Narrative Factuality
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| Author | : Monika Fludernik |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 790 |
| Release | : 2019-12-16 |
| Genre | : Literary Criticism |
| ISBN | : 311048627X |
The study of narrative—the object of the rapidly growing discipline of narratology—has been traditionally concerned with the fictional narratives of literature, such as novels or short stories. But narrative is a transdisciplinary and transmedial concept whose manifestations encompass both the fictional and the factual. In this volume, which provides a companion piece to Tobias Klauk and Tilmann Köppe’s Fiktionalität: Ein interdisziplinäres Handbuch, the use of narrative to convey true and reliable information is systematically explored across media, cultures and disciplines, as well as in its narratological, stylistic, philosophical, and rhetorical dimensions. At a time when the notion of truth has come under attack, it is imperative to reaffirm the commitment to facts of certain types of narrative, and to examine critically the foundations of this commitment. But because it takes a background for a figure to emerge clearly, this book will also explore nonfactual types of narratives, thereby providing insights into the nature of narrative fiction that could not be reached from the narrowly literary perspective of early narratology.
| Author | : Monika Fludernik |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 751 |
| Release | : 2019-12-16 |
| Genre | : Literary Criticism |
| ISBN | : 3110484994 |
The study of narrative—the object of the rapidly growing discipline of narratology—has been traditionally concerned with the fictional narratives of literature, such as novels or short stories. But narrative is a transdisciplinary and transmedial concept whose manifestations encompass both the fictional and the factual. In this volume, which provides a companion piece to Tobias Klauk and Tilmann Köppe’s Fiktionalität: Ein interdisziplinäres Handbuch, the use of narrative to convey true and reliable information is systematically explored across media, cultures and disciplines, as well as in its narratological, stylistic, philosophical, and rhetorical dimensions. At a time when the notion of truth has come under attack, it is imperative to reaffirm the commitment to facts of certain types of narrative, and to examine critically the foundations of this commitment. But because it takes a background for a figure to emerge clearly, this book will also explore nonfactual types of narratives, thereby providing insights into the nature of narrative fiction that could not be reached from the narrowly literary perspective of early narratology.
| Author | : Marina Lambrou |
| Publisher | : Springer |
| Total Pages | : 130 |
| Release | : 2016-01-14 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1137507780 |
In this book Marina Lambrou explores the dimension of narrative storytelling described as ‘the disnarrated’ – events that do not happen but which are referred to – across three genres of texts: personal narratives; news stories; and fiction (literary and film). The book begins by asking why such disnarrated narratives are nevertheless considered tellable. It moves on to examine the pervasiveness of this phenomenon in news reports about “near misses” and the shared personal narratives about dangerous experiences, where “truth” is expected to be central their telling. It further discusses how disnarration is generated in counterfactual “what if?” scenarios in fiction where characters follow alternative, forked paths with fascinating unexpected consequences. This engaging work offers original insights to anyone interested in storytelling and will appeal in particular to scholars of language and literature, stylistics, narratology, media, film and journalism.
| Author | : Leonora Flis |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 250 |
| Release | : 2010-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 1443824771 |
Factual Fictions: Narrative Truth and the Contemporary American Documentary Novel focuses on contemporary American documentary narratives, specifically the documentary novel, as it re-emerged in the 1960s and later developed into various other forms. The book explores the connections between the documentary novel and the concurrent rise of New Journalism (a.k.a. “literary journalism”) in the United States, situating the two genres in the cultural context of the tumultuous 1960s and an emerging postmodern ethos. Flis makes a comprehensive analysis of texts by Truman Capote, Norman Mailer, John Berendt, and Don DeLillo, while tackling discussions on various theoretical complexities with assurance and rigor. Interested in the precarious divide between fact and fiction, the author productively complicates traditional notions of the two poles. Furthermore, the book examines parallels between contemporary Slovene documentary narratives and their American counterparts. Flis’s work, with its systematic and innovative approach to the subject matter, adds an important historical dimension to the developing field of literary journalism studies as well as to the more established area of 20th Century American literature.
| Author | : John D'Agata |
| Publisher | : Hachette UK |
| Total Pages | : 128 |
| Release | : 2019-08-22 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1529404630 |
NOW A BROADWAY PLAY STARRING DANIEL RADCLIFFE 'Provocative, maddening and compulsively readable' Maggie Nelson In 2003, American essayist John D'Agata wrote a piece for Harper's about Las Vegas's alarmingly high suicide rate, after a sixteen-year-old boy had thrown himself from the top of the Stratosphere Tower. The article he delivered, 'What Happens There', was rejected by the magazine for inaccuracies. But it was soon picked up by another, who assigned it a fact checker: their fresh-faced intern, and recent Harvard graduate, Jim Fingal. What resulted from that assignment, and beyond the essay's eventual publication in the magazine, was seven years of arguments, negotiations, and revisions as D'Agata and Fingal struggled to navigate the boundaries of literary nonfiction. This book includes an early draft of D'Agata's essay, along with D'Agata and Fingal's extensive discussion around the text. The Lifespan of a Fact is a brilliant and eye-opening meditation on the relationship between 'truth' and 'accuracy', and a penetrating conversation about whether it is appropriate for a writer to substitute one for the other. 'A fascinating and dramatic power struggle over the intriguing question of what nonfiction should, or can, be' Lydia Davis
| Author | : Annjeanette Wiese |
| Publisher | : U of Nebraska Press |
| Total Pages | : 330 |
| Release | : 2021-10 |
| Genre | : Literary Criticism |
| ISBN | : 1496228545 |
Narrative Truthiness explores the complex nature of truth by adapting Stephen Colbert's concept of truthiness (which on its own repudiates complexity) into something nuanced and positive, what Annjeanette Wiese calls "narrative truthiness." Narrative truthiness holds on to the importance of facts while complicating them by looking at different types of truth, as well as the complexity, contradictions, and consequences of truth in the context of human experience. Wiese uses narrative theory to analyze several examples of hybrid (non)fiction: works that refuse to exist as either fiction or nonfiction alone and that challenge monolithic definitions of truth. She examines memoirs by Lauren Slater, Michael Ondaatje, Binjamin Wilkomirski, Tim O'Brien; fiction by Julian Barnes, Richard Powers, W. G. Sebald; Onion headlines; comics and graphic memoirs by Joe Sacco, Art Spiegelman, and David Small; and fake news. Narrative Truthiness foregrounds the complexity that is inherent in human understanding and experience and in the process demonstrates the significance of the complex tensions between what we feel to be true and what is true, and how we are shaped by both.
| Author | : Guillermo Erades |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 385 |
| Release | : 2016-05-03 |
| Genre | : Fiction |
| ISBN | : 0374714304 |
Tuesday night: vodka and dancing at the Hungry Duck. Wednesday morning: posing as an expert on Pushkin at the university. Thursday night: more vodka and girl-chasing at Propaganda. Friday morning: a hungover tour of Gorky's house. Martin came to Moscow at the turn of the millennium hoping to discover the country of Dostoyevsky, Tolstoy, and his beloved Chekhov. Instead he found a city turned on its head, where the grimmest vestiges of Soviet life exist side by side with the nonstop hedonism of the newly rich. Along with his hard-living expat friends, Martin spends less and less time on his studies, choosing to learn about the Mysterious Russian Soul from the city's unhinged nightlife scene. But as Martin's research becomes a quest for existential meaning, love affairs and literature lead to the same hard-won lessons. Russians know: There is more to life than happiness. Back to Moscow is an enthralling story of debauchery, discovery, and the Russian classics. In prose recalling the neurotic openheartedness of Ben Lerner and the whiskey-sour satire of Bret Easton Ellis, Guillermo Erades has crafted an unforgettable coming-of-age story and a complex portrait of a radically changing city.
| Author | : Alexander Stille |
| Publisher | : Macmillan |
| Total Pages | : 370 |
| Release | : 2003-04 |
| Genre | : History |
| ISBN | : 9780312421533 |
This history of Italy's Jews under the shadow of the Holocaust examines the lives of five Jewish families: the Ovazzas, who propered under Mussolini and whose patriarch became a prominent fascist; the Foas, whose children included both an antifascist activist and a Fascist Party member, the DiVerolis who struggled for survival in the ghetto; the Teglios, one of whom worked with the Catholic Church to save hundreds of Jews; and the Schonheits, who were sent to Buchenwald and Ravensbruck.
| Author | : Mirjam Moegele |
| Publisher | : GRIN Verlag |
| Total Pages | : 61 |
| Release | : 2010-04 |
| Genre | : Performing Arts |
| ISBN | : 3640595327 |
Seminar paper from the year 2009 in the subject Communications - Movies and Television, grade: 2,0, University of Copenhagen (Film- und Medienwissenschaft), course: Between Documentary and Fiction, language: English, abstract: In this essay I want to focus on the integration of "factual discourse" in its different forms in a movie and the effects they are creating for the viewer. First of all it is interesting to look, where we can situate the biographical movie within fiction and historical truthfulness. I want to show that re-enactment of originals and the application of fictional facts is animating the viewer to reflect differently on the represented images. Here it is interesting to observe the story-line of Jack Rollins, including the effects of aesthetics and documentary consciousness. The movie is playing to a huge account with aesthetics, but also with the cultural knowledge of people "knowing" something about Bob Dylan and the previous documentaries "Don't look back" (cinema verite) and "No direction home". It is interesting to observe how the viewer can actually differentiate between factual and fictional discourse and to which degree he might believe, what is presented to him. The question can also be framed into the whole aim of the movie, which might explain the choice of certain media techniques. In which ways is factual discourse integrated in the movie "I'm not there"? Which documentary techniques underline the purpose for authenticity? How does the movie play with the concept of "documentary consciousness"? What does the re-enactment of factual discourse and material together with fictional elements achieve compared to a classical documentary?
| Author | : Tim O'Brien |
| Publisher | : HarperCollins |
| Total Pages | : 259 |
| Release | : 2009-10-13 |
| Genre | : Fiction |
| ISBN | : 0547420293 |
A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
