Music And The Romantic Movement In France By Arthur Ware Locke
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Music and the Romantic Movement in France
Author | : Arthur Ware Locke |
Publisher | : London : K. Paul, Trench, Trubner ; New York : E.P. Dutton |
Total Pages | : 202 |
Release | : 1920 |
Genre | : Music |
ISBN | : |
MUSIC & THE ROMANTIC MOVEMENT
Author | : Arthur Ware B. 1883 Locke |
Publisher | : Wentworth Press |
Total Pages | : 200 |
Release | : 2016-08-28 |
Genre | : History |
ISBN | : 9781372959035 |
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Spirit of French Music
Author | : Pierre Lasserre |
Publisher | : London : K. Paul, Trench, Trubner ; New York : E.P. Dutton |
Total Pages | : 236 |
Release | : 1921 |
Genre | : Music |
ISBN | : |
French Music in Britain 1830–1914
Author | : Paul J Rodmell |
Publisher | : Routledge |
Total Pages | : 238 |
Release | : 2020-11-26 |
Genre | : Music |
ISBN | : 1000281485 |
French Music in Britain 1830–1914 investigates the presence, reception and influence of French art music in Britain between 1830 (roughly the arrival of ‘grand opera’ and opéra comique in London) and the outbreak of the First World War. Five chronologically ordered chapters investigate key questions such as: * Where and to whom was French music performed in Britain in the nineteenth century? * How was this music received, especially by journal and newspaper critics and other arbiters of taste? * What characteristics and qualities did British audiences associate with French music? * Was the presence and reception of French music in any way influenced by Franco-British political relations, or other aspects of cultural transfer and exchange? * Were British composers influenced by their French contemporaries to any extent and, if so, in what ways? Placed within the wider social and cultural context of Britain’s most ambiguous and beguiling international relationship, this volume demonstrates how French music became an increasingly significant part of the British musician’s repertory and influenced many composers. This is an important resource for musicologists specialising in Nineteenth-Century Music, Music History and European Music. It is also relevant for scholars and researchers of French Studies and Cultural Studies.