National Music And Other Essays
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| Author | : Ralph Vaughan Williams |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 1996 |
| Genre | : Music |
| ISBN | : 9780198165934 |
Ralph Vaughan Williams is one of the greatest English composers. He studied under such teachers as Parry, Charles Wood, and Alan Gray, and later in Germany with Max Bruch and in France with Ravel, developing a strongly individual style that marked him out, with Holst and others, as one of theleaders of the twentieth-century revival of English music. He never hesitated to express his views in plain, vigorous prose, and he became well-known for his essays which combine typical common sense with a true composer's sensitivity. This collection contains all his writings that he thought worth preserving in book form. The themes and subjects discussed in these essays reflect his wide range of interests and cover such topics as nationalism in music, the evolution of folk-song, and the origins of music, as well as pieces on individual composers such as Beethoven, Gustav Holst, Bach, Sibelius, Arnold Bax, andElgar. Also included are more general reflections of the making of music, its purpose and effects, and the social foundations of music.
| Author | : Bennett Reimer |
| Publisher | : R&L Education |
| Total Pages | : 419 |
| Release | : 2009-06-16 |
| Genre | : Music |
| ISBN | : 1607092379 |
Noted music educator Bennett Reimer has selected 24 of his previously published articles from a variety of professional journals spanning the past 50 years. During that time, he's tackled: -generating core values for the field of music education; -the core in larger societal and educational contexts; -what to teach and how to teach it effectively; -how we need to educate our teachers; -the role of research in our profession; and -how to improve our future status. Reimer precedes each essay with background reflections and his position, both professional and personal, on effectively addressing the issue at hand. The opening 'Letter to the Reader' presents a valuable overview based on his deeply grounded viewpoint. The entire music education profession will benefit from Reimer's perspective on past, present, and future concerns central to the functioning of music education in Seeking the Significance of Music Education: Essays and Reflections.
| Author | : Ralph Vaughan Williams |
| Publisher | : London, Oxford U. P |
| Total Pages | : 264 |
| Release | : 1963 |
| Genre | : Folk songs |
| ISBN | : |
| Author | : Charles Rosen |
| Publisher | : Harvard University Press |
| Total Pages | : 647 |
| Release | : 2012-05-21 |
| Genre | : Music |
| ISBN | : 0674069897 |
Is there a moment in history when a work receives its ideal interpretation? Or is negotiation always required to preserve the past and accommodate the present? The freedom of interpretation, Charles Rosen suggests in these sparkling explorations of music and literature, exists in a delicate balance with fidelity to the identity of the original work. Rosen cautions us to avoid doctrinaire extremes when approaching art of the past. To understand Shakespeare only as an Elizabethan or Jacobean theatergoer would understand him, or to modernize his plays with no sense of what they bring from his age, deforms the work, making it less ambiguous and inherently less interesting. For a work to remain alive, it must change character over time while preserving a valid witness to its earliest state. When twentieth-century scholars transformed Mozart's bland, idealized nineteenth-century image into that of a modern revolutionary expressionist, they paradoxically restored the reputation he had among his eighteenth-century contemporaries. Mozart became once again a complex innovator, challenging to perform and to understand. Drawing on a variety of critical methods, Rosen maintains that listening or reading with intensity-for pleasure-is the one activity indispensable for full appreciation. It allows us to experience multiple possibilities in literature and music, and to avoid recognizing only the revolutionary elements of artistic production. By reviving the sense that works of art have intrinsic merits that bring pleasure, we justify their continuing existence.
| Author | : Audre Lorde |
| Publisher | : Courier Dover Publications |
| Total Pages | : 148 |
| Release | : 2017-09-13 |
| Genre | : Social Science |
| ISBN | : 0486818993 |
Moving, incisive, and enduringly relevant writings by the African-American poet and feminist include her thoughts on the radical implications of self-care and living with cancer as well as essays on racism, lesbian culture, and political activism.
| Author | : Suzanne M. Lodato |
| Publisher | : Rodopi |
| Total Pages | : 312 |
| Release | : 2002 |
| Genre | : Art |
| ISBN | : 9789042010031 |
The eighteen interdisciplinary essays in this volume were presented in 2001 in Sydney, Australia, at the Third International Conference on Word and Music Studies, which was sponsored by The International Association for Word and Music Studies (WMA). The conference celebrated the sixty-fifth birthday of Steven Paul Scher, arguably the central figure in word and music studies during the last thirty-five years. The first section of this volume comprises ten articles that discuss, or are methodologically based upon, Scher's many analyses of and critical commentaries on the field, particularly on interrelationships between words and music. The authors cover such topics as semiotics, intermediality, hermeneutics, the de-essentialization of the arts, and the works of a wide range of literary figures and composers that include Baudelaire, Mallarmé, Proust, T. S. Eliot, Goethe, Hölderlin, Mann, Britten, Schubert, Schumann, and Wagner. The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate - and often problematize - widespread assumptions regarding 'national' and 'cultural' music, language, plots, and production values in musical stage works. Topics include the National Socialists' construction of German national identity; reception-based examinations of cultural identity and various "national" opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.
| Author | : Wayne Koestenbaum |
| Publisher | : Macmillan |
| Total Pages | : 338 |
| Release | : 2013-08-13 |
| Genre | : Biography & Autobiography |
| ISBN | : 0374533776 |
"A new book of essays by the cultural critic Wayne Koestenbaum, author of The Queen's Throat and Jackie Under My Skin"--
| Author | : Richard Wagner |
| Publisher | : U of Nebraska Press |
| Total Pages | : 428 |
| Release | : 1994-01-01 |
| Genre | : Music |
| ISBN | : 9780803297630 |
"Saint Beethoven!. . . . He was clad in somewhat untidy houseclothes, with a red woolen scarf wrapped round his waist; long, bushy grey hair hung in disorder from his head, and his gloomy, forbidding expression by no means tended to reassure. . . ." When Wagner published the first collection of his writings he was pleased to admit how well he wrote, even when young. Historians and musicians ever since have agreed that some of his most important and revelatory works were written when he was first establishing his reputation in Paris and Dresden. Pilgrimage to Beethoven and Other Essays provides translations of the first two volumes of his Gesammelte Schriften (1871-1873). These works reveal how committed he was to emphasizing Germanic qualities in his music and define his opposition to the music of France and Italy. In addition to his influential essay on Beethoven's Ninth Symphony, this volume includes two early essays on Germanic myth—"The Wibelungen" and "The Nibelungen-Myth"—his homages to Carl Maria von Weber, and the complete text of his autobiographical A German Musician in Paris, with its famous "Pilgrimage to Beethoven." The volume concludes with his "Plan of Organisation of a German National Theatre" (1849), founded upon Beethoven's moral music. Listeners "inspired by Beethoven's music have been more active and energetic citizens-of-State than those bewitched by Rossini, Bellini, and Donizetti." Throughout these essays, as throughout his life, Wagner knew how to provoke. This edition includes the complete volume 7 of the 1898 translation commissioned by the London Wagner Society.
| Author | : Amartya Sen |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : India |
| ISBN | : 9780199453252 |
Time and again Amartya Sen, one of the polymaths of our times, has stirred our thoughts and world-views through his writings and speeches. Intrigued by the questions of social justice and welfare, he argues, in this work, some of the fundamental issues--poverty, hunger, education, globalization, freedom of speech, injustice, inequality, exclusion, exploitation--that we negotiate with in our day to day lives. With a passion and conviction masked by a gently persuasive style and characterised by an undogmatic engagement with differing points of view, Sen's The Country of First Boys asserts that public policy should swing sharply towards the poor, the illiterate, and those suffering from ill health and malnourishment. Written in non-technical and easy to understand language while at the same time relying on rigorous intellectual and academic analysis, this volume would open a window to the ideas of an internationally renowned Nobel laureate to a wide spectrum of readers.
| Author | : DerekB. Scott |
| Publisher | : Routledge |
| Total Pages | : 374 |
| Release | : 2017-07-05 |
| Genre | : History |
| ISBN | : 1351556878 |
Why do we feel justified in using adjectives such as romantic, erotic, heroic, melancholic, and a hundred others when speaking about music? How do we locate these meanings within particular musical styles? These are questions that have occupied Derek Scott's thoughts and driven his critical musicological research for many years. In this selection of essays, dating from 1995-2010, he returns time and again to examining how conventions of representation arise and how they become established. Among the themes of the collection are social class, ideology, national identity, imperialism, Orientalism, race, the sacred and profane, modernity and postmodernity, and the vexed relationship of art and entertainment. A wide variety of musical styles is discussed, ranging from jazz and popular song to the symphonic repertoire and opera.
