Narratives of African American Art and Identity

Narratives of African American Art and Identity
Author: Terry Gips
Publisher: Pomegranate Communications
Total Pages: 198
Release: 1998
Genre: Art
ISBN:

One of the most exciting and eclectic celebrations of African American art ever published, Narratives of African American Art and Identity showcases one hundred paintings, etchings, sculptures, and photographs from the collection of David C. Driskell. A true Renaissance man, Driskell himself is an esteemed artist, educator, curator, and philanthropist. His fifty-year career has been committed to promoting African American art. Included are works by John Biggers, Sam Gilliam, Lois Mailou Jones, Keith Morrison, Henry Ossawa Tanner, Alma Thomas, Romare Bearden, Elizabeth Catlett, Augusta Savage, and James VanDerZee -- to name just a few. Each artwork is accompanied by information about the artist and the particular work. This book is the catalog for the exhibition of the same title, which travelled to various American museums through February 2001.

Family Guide

Family Guide
Author:
Publisher:
Total Pages: 18
Release: 2001
Genre: African American art
ISBN:

Two Centuries of Black American Art

Two Centuries of Black American Art
Author: David C. Driskell
Publisher:
Total Pages: 234
Release: 1976
Genre: Art
ISBN:

"This book represents a major event in the art world. It is the first book to encompass the entire span and range of black art in America, from unknown artisans and journeymen painters of the 18th century to such internationally admired 19th-century artists as Edward M. Bannister, Edmonia Lewis, and Henry Ossawa Tanner, through the artists of the dynamic "Harlem Renaissance" of the 1920s, and up to Horace Pippin, Jacob Lawrence, and Romare Bearden ... and reproduces works, chronologically arranged, by all the 63 artists in the show, their paintings, sculptures, graphics, as well as crafts ranging from dolls to walking sticks" --

The Art of Remembering

The Art of Remembering
Author: Gwendolyn DuBois Shaw
Publisher: Duke University Press
Total Pages: 231
Release: 2024-03-01
Genre: Art
ISBN: 1478059168

In The Art of Remembering art historian and curator Gwendolyn DuBois Shaw explores African American art and representation from the height of the British colonial period to the present. She engages in the process of "rememory"—the recovery of facts and narratives of African American creativity and self-representation that have been purposefully set aside, actively ignored, and disremembered. In analyses of the work of artists ranging from Scipio Moorhead, Moses Williams, and Aaron Douglas to Barbara Chase-Riboud, Kara Walker, Kehinde Wiley, and Deana Lawson, Shaw demonstrates that African American art and history may be remembered and understood anew through a process of intensive close looking, cultural and historical contextualization, and biographic recuperation or consideration. Shaw shows how embracing rememory expands the possibilities of history by acknowledging the existence of multiple forms of knowledge and ways of understanding an event or interpreting an object. In so doing, Shaw thinks beyond canonical interpretations of art and material and visual culture to imagine “what if,” asking what else did we once know that has been lost.

Cultural Misbehavior

Cultural Misbehavior
Author: Shawan Monique Worsley
Publisher:
Total Pages: 474
Release: 2005
Genre: African Americans
ISBN:

"Explores African American cultural products that pose competing narratives of black identities that work through the historical trauma of slavery and its legacy, manifested in systematic and institutional racism. Through the analysis and comparison of Alice Randall's novel, The wind done gone, the visual art of Kara Walker, and the hip-hop magazine The source: magazine of hip-hop music and culture, this project highlights the ways in which some cultural producers, in the 1990s, redefine narratives of black identity and subjectivity."--Abstract.

The Blacker the Ink

The Blacker the Ink
Author: Frances Gateward
Publisher: Rutgers University Press
Total Pages: 357
Release: 2015-07-16
Genre: Art
ISBN: 0813572363

When many think of comic books the first thing that comes to mind are caped crusaders and spandex-wearing super-heroes. Perhaps, inevitably, these images are of white men (and more rarely, women). It was not until the 1970s that African American superheroes such as Luke Cage, Blade, and others emerged. But as this exciting new collection reveals, these superhero comics are only one small component in a wealth of representations of black characters within comic strips, comic books, and graphic novels over the past century. The Blacker the Ink is the first book to explore not only the diverse range of black characters in comics, but also the multitude of ways that black artists, writers, and publishers have made a mark on the industry. Organized thematically into “panels” in tribute to sequential art published in the funny pages of newspapers, the fifteen original essays take us on a journey that reaches from the African American newspaper comics of the 1930s to the Francophone graphic novels of the 2000s. Even as it demonstrates the wide spectrum of images of African Americans in comics and sequential art, the collection also identifies common character types and themes running through everything from the strip The Boondocks to the graphic novel Nat Turner. Though it does not shy away from examining the legacy of racial stereotypes in comics and racial biases in the industry, The Blacker the Ink also offers inspiring stories of trailblazing African American artists and writers. Whether you are a diehard comic book fan or a casual reader of the funny pages, these essays will give you a new appreciation for how black characters and creators have brought a vibrant splash of color to the world of comics.

Audience, Agency and Identity in Black Popular Culture

Audience, Agency and Identity in Black Popular Culture
Author: Shawan M. Worsley
Publisher: Routledge
Total Pages: 288
Release: 2009-09-10
Genre: History
ISBN: 1135235635

Audience, Agency and Identity in Black Popular Culture analyses black cultural representations that appropriate anti-black stereotypes. Using examples from literature, media, and art, Worsley examines how these cultural products do not rework anti-black stereotypes into seemingly positive images. Rather, they present anti-black stereotypes in their original forms and encourage audiences not to ignore, but to explore them. Shifting critical commentary from a need to censor these questionable images, Worsley offers a complex consideration of the value of and problems with these alternative anti-racist strategies in light of stereotypes’ persistence. This book furthers our understanding of the historical circumstances that are influencing contemporary representations of black subjects that are purposefully derogatory and documents the consequences of these images.

Black Subjects

Black Subjects
Author: Arlene Keizer
Publisher: Cornell University Press
Total Pages: 219
Release: 2018-08-06
Genre: Literary Criticism
ISBN: 1501727370

Writers as diverse as Carolivia Herron, Charles Johnson, Paule Marshall, Toni Morrison, and Derek Walcott have addressed the history of slavery in their literary works. In this groundbreaking new book, Arlene R. Keizer contends that these writers theorize the nature and formation of the black subject and engage established theories of subjectivity in their fiction and drama by using slave characters and the condition of slavery as focal points. In this book, Keizer examines theories derived from fictional works in light of more established theories of subject formation, such as psychoanalysis, Althusserian interpellation, performance theory, and theories about the formation of postmodern subjects under late capitalism. Black Subjects shows how African American and Caribbean writers' theories of identity formation, which arise from the varieties of black experience re-imagined in fiction, force a reconsideration of the conceptual bases of established theories of subjectivity. The striking connections Keizer draws between these two bodies of theory contribute significantly to African American and Caribbean Studies, literary theory, and critical race and ethnic studies.

African American Identity

African American Identity
Author: Jas M. Sullivan
Publisher: Lexington Books
Total Pages: 472
Release: 2012-04-26
Genre: Social Science
ISBN: 0739171755

Jas M. Sullivan and Ashraf M. Esmail’s African American Identity: Racial and Cultural Dimensions of the Black Experience is a collection which makes use of multiple perspectives across the social sciences to address complex issues of race and identity. The contributors tackle questions about what African American racial identity means, how we may go about quantifying it, what the factors are in shaping identity development, and what effects racial identity has on psychological, political, educational, and health-related behavior. African American Identity aims to continue the conversation, rather than provide a beginning or an end. It is an in-depth study which uses quantitative, qualitative, and mixed methods to explore the relationship between racial identity and psychological well-being, effects on parents and children, physical health, and related educational behavior. From these vantage points, Sullivan and Esmail provide a unique opportunity to further our understanding, extend our knowledge, and continue the debate.

The Routledge Companion to African American Art History

The Routledge Companion to African American Art History
Author: Eddie Chambers
Publisher: Routledge
Total Pages: 467
Release: 2019-11-12
Genre: Art
ISBN: 1351045172

This Companion authoritatively points to the main areas of enquiry within the subject of African American art history. The first section examines how African American art has been constructed over the course of a century of published scholarship. The second section studies how African American art is and has been taught and researched in academia. The third part focuses on how African American art has been reflected in art galleries and museums. The final section opens up understandings of what we mean when we speak of African American art. This book will be of interest to graduate students, researchers, and professors and may be used in American art, African American art, visual culture, and culture classes.