Nationalism Modernism And Personal Rivalry In Nineteenth Century Russian Music
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On Russian Music
Author | : Richard Taruskin |
Publisher | : Univ of California Press |
Total Pages | : 416 |
Release | : 2009 |
Genre | : Biography & Autobiography |
ISBN | : 0520268067 |
This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
A History of Russian Music
Author | : Francis Maes |
Publisher | : Univ of California Press |
Total Pages | : 468 |
Release | : 2006-02-20 |
Genre | : Music |
ISBN | : 0520248252 |
Introduces the general public to the scholarly debate that has revolutionized Russian music history over the past two decades. Summarizes the new view of Russian music and provides an overview of the relationships between artistic movements and political ideas.
Harmony and Discord
Author | : Lynn M. Sargeant |
Publisher | : OUP USA |
Total Pages | : 369 |
Release | : 2011-01-26 |
Genre | : History |
ISBN | : 0199735263 |
This text explores the development of Russian musical life during the 19th and early 20th centuries. At the heart of this cultural history lies the Russian Musical Society, as both a driving force behind the institutionalization of music and a representative of the growing importance of voluntary associations in public life.
The Paradox of Musical Vernaculars
Author | : Marina Ritzarev |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 207 |
Release | : 2023-10-13 |
Genre | : Music |
ISBN | : 1527527417 |
Musical vernaculars are a rare and challenging object of study. Their sound can include everything—from local folk and popular songs to random foreign hits and fragments of classic repertoire. It is an everchanging element—eclectic, whimsical, and resistant to regularity. Based on the author’s multicultural experience, proficiency in Russian and Jewish music history, and interest in anthropology, this book explores the essential features of vernaculars. They can have varying degrees of changeability; some are quite stable, and exist in closed rural or immigrant communities (phylo-vernacular), while others are dynamic, like those of an urbanized population (onto-vernacular). These types of vernacular can turn into one another when communities migrate—that is, agricultural people move to cities, and the townspeople settle on the land. Understanding the changes in the vernacular repertoires as something natural, this book defends the value of urbanized folk music, disputing the traditional view of art-music composers of rural folk songs as only “authentic” and suitable for expressing nationalistic sentiments. The book also examines unexpected interconnections between Russian and Jewish music, both in their vernacular manifestations and the creative work of Sergei Slonimsky and Dmitry Shostakovich.
The Cambridge Companion to Modern Russian Culture
Author | : Nicholas Rzhevsky |
Publisher | : Cambridge University Press |
Total Pages | : 439 |
Release | : 2012-04-05 |
Genre | : History |
ISBN | : 1107002524 |
A fully updated new edition of this overview of contemporary Russia and the influence of its Soviet past.
Serfdom, Society, and the Arts in Imperial Russia
Author | : Formerly Professor of History and International Affairs Richard Stites |
Publisher | : Yale University Press |
Total Pages | : 636 |
Release | : 2005-01-01 |
Genre | : History |
ISBN | : 0300108893 |
Richard Stites explores the dramatic shift in the history of visual and performing arts that took place in the last decades of serfdom in Russia in the 1860s and revisualises the culture of that flamboyant era.
Historical Dictionary of Russian Music
Author | : Daniel Jaffé |
Publisher | : Scarecrow Press |
Total Pages | : 459 |
Release | : 2012-03-08 |
Genre | : Music |
ISBN | : 0810879808 |
Russian music today has a firm hold around the world in the repertoire of opera houses, ballet companies, and orchestras. The music of Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Sergey Rachmaninov, Sergey Prokofiev, and Dmitri Shostakovich is very much today’s lingua franca both in the concert hall and on the soundtracks of international blockbusters from Hollywood. Meanwhile the innovations of Modest Mussorgsky, Alexander Borodin, and Igor Stravinsky have played their crucial role in the development of Western music in the last century, influencing the work of virtually every notable composer of the last century. The Historical Dictionary of Russian Music covers the history of Russian music starting from the earliest archaeological discoveries to the present, including folk music, sacred music, and secular art music. The book contains a chronology, an introductory essay, an extensive bibliography, and over 500 cross-referenced dictionary entries on every major composer in Russia’s history, as well as several leading composers of today, such as Sofia Gubaidulina, Rodion Shchedrin, Leonid Desyatnikov, Elena Firsova, and Pavel Karmanov. It also includes the patrons and institutions that commissioned works by those composers and the choreographers and dancers who helped shape the great ballet masterpieces. This book is an excellent access point for students, researchers, and anyone wanting to know more about Russian music.
An Anthology of Russian Literature from Earliest Writings to Modern Fiction
Author | : Nicholas Rzhevsky |
Publisher | : Routledge |
Total Pages | : 566 |
Release | : 2019-09-16 |
Genre | : Political Science |
ISBN | : 1317476867 |
Russia has a rich, huge, unwieldy cultural tradition. How to grasp it? This classroom reader is designed to respond to that problem. The literary works selected for inclusion in this anthology introduce the core cultural and historic themes of Russia's civilisation. Each text has resonance throughout the arts - in Rublev's icons, Meyerhold's theatre, Mousorgsky's operas, Prokofiev's symphonies, Fokine's choreography and Kandinsky's paintings. This material is supported by introductions, helpful annotations and bibliographies of resources in all media. The reader is intended for use in courses in Russian literature, culture and civilisation, as well as comparative literature.
Beethoven in Russia
Author | : Frederick W. Skinner |
Publisher | : Indiana University Press |
Total Pages | : 271 |
Release | : 2022-11-01 |
Genre | : History |
ISBN | : 0253063078 |
How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.