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| Author | : James M. Trotter |
| Publisher | : |
| Total Pages | : 544 |
| Release | : 1968 |
| Genre | : African American musicians |
| ISBN | : |
| Author | : James M. Trotter |
| Publisher | : |
| Total Pages | : 544 |
| Release | : 1881 |
| Genre | : African American musicians |
| ISBN | : |
| Author | : James M. Trotter |
| Publisher | : Good Press |
| Total Pages | : 221 |
| Release | : 2019-11-22 |
| Genre | : Fiction |
| ISBN | : |
"Music and Some Highly Musical People" by James M. Trotter is a history of African-American music. Trotter's work is highly reflective of the society in which it was written. For example, Trotter's coverage of classical music was influenced by a movement to raise classical music and its performance to the level of religious service. A leader in this movement was white journalist John Sullivan Dwight. With this reverence on classical music, Trotter's description of classical soloists such as Thomas Wiggins and Sisieretta Jones become examples of racial culture and uplift through the musical genre itself.
| Author | : Catherine Jones |
| Publisher | : Edinburgh University Press |
| Total Pages | : 288 |
| Release | : 2014-07-16 |
| Genre | : Social Science |
| ISBN | : 074868462X |
This new study looks at the relationship of rhetoric and music in the era's intellectual discourses, texts and performance cultures principally in Europe and North America. Catherine Jones begins by examining the attitudes to music and its performance by leading figures of the American Enlightenment and Revolution, notably Benjamin Franklin and Thomas Jefferson. She also looks at the attempts of Francis Hopkinson, William Billings and others to harness the Orphean power of music so that it should become a progressive force in the creation of a new society. She argues that the association of rhetoric and music that reaches back to classical Antiquity acquired new relevance and underwent new theorisation and practical application in the American Enlightenment in light of revolutionary Atlantic conditions. Jones goes on to consider changes in the relationship of rhetoric and music in the nationalising milieu of the nineteenth century; the connections of literature, music and music theory to changing models of subjectivity; and Romantic appropriations of Enlightenment visions of the public ethical function of music.
| Author | : James M. Trotter |
| Publisher | : |
| Total Pages | : 560 |
| Release | : 1878 |
| Genre | : African American composers |
| ISBN | : |
| Author | : Roman Iwaschkin |
| Publisher | : Routledge |
| Total Pages | : 675 |
| Release | : 2016-04-14 |
| Genre | : Music |
| ISBN | : 1317223454 |
This is a comprehensive guide to popular music literature, first published in 1986. Its main focus is on American and British works, but it includes significant works from other countries, making it truly international in scope.
| Author | : John Michael Cooper |
| Publisher | : Cambridge University Press |
| Total Pages | : 189 |
| Release | : 2023-11-30 |
| Genre | : Music |
| ISBN | : 1009062662 |
In her lifetime, African American composer Margaret Bonds was classical music's most intrepid social-justice activist. Furthermore, her Montgomery Variations (1964) and setting of W.E.B. Du Bois's iconic Civil Rights Credo (1965-67) were the musical summits of her activism. These works fell into obscurity after Bonds's death, but were recovered and published in 2020. Since widely performed, they are finally gaining a recognition long denied. This incisive book situates The Montgomery Variations and Credo in their political and biographical contexts, providing an interdisciplinary exploration that brings notables including Harry Burleigh, W.E.B. and Shirley Graham Du Bois, Martin Luther King, Jr., Abbie Mitchell, Ned Rorem, and – especially – Langston Hughes into the works' collective ambit. The resulting brief, but instructive, appraisal introduces readers to two masterworks whose recovery is a modern musical milestone – and reveals their message to be one that, though born in the mid-twentieth century, speaks directly to our own time.
| Author | : J. Lloyd Winstead |
| Publisher | : University of Alabama Press |
| Total Pages | : 353 |
| Release | : 2013-06-30 |
| Genre | : History |
| ISBN | : 0817317902 |
When Colleges Sang is an illustrated history of the rich culture of college singing from the earliest days of the American republic to the present. Before fraternity songs, alma maters, and the rahs of college fight songs became commonplace, students sang. Students in the earliest American colleges created their own literary melodies that they shared with their classmates. As J. Lloyd Winstead documents in When Colleges Sang, college singing expanded in conjunction with the growth of the nation and the American higher education system. While it was often simply an entertaining pastime, singing had other subtle and not-so-subtle effects. Singing indoctrinated students into the life of formal and informal student organizations as well as encouraged them to conform to college rituals and celebrations. University faculty used songs to reinforce the religious practices and ceremonial observances that their universities supported. Students used singing for more social purposes: students sang to praise their peer’s achievements (and underachievements), mock the faculty, and provide humor. In extreme circumstances, they sang to intimidate classmates and faculty, and to defy college authorities. Singing was, and is, an intrinsic part of campus culture. When Colleges Sang explores the dynamics that inspired collegiate singing and the development of singing traditions from the earliest days of the American college. Winstead explores this tradition’s tenuous beginnings in the Puritan era and follows its progress into the present. Using historical documents provided by various universities, When Colleges Sang follows the unique applications and influences of song that persisted in various forms. This original and significant contribution to the literature of higher education sheds light on how college singing traditions have evolved through the generations and have continued to remain culturally relevant even today.
| Author | : Sharon O'Brien |
| Publisher | : Cambridge University Press |
| Total Pages | : 154 |
| Release | : 1999 |
| Genre | : Literary Collections |
| ISBN | : 9780521459051 |
A collection of essays on Willa Cather's most famous novel, My Antonia.
| Author | : Tammy L. Kernodle |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 1267 |
| Release | : 2010-12-17 |
| Genre | : Music |
| ISBN | : 0313342008 |
African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.
