My Garden Of Memory An Autobiography Etc With Plates Including Portraits
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Author | : Arthur and Elizabeth Schlesinger Library on the History of Women in America |
Publisher | : |
Total Pages | : 758 |
Release | : 1973 |
Genre | : Etiquette |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 1138 |
Release | : 1969 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 654 |
Release | : 1965 |
Genre | : Subject catalogs |
ISBN | : |
Author | : Paul John Eakin |
Publisher | : Princeton University Press |
Total Pages | : 259 |
Release | : 1992-04-15 |
Genre | : Literary Criticism |
ISBN | : 1400820642 |
Paul John Eakin's earlier work Fictions in Autobiography is a key text in autobiography studies. In it he proposed that the self that finds expression in autobiography is in fundamental ways a kind of fictive construct, a fiction articulated in a fiction. In this new book Eakin turns his attention to what he sees as the defining assumption of autobiography: that the story of the self does refer to a world of biographical and historical fact. Here he shows that people write autobiography not in some private realm of the autonomous self but rather in strenuous engagement with the pressures that life in culture entails. In so demonstrating, he offers fresh readings of autobiographies by Roland Barthes, Nathalie Sarraute, William Maxwell, Henry James, Ronald Fraser, Richard Rodriguez, Henry Adams, Patricia Hampl, John Updike, James McConkey, and Lillian Hellman. In the introduction Eakin makes a case for reopening the file on reference in autobiography, and in the first chapter he establishes the complexity of the referential aesthetic of the genre, the intricate interplay of fact and fiction in such texts. In subsequent chapters he explores some of the major contexts of reference in autobiography: the biographical, the social and cultural, the historical, and finally, underlying all the rest, the somatic and temporal dimensions of the lived experience of identity. In his discussion of contemporary theories of the self, Eakin draws especially on cultural anthropology and developmental psychology.
Author | : |
Publisher | : |
Total Pages | : 660 |
Release | : 1997 |
Genre | : Antiquarian booksellers |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 712 |
Release | : 1968 |
Genre | : Union catalogs |
ISBN | : |
Author | : British Museum. Department of Printed Books |
Publisher | : |
Total Pages | : 576 |
Release | : 1965 |
Genre | : English imprints |
ISBN | : |
Author | : British Museum. Dept. of Printed Books |
Publisher | : |
Total Pages | : 1290 |
Release | : 1967 |
Genre | : English imprints |
ISBN | : |
Author | : Chanel Miller |
Publisher | : Penguin |
Total Pages | : 386 |
Release | : 2020-08-18 |
Genre | : Biography & Autobiography |
ISBN | : 0735223726 |
A NEW YORK TIMES BESTSELLER "Know My Name is a gut-punch, and in the end, somehow, also blessedly hopeful." --Washington Post Universally acclaimed, rapturously reviewed, and an instant New York Times bestseller, Chanel Miller's breathtaking memoir "gives readers the privilege of knowing her not just as Emily Doe, but as Chanel Miller the writer, the artist, the survivor, the fighter." (The Wrap). Her story of trauma and transcendence illuminates a culture biased to protect perpetrators, indicting a criminal justice system designed to fail the most vulnerable, and, ultimately, shining with the courage required to move through suffering and live a full and beautiful life. Know My Name will forever transform the way we think about sexual assault, challenging our beliefs about what is acceptable and speaking truth to the tumultuous reality of healing. Entwining pain, resilience, and humor, this memoir will stand as a modern classic.
Author | : George Sanders |
Publisher | : Dean Street Press |
Total Pages | : 190 |
Release | : 2015-03-02 |
Genre | : Biography & Autobiography |
ISBN | : 1910570052 |
What might we dare to expect from an actor's autobiography, even one from a star as personable as George Sanders? In the case of Memoirs of a Professional Cad, we possibly get more than we deserve. George Sanders undoubtedly led a colourful, glamorous and even action-packed life, spanning the peak years of Hollywood's golden age. But the greatest joy of his memoirs is how funny they are, and how penetrating their author's wit. Endlessly quotable, every chapter shows that the sardonic charm and intelligence he lent to the silver screen were not merely implied. George's early childhood was spent in Tsarist Russia, before he was obliged to flee with his family to England on the eve of the Russian Revolution. He survived two English boarding schools before seeking adventure in Chile and Argentina where he sold cigarettes and kept a pet ostrich in his apartment. We can only be grateful that George was eventually asked to leave South America following a duel of honour (very nearly to the death), and was forced to take up acting for a living instead. Memoirs of A Professional Cad has much to say about Hollywood and the stars George Sanders worked with and befriended, not to mention the irrespressible Tsa Tsa Gabor who became his wife. But at heart it is less a conventional autobiography, and more a Machiavellian guide to life, and the art of living, from a man who knew a thing or two on the subject. So we are invited to share George's thought-provoking views on women, friendship, the pros and cons of therapy, ageing, possessions, and the necessity of contrasts ( Sanders' maxim: 'the more extreme the contrast, the fuller the life'). Previously out of print for many decades, Memoirs of A Professional Cad stands today as one of the classic Hollywood memoirs, from one of its most original, enduring and inimitable stars. This edition also features a new afterword by George Sanders' niece, Ulla Watson. 'Even when asking a hatcheck girl for his coat, he conveyed the impression of a malevolent cat fastidiously licking its chops over the prospect of a particularly toothsome mouse.' Salon