Music Literature Outlines Chamber Music From Haydn To Bartok
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Chamber Music from Haydn to Bartók
Author | : Harold Gleason |
Publisher | : Alfred Music Publishing |
Total Pages | : 126 |
Release | : 1980 |
Genre | : Music |
ISBN | : 9780899172675 |
Music Literature Outline Series 5 Outline 5, Chamber Music
Author | : Harold Gleason |
Publisher | : Alfred Publishing Company |
Total Pages | : |
Release | : 1988-01-01 |
Genre | : Music |
ISBN | : 9780882843759 |
Volume 5 of 5 volumes in the Music Literature Outline Series by Dr. Harold Gleason and Dr. Warren Becker. An excellent aid in the study of chamber music of selected representative European composers from Haydn to Bartók. (2nd Edition)
Chamber Music
Author | : John H. Baron |
Publisher | : Psychology Press |
Total Pages | : 680 |
Release | : 2002 |
Genre | : Music |
ISBN | : 9780415937368 |
Guide to Chamber Music
Author | : Melvin Berger |
Publisher | : Courier Corporation |
Total Pages | : 502 |
Release | : 2013-06-17 |
Genre | : Music |
ISBN | : 0486316726 |
Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.
Intimate Music
Author | : John H. Baron |
Publisher | : Pendragon Press |
Total Pages | : 506 |
Release | : 1998 |
Genre | : Juvenile Nonfiction |
ISBN | : 9781576471005 |
This is the first comprehensive overview of instrumental chamber music from the 16th century to the present. There are comparisons of different genres, composers, and periods. Situations for chamber music at different moments in history are brought into a continuum, and all aspects of chamber music are placed into perspective. A History of the Idea of Chamber Music is chronologically organized at the most general level. Beyond that, national schools figure prominently, as well as genres and personalities. Throughout this book the composition of chamber music, the performance of chamber music, and the social, economic, political, and aesthetic conditions for chamber music have been considered per se and as they interact. (From the Introduction)