Music In New York During The American Revolution
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| Author | : Gillian B. Anderson |
| Publisher | : Boston : Music Library Association |
| Total Pages | : 174 |
| Release | : 1987 |
| Genre | : Language Arts & Disciplines |
| ISBN | : |
Indexes all musical references in James Rivington's Gazette, a weekly newspaper published in New York City, 1773-1783. Includes all references to music and instruments for sale, concerts, assemblies and balls, and musical instruction. Profiles the musical culture of the principal trade center during the Revolutionary War period.
| Author | : Barnet Schecter |
| Publisher | : Vintage |
| Total Pages | : 470 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9780712636483 |
On 15 September, 1776, the British army under General William Howe invaded Manhattan Island, with the largest expeditionary force in their history. George Washington's Continental Army, still in disarray after the disastrous Battle of Brooklyn some two weeks earlier, retreated north to Harlem Heights, leaving New York in British hands. Control of the city was Howe's primary objective. Located at the mouth of the strategically vital Hudson river, it had become the centrepiece of England's strategy for putting down the American rebellion. key to the colonies, New York proved to be the fatal chalice that poisoned the British war effort. The Battle for New York tells the story of how the city became the pivot on which the American Revolution turned - from the political and religious struggles of the 1760s and early 1770s that polarised its citizens and increasingly made New York a hotbed of radical thought and action; to the campaign of 1776 that turned New York into a series of battlefields; to the seven years of British occupation, during which time Washington and Congress were as determined to regain the city as the British were to hold it. the book, was by far the largest military venture of the Revolutionary War; it involved almost every significant participant in the war on both sides; and there can be little doubt that during it the fate of America hung in the balance. Moreover, the outcome had a direct impact on the major turning points of the rest of the war.
| Author | : John J. Gallagher |
| Publisher | : Da Capo Press |
| Total Pages | : 220 |
| Release | : 2009-08-05 |
| Genre | : History |
| ISBN | : 0786751320 |
In Brooklyn, New York, for a few tense hours in 1776, the fate of the entire United States hung by a thread. The Battle of Brooklyn (sometimes called "The Battle of Long Island") has since come to be recognized as one of history's great battles. It was the largest clash of the Revolution, in terms of both troops and casualties, and it brought the fledgling American republic to the brink of disaster. At the height of the fighting, only the valiant sacrifice of one regiment--the Marylanders--staved off catastrophe. The British army, meanwhile, executed a three-pronged surprise assault with admirable professionalism, turning the wilds of Brooklyn into a killing ground for the British and Hessian troops. One can sympathize with the plight of George Washington, who, charged with the task of defeating the finest army of the Old World, had to mold citizen-soldiers from throughout the thirteen colonies--"patriots"--into a viable military force. At Brooklyn, the young American army did not quite meet its commander's expectations. Still, it remained in the field. And the evacuation conducted after the battle was a masterpiece of efficiency, ensuring that the New World's armed forces would fight another day. Thought the Battle of Brooklyn would prove a victory for the British Empire, it demonstrated to all the American resolve and courage that would eventually result in independence for the United States. "In his shot-by-shot account of the largest and bloodiest battle of the American Revolution, Gallagher recreates the fierce encounter of 27 August 1776 in which twenty thousand British, Hessian and Loyalist troops defeated ten thousand patriot soldiers. . . . the book offers many perceptive observations and the author succinctly summarizes the lessons derived . . . this book is recommended reading for those who cherish the heritage of the gallant 'rabble in arms' that risked all for American independence."-Long Island Historical Journal "Long neglected . . . the Battle of Brooklyn is given comprehensive coverage . . . using a lively writing style Gallagher makes it easy to visualize the actual skirmishes by providing interesting details." -Flintlock and Powderhorn
| Author | : Jon Meacham |
| Publisher | : Random House |
| Total Pages | : 321 |
| Release | : 2019-06-11 |
| Genre | : History |
| ISBN | : 0593132963 |
NEW YORK TIMES BESTSELLER • A celebration of American history through the music that helped to shape a nation, by Pulitzer Prize winner Jon Meacham and music superstar Tim McGraw “Jon Meacham and Tim McGraw form an irresistible duo—connecting us to music as an unsung force in our nation's history.”—Doris Kearns Goodwin Through all the years of strife and triumph, America has been shaped not just by our elected leaders and our formal politics but also by our music—by the lyrics, performers, and instrumentals that have helped to carry us through the dark days and to celebrate the bright ones. From “The Star-Spangled Banner” to “Born in the U.S.A.,” Jon Meacham and Tim McGraw take readers on a moving and insightful journey through eras in American history and the songs and performers that inspired us. Meacham chronicles our history, exploring the stories behind the songs, and Tim McGraw reflects on them as an artist and performer. Their perspectives combine to create a unique view of the role music has played in uniting and shaping a nation. Beginning with the battle hymns of the revolution, and taking us through songs from the defining events of the Civil War, the fight for women’s suffrage, the two world wars, the Great Depression, the civil rights movement, the Vietnam War, and into the twenty-first century, Meacham and McGraw explore the songs that defined generations, and the cultural and political climates that produced them. Readers will discover the power of music in the lives of figures such as Harriet Tubman, Franklin Roosevelt, Eleanor Roosevelt, and Martin Luther King, Jr., and will learn more about some of our most beloved musicians and performers, including Marian Anderson, Elvis Presley, Sam Cooke, Aretha Franklin, Bob Dylan, Duke Ellington, Carole King, Bruce Springsteen, and more. Songs of America explores both famous songs and lesser-known ones, expanding our understanding of the scope of American music and lending deeper meaning to the historical context of such songs as “My Country, ’Tis of Thee,” “God Bless America,” “Over There,” “We Shall Overcome,” and “Blowin’ in the Wind.” As Quincy Jones says, Meacham and McGraw have “convened a concert in Songs of America,” one that reminds us of who we are, where we’ve been, and what we, at our best, can be.
| Author | : Raoul F. Camus |
| Publisher | : Chapel Hill : University of North Carolina Press |
| Total Pages | : 240 |
| Release | : 1976 |
| Genre | : History |
| ISBN | : |
This book correlates early American history during the Revolutionary War with the musical tradition of America. The growth and topics of American colonial and Revolutionary era music, especially in the military, are used as insight to military trends and American culture.
| Author | : Robert Sullivan |
| Publisher | : Farrar, Straus and Giroux |
| Total Pages | : 274 |
| Release | : 2012-09-04 |
| Genre | : History |
| ISBN | : 1429945850 |
Americans tend to think of the Revolution as a Massachusetts-based event orchestrated by Virginians, but in fact the war took place mostly in the Middle Colonies—in New York and New Jersey and the parts of Pennsylvania that on a clear day you can almost see from the Empire State Building. In My American Revolution, Robert Sullivan delves into this first Middle America, digging for a glorious, heroic part of the past in the urban, suburban, and sometimes even rural landscape of today. And there are great adventures along the way: Sullivan investigates the true history of the crossing of the Delaware, its down-home reenactment each year for the past half a century, and—toward the end of a personal odyssey that involves camping in New Jersey backyards, hiking through lost "mountains," and eventually some physical therapy—he evacuates illegally from Brooklyn to Manhattan by handmade boat. He recounts a Brooklyn historian's failed attempt to memorialize a colonial Maryland regiment; a tattoo artist's more successful use of a colonial submarine, which resulted in his 2007 arrest by the New York City police and the FBI; and the life of Philip Freneau, the first (and not great) poet of American independence, who died in a swamp in the snow. Last but not least, along New York harbor, Sullivan re-creates an ancient signal beacon. Like an almanac, My American Revolution moves through the calendar of American independence, considering the weather and the tides, the harbor and the estuary and the yearly return of the stars as salient factors in the war for independence. In this fiercely individual and often hilarious journey to make our revolution his, he shows us how alive our own history is, right under our noses.
| Author | : Laura Lohman |
| Publisher | : Routledge |
| Total Pages | : 170 |
| Release | : 2021-05-17 |
| Genre | : Music |
| ISBN | : 1000388956 |
This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society. Supporting growing interest among scholars and performers spanning numerous disciplines, this book contributes quality new scholarship to spur further research on this overshadowed period of American music and dance. Organized in three parts, the chapters offer methodological and interpretative guidance and model varied approaches to contemporary scholarship. The first part introduces important bibliographic tools and models their use in focused examinations of individual objects of material musical culture. The second part illustrates methods of situating dance and its music in early American society as relevant to scholars working in multiple disciplines. The third part examines contemporary performance of early American music and dance from three distinct perspectives ranging from ethnomusicological fieldwork and phenomenology to the theatrical stage. Dedicated to scholar Kate Van Winkle Keller, this volume builds on her legacy of foundational contributions to the study of early American secular music, dance, and society. It provides an essential resource for all those researching and performing music and dance from the revolutionary era through the early nineteenth century.
| Author | : American Revolution Bicentennial Administration |
| Publisher | : |
| Total Pages | : 596 |
| Release | : 1974 |
| Genre | : American Revolution Bicentennial, 1976 |
| ISBN | : |
| Author | : American Revolution Bicentennial Administration |
| Publisher | : |
| Total Pages | : 662 |
| Release | : 1975 |
| Genre | : |
| ISBN | : |
| Author | : Richard Crawford |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 1000 |
| Release | : 2001 |
| Genre | : History |
| ISBN | : 9780393048100 |
An illustrated history of America's musical heritage ranges from the earliest examples of Native American traditional song to the innovative sound of contemporary rock and jazz.
