Rebaudengo, Nancy Spector, Sheena Wagstaff, and Jonathan Watkins.
Author | : Susanne Neubauer |
Publisher | : Jrp Ringier |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Installations (Art) |
ISBN | : 9783037642535 |
Paul Thek in Process evolved from the discovery of an unrealized publication project by the American artist Paul Thek (1933–1988), which had been discussed while he was installing his first space-filling environment, Pyramid/A Work in Progress in 1971, and which was to have been released for documenta 5.For this project, around 800 images were taken capturing the progress of the installation, as well as the final form of this pivotal work of 1970s installation art, Pyramid/A Work in Progress.This book contains not only a large number of unpublished images, but also evaluates the complex organizational task of the installation's conception and eventual realization. It offers an exhibition history seen through the backdoor, with particular attention paid to the status of the ephemeral objects that remain as contingent representatives of the lost work.The selected and reproduced source material is understood as curated in terms of its re-incorporation of what has been left out of art and exhibition history.Consequently, the book takes a documentary and fragmentary approach, and reproduces numerous contact sheets and a large selection of the photographic images, all the remaining correspondence between the artist and the institution, the exhibition and work-related ephemera, as well as the press coverage of the show.