Wallpapers in Historic Preservation

Wallpapers in Historic Preservation
Author: Catherine Lynn
Publisher:
Total Pages: 76
Release: 1977
Genre: Cultural property
ISBN:

"The papered and bordered wall was an important feature of American interiors during the 18th, 19th, and early 20th centuries. Paper hangings, both imported and of domestic manufacture, were more widely used than many of our restored buildings might lead us to believe." This book attempts to catalog and describe the variety, as well as accounting for restoration and preservation of pieces as part of the historical record. --Amazon.

Corcoran Gallery of Art

Corcoran Gallery of Art
Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
Total Pages: 0
Release: 2011
Genre: Painting
ISBN: 9781555953614

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

Jackson Pollock

Jackson Pollock
Author: Pepe Karmel
Publisher: The Museum of Modern Art
Total Pages: 288
Release: 1999
Genre: Art
ISBN: 9780870700378

Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.

Conservation of the Last Judgment Mosaic, St. Vitus Cathedral, Prague

Conservation of the Last Judgment Mosaic, St. Vitus Cathedral, Prague
Author: Francesca Piqué
Publisher: Getty Publications
Total Pages: 250
Release: 2004
Genre: Decoration and ornament, Architectural
ISBN: 0892367822

Illustrated in color throughout, this handsome volume presents selected papers from an international symposium held in June 2001 marking the completion of a ten-year project to conserve the Last Judgment mosaic, at St. Vitus Cathedral in Prague. The project was a partnership between the Office of the President of the Czech Republic, the Prague Castle Administration, and the Getty Conservation Institute. The goal of the symposium was to present the methodology, research, and results of the project, which involved conserving one of the finest examples of monumental medieval mosaic art in Europe. The volume's essays are divided into three parts, which cover the historical and art-historical context, conservation planning and methodology, and project implementation and maintenance. Topics addressed include the history, iconography, and visual documentation of the mosaic; the development and application of surface cleaning and protective coating techniques for the mosaic's glass tesserae; and post-treatment monitoring and maintenance.

Never in Fear

Never in Fear
Author: Merle Greene Robertson
Publisher:
Total Pages: 264
Release: 2006
Genre: Archaeologists
ISBN:

The Annotated Mona Lisa

The Annotated Mona Lisa
Author: Carol Strickland
Publisher: Andrews McMeel Publishing
Total Pages: 220
Release: 2007-10
Genre: Art
ISBN: 9780740768729

Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.

To Make Beautiful the Capitol

To Make Beautiful the Capitol
Author: Diane K. Skvarla
Publisher:
Total Pages: 131
Release: 2014
Genre: Art
ISBN: 9780160921001

Detailed history of renowned Italian-born artist Constantino Brumidi's masterful work "making beautiful" the walls and ceilings of the United States Capitol over a span of 25 years starting in 1854. Every page delights with gorgeous, full-color photographs and images of Brumidi's art, from photographs of the frescoes and decoration, to sketches, paintings and images of the artist, particularly the Brumidi Corridors and his "monumental fresco" in the Capitol Rotunda, called The Apotheosis of Washington. Fascinating anecdotes are included throughout of the artist and the inspirations he received for various elements, his relationship with engineer Montgomery C. Meigs, and the conservation efforts to preserve his work accurately for posterity.

Cultural Techniques

Cultural Techniques
Author: Bernhard Siegert
Publisher: Fordham Univ Press
Total Pages: 287
Release: 2015-05-01
Genre: Social Science
ISBN: 0823263770

In a crucial shift within posthumanistic media studies, Bernhard Siegert dissolves the concept of media into a network of operations that reproduce, displace, process, and reflect the distinctions fundamental for a given culture. Cultural Techniques aims to forget our traditional understanding of media so as to redefine the concept through something more fundamental than the empiricist study of a medium’s individual or collective uses or of its cultural semantics or aesthetics. Rather, Siegert seeks to relocate media and culture on a level where the distinctions between object and performance, matter and form, human and nonhuman, sign and channel, the symbolic and the real are still in the process of becoming. The result is to turn ontology into a domain of all that is meant in German by the word Kultur. Cultural techniques comprise not only self-referential symbolic practices like reading, writing, counting, or image-making. The analysis of artifacts as cultural techniques emphasizes their ontological status as “in-betweens,” shifting from firstorder to second-order techniques, from the technical to the artistic, from object to sign, from the natural to the cultural, from the operational to the representational. Cultural Techniques ranges from seafaring, drafting, and eating to the production of the sign-signaldistinction in old and new media, to the reproduction of anthropological difference, to the study of trompe-l’oeils, grids, registers, and doors. Throughout, Siegert addresses fundamental questions of how ontological distinctions can be replaced by chains of operations that process those alleged ontological distinctions within the ontic. Grounding posthumanist theory both historically and technically, this book opens up a crucial dialogue between new German media theory and American postcybernetic discourses.