National Artist For Visual Arts
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Author | : Liz Byron |
Publisher | : Cast, Incorporated |
Total Pages | : 100 |
Release | : 2018-10 |
Genre | : Education |
ISBN | : 9781930583375 |
Artist and teacher Liz Byron demonstrates how to design lessons and instruction in the visual arts using the inclusive principles of Universal Design for Learning (UDL). Readers learn to set meaningful goals, measure progress, customize instruction, and engage all learners across grades.
Author | : Graeme Sullivan |
Publisher | : SAGE |
Total Pages | : 294 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9781412905367 |
'Art Practice as Research' presents a compelling argument that the creative and cultural inquiry undertaken by artists is a form of research. The text explores themes, practice, and contexts of artistic inquiry and positions them within the discourse of research.
Author | : Ms Judith B Prowda |
Publisher | : Ashgate Publishing, Ltd. |
Total Pages | : 511 |
Release | : 2013-10-01 |
Genre | : Art |
ISBN | : 1848221320 |
This essential handbook offers art professionals and collectors an accessible legal analysis of important principles in art law, as well as a practical guide to legal rights when creating, buying, selling and collecting art in a global market. Although the book is international in scope, there is a particular focus on the US as a major art centre and the site of countless key international court cases. This authoritative but accessible and wide-ranging volume is essential reading for arts advisors, collectors, dealers, auction houses, museums, investors, artists, attorneys and students of art and law.
Author | : Schemmel, Annette |
Publisher | : Langaa RPCIG |
Total Pages | : 410 |
Release | : 2016-02-27 |
Genre | : Art |
ISBN | : 9956763608 |
Annette Schemmel provides a highly illuminating case study of the major actors, discourses and paradigm that shaped the history of visual arts in Cameroon during the second part of the 20th century. Her book meticulously reconstructs the multiple ways of artistic knowledge acquisition - from the consolidation of the "Système de Grands Frères" in the 1970s to the emergence of more discursively oriented small artists' initiatives which responded to the growing NGO market of social practice art opportunities in the 2000s. Based on archival research, participant observation and in depth interviews with art practitioners in Douala and Yaoundé, this study is a must read for everyone who wants to better understand the vibrant artistic scenes in countries like Cameroon, which until today lack a proper state-funded infrastructure in the arts.
Author | : Eric S. Caruncho |
Publisher | : |
Total Pages | : 108 |
Release | : 1995 |
Genre | : Illustrations on endpapers |
ISBN | : |
Author | : Cultural Center of the Philippines |
Publisher | : Cultural Center of Philippines |
Total Pages | : 400 |
Release | : 1998 |
Genre | : Biography & Autobiography |
ISBN | : |
Author | : Tad Crawford |
Publisher | : Dutton Adult |
Total Pages | : 280 |
Release | : 1977 |
Genre | : Art |
ISBN | : |
Author | : Robert Cozzolino |
Publisher | : Princeton University Press |
Total Pages | : 320 |
Release | : 2016-11 |
Genre | : Art |
ISBN | : 0691172692 |
-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---
Author | : Chuck Agro |
Publisher | : Rowman & Littlefield |
Total Pages | : 221 |
Release | : 2019-11-08 |
Genre | : Business & Economics |
ISBN | : 1538115603 |
A successfully managed project is a carefully planned and organized effort. A critical and essential skill for any art service manager is project management—the ability to organize resources--labor, budgets, materials-- and handle constraints so that a project’s goals are successfully accomplished. Fine Art Movement and Storage: Project Management for the Visual Arts is a practical handbook for developing and managing multi-faceted projects from the project manager’s point of view, including estate moves, exhibition planning for preparators, storage setup, planning and maintenance, storage movement and planning, collection relocations, traveling exhibitions, art fairs, and the prioritizing of overlapping projects. It covers complex and advanced project management issues such as: Identifying your stake holders and foreseeing potential stake holder conflicts, Identifying the project’s goals and parameters, Outlining goals for initial and follow-up site visits, Guidelines for conducting a site visit, Planning for art and material staging, Estimating and quoting time, labor, and materials, Understanding and estimating hard and soft costs in your budget, Planning for contingencies, Developing budgets and timelines, Scheduling overlapping tasks, Creating daily goal sheets and project punch lists, Training and staffing your crew, Assigning crew leaders, Delegating project responsibilities, Managing quality control and industry standards, Understanding project completion, post completion, and follow up, and Managing multiple projects. Over 50 graphics help to make this a book you’ll use every day. Every art institution, art service company and individual that manages projects or anticipates a project will need and want to have access to this book as a resource, as a reference and as a training tool.
Author | : National Art Education Association |
Publisher | : National Art Education Association (NAEA) |
Total Pages | : 42 |
Release | : 1999 |
Genre | : Art |
ISBN | : |
In 1967, the National Art Education Association published an official position statement, "The Essentials of a Quality School Art Program," intended for use by individuals and groups responsible for elementary and secondary school art programs in the United States. This updated version presents, as nearly as possible, a consensus of earnest, experienced judgment in the profession. The update is divided into the following parts: (1) "Purposes and Principles for School Art Programs"; (2) "What Students Should Know and Be Able To Do in the Visual Arts"; (3) "Current Trends in Art Education"; (4) "Standards"; (5) "Glossary"; and (6) "NAEA Program Standards Award." (BT)