New Poems and Memories Revisited
Author | : Margaret Cox |
Publisher | : Lulu.com |
Total Pages | : 125 |
Release | : 2011 |
Genre | : |
ISBN | : 1447776615 |
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Author | : Margaret Cox |
Publisher | : Lulu.com |
Total Pages | : 125 |
Release | : 2011 |
Genre | : |
ISBN | : 1447776615 |
Author | : Sarah Dowling |
Publisher | : Coach House Books |
Total Pages | : 84 |
Release | : 2020-10-06 |
Genre | : Poetry |
ISBN | : 1770566511 |
An abandoned town named for the classical lesbian leads to questions about history and settlement. Driving along the Pacific Coast Highway, you come to a road sign: Entering Sappho. Nothing remains of the town, just trash at the side of the highway and thick, wet bush. Can Sappho’s breathless eroticism tell us anything about settlement—about why we’re here in front of this sign? Mixing historical documents, oral histories, and experimental translations of the original lesbian poet’s works, this book combines documentary and speculation, surveying a century in reverse. This town is one of many with a classical name. Take it as a symbol: perhaps in a place that no longer exists, another kind of future might be possible.
Author | : MARGARET COX |
Publisher | : Lulu.com |
Total Pages | : 126 |
Release | : 2011-12 |
Genre | : Poetry |
ISBN | : 1471053601 |
This, my little book of new poems, is a mixture of 'All Sorts'.There are fun and happy poems, sad one's and some full of reflections.Many belong to a 'Dreamworld' of imagination and sometimes hope and despair.Dear Reader, I hope you enjoy this mix of poems, and that some will bring a smile to your face. Perhaps, also, some will inspire deep thoughts and memories.Margaret Cox
Author | : Kevin Simmonds |
Publisher | : Northwestern University Press |
Total Pages | : 180 |
Release | : 2021-07-15 |
Genre | : Literary Collections |
ISBN | : 0810143747 |
Overture -- Performance -- Postlude.
Author | : Prageeta Sharma |
Publisher | : Wave Books |
Total Pages | : 66 |
Release | : 2020-07-21 |
Genre | : Poetry |
ISBN | : 1950268225 |
Offering a series of poems rooted in the profoundly narrative yet disorienting experience of losing a loved one, Prageeta Sharma, in Grief Sequence, summons all of her resources in order to attempt any semblance, poetic or otherwise, of clear sense in trauma. In doing so she shows that grief, frustrating to logic and yet as real as any experience we might know, is ripe for the sort of intellectual and emotional processing of which poetry is most capable.
Author | : MARGARET COX |
Publisher | : Lulu.com |
Total Pages | : 129 |
Release | : 2012-07-28 |
Genre | : Poetry |
ISBN | : 1300037490 |
This little book of poems is a mix of my imagination and the everyday things that happen to bring a smile to the face or sadness or whatever emotion they invoke. Some convey a message or raise questions. All have been written as inspiration has flooded my mind and I have put pen to paper in the hope of bringing a pleasurable read to all who care to open these pages. Margaret Cox
Author | : Jericho Brown |
Publisher | : Copper Canyon Press |
Total Pages | : 90 |
Release | : 2015-10-15 |
Genre | : Poetry |
ISBN | : 161932119X |
Honored as a "Best Book of 2014" by Library Journal NPR.org writes: “In his second collection, The New Testament, Brown treats disease and love and lust between men, with a gentle touch, returning again and again to the stories of the Bible, which confirm or dispute his vision of real life. 'Every last word is contagious,' he writes, awake to all the implications of that phrase. There is plenty of guilt—survivor’s guilt, sinner’s guilt—and ever-present death, but also the joy of survival and sin. And not everyone has the chutzpah to rewrite The Good Book.”—NPR.org "Erotic and grief-stricken, ministerial and playful, Brown offers his reader a journey unlike any other in contemporary poetry."—Rain Taxi "To read Jericho Brown's poems is to encounter devastating genius."—Claudia Rankine In the world of Jericho Brown's second book, disease runs through the body, violence runs through the neighborhood, memories run through the mind, trauma runs through generations. Almost eerily quiet in even the bluntest of poems, Brown gives us the ache of a throat that has yet to say the hardest thing—and the truth is coming on fast. Fairy Tale Say the shame I see inching like steam Along the streets will never seep Beneath the doors of this bedroom, And if it does, if we dare to breathe, Tell me that though the world ends us, Lover, it cannot end our love Of narrative. Don’t you have a story For me?—like the one you tell With fingers over my lips to keep me From sighing when—before the queen Is kidnapped—the prince bows To the enemy, handing over the horn Of his favorite unicorn like those men Brought, bought, and whipped until They accepted their masters’ names. Jericho Brown worked as the speechwriter for the mayor of New Orleans before earning his PhD in creative writing and literature from the University of Houston. His first book, PLEASE (New Issues), won the American Book Award. He currently teaches at Emory University and lives in Atlanta, Georgia.
Author | : Mary Szybist |
Publisher | : Macmillan |
Total Pages | : 81 |
Release | : 2013-02-05 |
Genre | : Literary Criticism |
ISBN | : 1555976352 |
The anticipated second book by the poet Mary Szybist, author of Granted, a finalist for the National Book Critics Circle Award The troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them.-from "The Troubadours etc." In Incarnadine, Mary Szybist.
Author | : Jacqueline Woodson |
Publisher | : Penguin |
Total Pages | : 177 |
Release | : 2022-09-06 |
Genre | : Juvenile Fiction |
ISBN | : 0399545441 |
WINNER OF THE NAACP IMAGE AWARD WINNER OF THE CORETTA SCOTT KING AUTHOR AWARD National Book Award winner Jacqueline Woodson's stirring novel-in-verse explores how a family moves forward when their glory days have passed, and the cost of professional sports on Black bodies. Now in paperback. For as long as ZJ can remember, his dad has been everyone's hero. As a charming, talented pro football star, he's as beloved to the neighborhood kids he plays with as he is to his millions of adoring sports fans. But lately life at ZJ's house is anything but charming. His dad is having trouble remembering things and seems to be angry all the time. ZJ's mom explains it's because of all the head injuries his dad sustained during his career. ZJ can understand that--but it doesn't make the sting any less real when his own father forgets his name. As ZJ contemplates his new reality, he has to figure out how to hold on tight to family traditions and recollections of the glory days, all the while wondering what their past amounts to if his father can't remember it. And most importantly, can those happy feelings ever be reclaimed when they are all so busy aching for the past?
Author | : Harryette Mullen |
Publisher | : Univ of California Press |
Total Pages | : 99 |
Release | : 2002-02-22 |
Genre | : Poetry |
ISBN | : 0520927834 |
Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of word games (acrostic, anagram, homophone, parody, pun), as well as its reflections on the politics of language and dialect, Mullen's work is serious play. A number of the poems are inspired or influenced by a technique of the international literary avant-garde group Oulipo, a dictionary game called S+7 or N+7. This method of textual transformation--which is used to compose nonsensical travesties reminiscent of Lewis Carroll's "Jabberwocky"--also creates a kind of automatic poetic discourse. Mullen's parodies reconceive the African American's relation to the English language and Anglophone writing, through textual reproduction, recombining the genetic structure of texts from the Shakespearean sonnet and the fairy tale to airline safety instructions and unsolicited mail. The poet admits to being "licked all over by the English tongue," and the title of this book may remind readers that an intimate partner who also gives language lessons is called, euphemistically, a "pillow dictionary."