Natures Sublime
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Author | : Robert S. Corrington |
Publisher | : Lexington Books |
Total Pages | : 232 |
Release | : 2013-03-14 |
Genre | : Philosophy |
ISBN | : 0739182145 |
Nature’s Sublime uses a radical new form of phenomenology to probe into the deepest traits of the human process in its individual, social, religious, and aesthetic dimensions. Starting with the selving process the essay describes the role of signs and symbols in intra and interpersonal communication. At the heart of the human use of signs is a creative tension between religions symbols and the novel symbols created in the various arts. A contrast is made between natural communities, which flatten out and reject novel forms of semiosis, and communities of interpretation, which welcomes creative and enriched signs and symbols. The normative claim is made that religious sign/symbol systems have a tendency toward tribalism and violence, while the various spheres of the aesthetic are comparatively non-tribal, or even deliberatively anti-tribal. The concept/experience of beauty and the sublime is meant to replace that of religious revelation. The sublime is not merely an internal mode of attunement, contra Kant, but comes from the very depths of nature in the potencies of nature naturing.
Author | : Robert S. Corrington |
Publisher | : Rowman & Littlefield |
Total Pages | : 231 |
Release | : 2013 |
Genre | : Philosophy |
ISBN | : 0739182137 |
Nature's Sublime uses a radical new form of phenomenology to probe into the deepest traits of the human process in its individual, social, religious, and aesthetic dimensions. Starting with the selving process the essay describes the role of signs and symbols in intra and interpersonal communication. At the heart of the human use of signs is a creative tension between religions symbols and the novel symbols created in the various arts. A contrast is made between natural communities, which flatten out and reject novel forms of semiosis, and communities of interpretation, which welcomes creative and enriched signs and symbols. The normative claim is made that religious sign/symbol systems have a tendency toward tribalism and violence, while the various spheres of the aesthetic are comparatively non-tribal, or even deliberatively anti-tribal. The concept/experience of beauty and the sublime is meant to replace that of religious revelation. The sublime is not merely an internal mode of attunement, contra Kant, but comes from the very depths of nature in the potencies of nature naturing.
Author | : Cristina Mittermeier |
Publisher | : National Geographic Books |
Total Pages | : 228 |
Release | : 2014 |
Genre | : Nature |
ISBN | : 1426213018 |
A photograph collection explores the variations of natural landscapes, plants, and animals and is complemented by perspectives on humanity's visceral connections to the natural universe.
Author | : Emily Brady |
Publisher | : Cambridge University Press |
Total Pages | : 241 |
Release | : 2013-08-12 |
Genre | : Philosophy |
ISBN | : 1107276268 |
In The Sublime in Modern Philosophy: Aesthetics, Ethics, and Nature, Emily Brady takes a fresh look at the sublime and shows why it endures as a meaningful concept in contemporary philosophy. In a reassessment of historical approaches, the first part of the book identifies the scope and value of the sublime in eighteenth-century philosophy (with a focus on Kant), nineteenth-century philosophy and Romanticism, and early wilderness aesthetics. The second part examines the sublime's contemporary significance through its relationship to the arts; its position with respect to other aesthetic categories involving mixed or negative emotions, such as tragedy; and its place in environmental aesthetics and ethics. Far from being an outmoded concept, Brady argues that the sublime is a distinctive aesthetic category which reveals an important, if sometimes challenging, aesthetic-moral relationship with the natural world.
Author | : Suzanne Ramljak |
Publisher | : Rizzoli Publications |
Total Pages | : 0 |
Release | : 2018-06-12 |
Genre | : Art |
ISBN | : 084786314X |
Artists such as Maya Lin, Roxy Paine, and Dustin Yellin show the impact of human interventionon our ecosystem through a mix of installations, video, photography, and sculpture. Natural Wonders spotlights the works of thirteen artists who work in various media to depict themes of nature—both its beauty and its more disquieting aspects—from painting and sculpture to 3-D landscapes and botanical replications to dioramas and lenticular prints. The range of works encourages us to be more attentive to our natural surroundings and address timely issues such as habitat loss, environmental toxins, bioengineering, and increasing alienation from nature. Ramljak’s essay provides a broad cultural and historical context for the contemporary artworks, complemented by artist statements and an interview between environmentally minded artists Mark Dion and Alexis Rockman.
Author | : Edmund Burke |
Publisher | : |
Total Pages | : 326 |
Release | : 1824 |
Genre | : Aesthetics |
ISBN | : |
Author | : Elana Gomel |
Publisher | : Ohio State University Press |
Total Pages | : 294 |
Release | : 2003 |
Genre | : History |
ISBN | : 9780814209493 |
We live in an increasingly violent world. From suicide terrorists to serial killers, violent subjects challenge our imaginations. We seek answers to our questions on this subject in literature, cinema, and electronic media. In Bloodscripts, Elana Gomel examines how popular culture narratives construct violent subjectivity. Using such various narratives as mystery, horror; detective, and fantasy fiction as well as accounts of the atrocities perpetuated by serial killers and the Holocaust, Bloodscripts offers a new map of the genres of violence and links the twin obsessions of postmodern culture: crime and genocide. Bloodscripts is a stimulating, original, and accessible account of the narrative construction of the violent subject. It proposes a narrative model that will be of interest to literary critics, cultural scholars, criminologists, and anyone trying to understand the role of violence in postmodern culture.
Author | : Graham Huggan |
Publisher | : Routledge |
Total Pages | : 245 |
Release | : 2013-08-22 |
Genre | : Nature |
ISBN | : 1136337601 |
Today's celebrity conservationists, many of whom made their reputations through television and other visual media, play a major role in drawing public attention to an increasingly threatened world. This book, one of the first to address this contribution, focuses on five key figures: the English naturalist David Attenborough, the French marine adventurer Jacques-Yves Cousteau, the American primatologist Dian Fossey, the Canadian scientist-broadcaster-activist David Suzuki, and the Australian 'crocodile hunter' Steve Irwin. Some of the issues the author addresses include: What is the changing relationship between western conservation and celebrity? How has the spread of television helped shape and mediate this relationship? To what extent can celebrity conservation be seen as part of a global system in which conservation, like celebrity, is big business? The book critically examines the heroic status accorded to the five figures mentioned above, taking in the various discourses – around nature, science, nation, gender – through which they and their work have been presented to us. In doing so, it fills in the cultural, historical and ideological background behind contemporary celebrity conservationism as a popular expression of a chronically endangered world.
Author | : Robert R. Clewis |
Publisher | : Bloomsbury Publishing |
Total Pages | : 457 |
Release | : 2018-11-29 |
Genre | : Philosophy |
ISBN | : 1350030171 |
This is the first English-language anthology to provide a compendium of primary source material on the sublime. The book takes a chronological approach, covering the earliest ancient traditions up through the early and late modern periods and into contemporary theory. It takes an inclusive, interdisciplinary approach to this key concept in aesthetics and criticism, representing voices and traditions that have often been excluded. As such, it will be of use and interest across the humanities and allied disciplines, from art criticism and literary theory, to gender and cultural studies and environmental philosophy. The anthology includes brief introductions to each selection, reading or discussion questions, suggestions for further reading, a bibliography and index – making it an ideal text for building a course around or for further study. The book's apparatus provides valuable context for exploring the history and contemporary views of the sublime.
Author | : Wyn Kelley |
Publisher | : Cambridge University Press |
Total Pages | : 336 |
Release | : 1996-07-26 |
Genre | : Literary Criticism |
ISBN | : 9780521560542 |
She shows that images both from Melville and from popular sources of the time represented New York variously as Capital, Labyrinth, City of Man, and City of God, and she goes on to demonstrate that he resisted a generalizing or totalizing representation of the city by revealing its hybrid identity and giving voice to the poor, the displaced, and the racially excluded.