Narration And Description In The French Realist Novel
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Author | : James H. Reid |
Publisher | : Cambridge University Press |
Total Pages | : 244 |
Release | : 2006-11-02 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780521029780 |
This book demonstrates instead the writers' use of irony and allegory in struggling against the deceitfulness of their own texts.
Author | : William Burgwinkle |
Publisher | : Cambridge University Press |
Total Pages | : 823 |
Release | : 2011-02-24 |
Genre | : Literary Criticism |
ISBN | : 0521897866 |
The most comprehensive history of literature written in French ever produced in English.
Author | : Brian Nelson |
Publisher | : Cambridge University Press |
Total Pages | : 321 |
Release | : 2015-06-11 |
Genre | : Literary Criticism |
ISBN | : 0521887089 |
An engaging, highly accessible and informative introduction to French literature from the Middle Ages to the present.
Author | : John Hawkes |
Publisher | : New Directions Publishing |
Total Pages | : 196 |
Release | : 1961 |
Genre | : Fiction |
ISBN | : 9780811200653 |
But it would be unfair to the reader to reveal what happens when a gang of professional crooks gets wind of the scheme and moves to muscle in on this bettors' dream of a long-odds situation. Worked out with all the meticulous detail, terror, and suspense of a nightmare, the tale is, on one level, comparable to a Graham Greene thriller; on another, it explores a group of people, their relationships fears, and loves. For as Leslie A. Fiedler says in his introduction, "John Hawkes.. . makes terror rather than love the center of his work, knowing all the while, of course, that there can be no terror without the hope for love and love's defeat . . . ."
Author | : James H. Reid |
Publisher | : Cambridge University Press |
Total Pages | : 205 |
Release | : 2003-10-13 |
Genre | : Literary Criticism |
ISBN | : 1139440845 |
This a comprehensive comparison of the narrative techniques of two of the twentieth century's most important writers of prose. Using a combination of theoretical analysis and close readings of Proust's A la recherche du temps perdu and Beckett's trilogy of novels, Molloy, Malone Dies, and The Unnamable, James H. Reid compares the two novelists' use of first-person narration in constructing and demystifying fictions of consciousness. Reid focuses on the narrator's search to represent the voice that speaks the novel, a search, he argues, that structures first-person narration in the works of both novelists. He examines in detail the significant impact of Proust's writing on Beckett's own work as well as Beckett's subtle reworkings of Proust's themes and strategies. This study is an important contribution to critical literature, and offers fresh perspectives on the crucial importance of the Recherche and the trilogy in the context of the twentieth-century novel.
Author | : John Flower |
Publisher | : Rowman & Littlefield |
Total Pages | : 659 |
Release | : 2022-05-15 |
Genre | : Literary Criticism |
ISBN | : 1538168588 |
With the possible exception of Great Britain, France can justifiably lay claim to possess the richest literary history of any country in Western Europe. This book covers the authors and their works, literary movements, and philosophical and social developments that have had a direct impact on style or content, and major historical events such as the two world wars, the Franco-Prussian War, the Algerian War, or the events of May 1968 that are directly reflected in a substantial body of imaginative writing. Historical Dictionary of French Literature, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries on individual writers and key texts, significant movements, groups, associations, and periodicals, and on the literary reactions to major national and international events such as revolutions and wars. This book is an excellent resource for students, researchers, and anyone wanting to know more about French literature.
Author | : Paul Schellinger |
Publisher | : Routledge |
Total Pages | : 838 |
Release | : 2014-04-08 |
Genre | : Literary Criticism |
ISBN | : 1135918260 |
The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.
Author | : Carol Colatrella |
Publisher | : Routledge |
Total Pages | : 194 |
Release | : 2016-07-22 |
Genre | : Literary Criticism |
ISBN | : 1317230906 |
First published in 1990. Balzac, Zola and Faulkner all drew upon the principles of evolutionary theory to represent man’s place in nature and his struggle for survival in their major series La Comèdie humaine, Rougon-Macquart and the Yoknapatawpha fiction. This book focuses on the ‘first’ novels in each author’s series (La Père Goriot, La Fortune des Rougon and Flags in the Dust) and considers how each novel relates to its series and derives a definition of the naturalistic roman-fleuve. To describe this development, the issues of how a scientific idea becomes refracted in a literary genre and how the naturalistic novel developed out of the realistic novel are considered.
Author | : Julie Candler Hayes |
Publisher | : Cambridge University Press |
Total Pages | : 260 |
Release | : 1999-07-15 |
Genre | : Literary Criticism |
ISBN | : 1139426338 |
In this 1999 book, Julie Candler Hayes offers an ambitious reinterpretation of a crucial aspect of Enlightenment thought, the rationalizing and classifying impulse. Taking issue both with traditional liberal and contemporary critical accounts of the Enlightenment, she analyses the writings of Denis Diderot, Emilie Du Châtelet, the Abbé de Condillac, Buffon, d'Alembert and numerous others, to argue for a new understanding of 'systematic reason' as complex, paradoxical and ultimately liberating. Hayes examines the tensions between freedom and constraint, abstraction and materialism, linear and synoptic order, that pervade not only philosophic and scientific discourse, but also epistolary writing, fiction and criticism. Drawing on the insights of a wide range of theorists from Adorno, Habermas and Foucault to Deleuze and Derrida, she offers a dialogue between the eighteenth century and our own, an ongoing exploration of the question, 'what is Enlightenment?'.
Author | : Monika Fludernik |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 790 |
Release | : 2019-12-16 |
Genre | : Literary Criticism |
ISBN | : 311048627X |
The study of narrative—the object of the rapidly growing discipline of narratology—has been traditionally concerned with the fictional narratives of literature, such as novels or short stories. But narrative is a transdisciplinary and transmedial concept whose manifestations encompass both the fictional and the factual. In this volume, which provides a companion piece to Tobias Klauk and Tilmann Köppe’s Fiktionalität: Ein interdisziplinäres Handbuch, the use of narrative to convey true and reliable information is systematically explored across media, cultures and disciplines, as well as in its narratological, stylistic, philosophical, and rhetorical dimensions. At a time when the notion of truth has come under attack, it is imperative to reaffirm the commitment to facts of certain types of narrative, and to examine critically the foundations of this commitment. But because it takes a background for a figure to emerge clearly, this book will also explore nonfactual types of narratives, thereby providing insights into the nature of narrative fiction that could not be reached from the narrowly literary perspective of early narratology.