Mussolinis National Project In Argentina
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| Author | : David Aliano |
| Publisher | : Fairleigh Dickinson |
| Total Pages | : 221 |
| Release | : 2012-08-31 |
| Genre | : History |
| ISBN | : 1611475775 |
During the 1920s and 1930s, Mussolini’s fascist regime attempted to promote fascist Italy’s national project in Argentina, bombarding the republic with its propaganda. Although politically a failure, this propaganda provoked a debate over the idea of a national identity outside of the nation-state and the potential roles that citizens living abroad could play in their country of origin. In propagating an Italian national identity within another sovereign state, Mussolini’s initiative also inspired heated debate among native Argentines over their own national project as a nation of immigrants. Using the experiences of Mussolini’s efforts in Argentina as its case study, this book demonstrates how national projects take on different meanings once they enter a contested public space. It details how both members of the Italian community as well as native Argentines reshaped Italy’s national discourse from abroad by entangling it with Argentina’s own national project. In exploring the way in which nations are imagined, constructed, and recast both from above as well as from below, Mussolini’s National Project in Argentina offers new perspectives on the politics of identity formation while providing a transatlantic example of the dynamic interplay between the Italian state and its emigrant communities. It is in short, a transnational perspective on what it means to belong to a nation.
| Author | : Ruth Ben-Ghiat |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 446 |
| Release | : 2020-11-10 |
| Genre | : History |
| ISBN | : 1324001550 |
What modern authoritarian leaders have in common (and how they can be stopped). Ruth Ben-Ghiat is the expert on the "strongman" playbook employed by authoritarian demagogues from Mussolini to Putin—enabling her to predict with uncanny accuracy the recent experience in America and Europe. In Strongmen, she lays bare the blueprint these leaders have followed over the past 100 years, and empowers us to recognize, resist, and prevent their disastrous rule in the future. For ours is the age of authoritarian rulers: self-proclaimed saviors of the nation who evade accountability while robbing their people of truth, treasure, and the protections of democracy. They promise law and order, then legitimize lawbreaking by financial, sexual, and other predators. They use masculinity as a symbol of strength and a political weapon. Taking what you want, and getting away with it, becomes proof of male authority. They use propaganda, corruption, and violence to stay in power. Vladimir Putin and Mobutu Sese Seko’s kleptocracies, Augusto Pinochet’s torture sites, Benito Mussolini and Muammar Gaddafi’s systems of sexual exploitation, and Silvio Berlusconi and Donald Trump’s relentless misinformation: all show how authoritarian rule, far from ensuring stability, is marked by destructive chaos. No other type of leader is so transparent about prioritizing self-interest over the public good. As one country after another has discovered, the strongman is at his worst when true guidance is most needed by his country. Recounting the acts of solidarity and dignity that have undone strongmen over the past 100 years, Ben-Ghiat makes vividly clear that only by seeing the strongman for what he is—and by valuing one another as he is unable to do—can we stop him, now and in the future.
| Author | : R. J. B. Bosworth |
| Publisher | : Yale University Press |
| Total Pages | : 359 |
| Release | : 2021-03-02 |
| Genre | : History |
| ISBN | : 0300232721 |
An incisive account of how Mussolini pioneered populism in reaction to Hitler's rise--and thereby reinforced his role as a model for later authoritarian leaders On the tenth anniversary of his rise to power in 1932, Benito Mussolini (1883-1945) seemed to many the "good dictator." He was the first totalitarian and the first fascist in modern Europe. But a year later Hitler's entrance onto the political stage signaled a German takeover of the fascist ideology. In this definitive account, eminent historian R.J.B. Bosworth charts Mussolini's leadership in reaction to Hitler. Bosworth shows how Italy's decline in ideological pre-eminence, as well as in military and diplomatic power, led Mussolini to pursue a more populist approach: angry and bellicose words at home, violent aggression abroad, and a more extreme emphasis on charisma. In his embittered efforts to bolster an increasingly hollow and ruthless regime, it was Mussolini, rather than Hitler, who offered the model for all subsequent authoritarians.
| Author | : Rielle Navitski |
| Publisher | : Indiana University Press |
| Total Pages | : 391 |
| Release | : 2017-06-19 |
| Genre | : Performing Arts |
| ISBN | : 0253026555 |
Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.
| Author | : Stéphane Mourlane |
| Publisher | : Springer Nature |
| Total Pages | : 255 |
| Release | : 2022-03-11 |
| Genre | : History |
| ISBN | : 3030889645 |
This edited collection explores the notion of Italianness - or Italianità – through migration history. It focuses on the interaction between Italians circulating around the world, and their relationship with Italy from a political and cultural perspective. Answering the important question of how migration affects Italianness, the authors explore the ways in which migrants retained their Italian culture, customs and practices during and after their travels. Spanning a long period from the Risorgimento up until the 1960s, the book sheds light on the institutions and social structures that contributed to the construction of cultural links between Italian migrants and their country of origin. Not only broad in its temporal scope, the volume covers a wide geographic area, examining the lives of Italian migrants in North America, South America, Europe, North Africa, and the Middle East. Bringing together a wealth of research on Italians, alongside the different migratory routes taken by these men and women, this book provides new insights into Italian culture and seeks to strengthen our understanding of Italian migration history.
| Author | : Nicola Foote |
| Publisher | : University Press of Florida |
| Total Pages | : 362 |
| Release | : 2016-12-10 |
| Genre | : History |
| ISBN | : 0813053293 |
"This groundbreaking study examines the connection between what are arguably the two most distinguishing phenomena of the modern world: the unprecedented surges in global mobility and in the creation of politically bounded spaces and identities."--Jose C. Moya, author of Cousins and Strangers "An excellent collection of studies connecting transnational migration to the construction of national identities. Highly recommended."--Luis Roniger, author of Transnational Politics in Central America "The importance of this collection goes beyond the confines of one geographic region as it offers new insight into the role of migration in the definition and redefinition of nation states everywhere."--Fraser Ottanelli, coeditor of Letters from the Spanish Civil War "This volume has set the standard for future work to follow."--Daniel Masterson, author of The History of Peru Between the mid-nineteenth and mid-twentieth centuries, an influx of Europeans, Asians, and Arabic speakers indelibly changed the face of Latin America. While many studies of this period focus on why the immigrants came to the region, this volume addresses how the newcomers helped construct national identities in the Caribbean, Mexico, Argentina, and Brazil. In these essays, some of the most respected scholars of migration history examine the range of responses--some welcoming, some xenophobic--to the newcomers. They also look at the lasting effects that Jewish, German, Chinese, Italian, and Syrian immigrants had on the economic, sociocultural, and political institutions. These explorations of assimilation, race formation, and transnationalism enrich our understanding not only of migration to Latin America but also of the impact of immigration on the construction of national identity throughout the world. Contributors: Jürgen Buchenau | Jeane DeLaney | Nicola Foote | Michael Goebel | Steven Hyland Jr. | Jeffrey Lesser | Kathleen López | Lara Putnam | Raanan Rein | Stefan Rinke | Frederik Schulze
| Author | : Elizabeth Zanoni |
| Publisher | : University of Illinois Press |
| Total Pages | : 421 |
| Release | : 2018-03-21 |
| Genre | : Cooking |
| ISBN | : 0252050320 |
Italian immigrants to the United States and Argentina hungered for the products of home. Merchants imported Italian cheese, wine, olive oil, and other commodities to meet the demand. The two sides met in migrant marketplaces—urban spaces that linked a mobile people with mobile goods in both real and imagined ways. Elizabeth Zanoni provides a cutting-edge comparative look at Italian people and products on the move between 1880 and 1940. Concentrating on foodstuffs—a trade dominated by Italian entrepreneurs in New York and Buenos Aires—Zanoni reveals how consumption of these increasingly global imports affected consumer habits and identities and sparked changing and competing connections between gender, nationality, and ethnicity. Women in particular—by tradition tasked with buying and preparing food—had complex interactions that influenced both global trade and their community economies. Zanoni conveys the complicated and often fraught values and meanings that surrounded food, meals, and shopping. A groundbreaking interdisciplinary study, Migrant Marketplaces offers a new perspective on the linkages between migration and trade that helped define globalization in the late nineteenth and early twentieth centuries.
| Author | : Benjamin Bryce |
| Publisher | : Stanford University Press |
| Total Pages | : 331 |
| Release | : 2018-01-16 |
| Genre | : History |
| ISBN | : 1503604357 |
In the late nineteenth and early twentieth centuries, a massive wave of immigration transformed the cultural landscape of Argentina. Alongside other immigrants to Buenos Aires, German speakers strove to carve out a place for themselves as Argentines without fully relinquishing their German language and identity. Their story sheds light on how pluralistic societies take shape and how immigrants negotiate the terms of citizenship and belonging. Focusing on social welfare, education, religion, language, and the importance of children, Benjamin Bryce examines the formation of a distinct German-Argentine identity. Through a combination of cultural adaptation and a commitment to Protestant and Catholic religious affiliations, German speakers became stalwart Argentine citizens while maintaining connections to German culture. Even as Argentine nationalism intensified and the state called for a more culturally homogeneous citizenry, the leaders of Buenos Aires's German community advocated for a new, more pluralistic vision of Argentine citizenship by insisting that it was possible both to retain one's ethnic identity and be a good Argentine. Drawing parallels to other immigrant groups while closely analyzing the experiences of Argentines of German heritage, Bryce contributes new perspectives on the history of migration to Latin America—and on the complex interconnections between cultural pluralism and the emergence of national cultures.
| Author | : Federico Finchelstein |
| Publisher | : Duke University Press |
| Total Pages | : 345 |
| Release | : 2010-01-11 |
| Genre | : History |
| ISBN | : 0822391554 |
In Transatlantic Fascism, Federico Finchelstein traces the intellectual and cultural connections between Argentine and Italian fascisms, showing how fascism circulates transnationally. From the early 1920s well into the Second World War, Mussolini tried to export Italian fascism to Argentina, the “most Italian” country outside of Italy. (Nearly half the country’s population was of Italian descent.) Drawing on extensive archival research on both sides of the Atlantic, Finchelstein examines Italy’s efforts to promote fascism in Argentina by distributing bribes, sending emissaries, and disseminating propaganda through film, radio, and print. He investigates how Argentina’s political culture was in turn transformed as Italian fascism was appropriated, reinterpreted, and resisted by the state and the mainstream press, as well as by the Left, the Right, and the radical Right. As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.
| Author | : Gabriella Romani |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 309 |
| Release | : 2017-06-06 |
| Genre | : Literary Criticism |
| ISBN | : 1611478014 |
The late eighteenth and the nineteenth centuries witness significant advancement in the production and, crucially, the consumption of culture in Italy. During the long process towards and beyond Italy becoming a nation-state in 1861, new modes of writing and performing – the novel, the self-help manual, theatrical improvisation – develop in response to new practices and technologies of production and distribution. Key to the emergence of an inclusive national audience in Italy is, however, the audience itself. A wide and varied body of consumers of culture, animated by the notion of an Italian national cultural identity, create in this period an increasingly complex demand for different cultural products. This body is energized by the wider access to education and to the Italian language brought about by educational reforms, by growing urbanization, by enhanced social mobility, and by transcultural connections across European borders. This book investigates this process, analyzing the ways in which authors, composers, publishers, performers, journalists, and editors engage with the anxieties and aspirations of their diverse audiences. Fourteen essays by specialists in the field, exploring individual contexts and cases, demonstrate how interests related to gender, social class, cultural background and practices of reading and spectatorship, exert determining influence upon the production of culture in this period. They describe how women, men, and children from across the social and regional strata of the emerging nation contribute incrementally but actively to the idea and the growing reality of an Italian national cultural life. They show that from newspapers to salon performances, from letters to treatises in social science, from popular novels to literary criticism, from philosophical discussions to opera theaters, there is evidence in Italy in this period of unprecedented participation, crossing academic and popular cultures, in the formation of a national audience in Italy. This cultural transformation later produces the mass culture in Italy which underpins the major movements of the twentieth century and which undergoes new challenges and reformulations in the Italy we know today.
