Music And Its Referential Systems
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| Author | : Matjaz Barbo |
| Publisher | : Hollitzer Wissenschaftsverlag |
| Total Pages | : 546 |
| Release | : 2012-02-24 |
| Genre | : Music |
| ISBN | : 3990120050 |
How can we define the referential systems by which music is determined and through which music gets its own sense and meaning? What is the relation between these systems? Such questions are of particular weight in relation to current music practices, characterized by a great many of analytical procedures and hermeneutical views. The questions raised open a series of different thematic fields presented in this book. The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on the systems of musicological contextualization and the meaning/understanding of music in different historical and/or functional contexts, from traditional liturgical chant up to recent compositions. Various contributions in the collection are dedicated to the relation between music and film, while others deal with the special sociological conditions that constitute some specific musical praxis, such as folk or rock music.
| Author | : Madalena Soveral |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 415 |
| Release | : 2021-05-20 |
| Genre | : Music |
| ISBN | : 1527569934 |
This collection addresses different issues involving performance and musical creation in contemporary piano music. Organised into three sections, it examines the aesthetic and technical aspects of musical creation in the 20th century, and evaluates the questions that these aspects pose regarding the interpretative and performative process. It also offers a reflection on artistic practices in the 21st century, and explores their contribution to redefining the contemporary performative field.
| Author | : Public Library of New South Wales |
| Publisher | : |
| Total Pages | : 422 |
| Release | : 1902 |
| Genre | : Cataloging |
| ISBN | : |
| Author | : William Forde Thompson |
| Publisher | : SAGE Publications |
| Total Pages | : 2364 |
| Release | : 2014-07-18 |
| Genre | : Reference |
| ISBN | : 1483365581 |
This definitive reference resource examines how music affects human beings and their interactions in and with the world. The interdisciplinary nature of the work provides a starting place for students to situate the status of music within the social sciences in fields such as anthropology, communications, psychology, linguistics, sociology, sports, political science and economics, as well as biology and the health sciences. Features: Approximately 450 articles, arranged in A-to-Z fashion and richly illustrated with photographs, provide the social and behavioral context for examining the importance of music in society. Entries are authored and signed by experts in the field and conclude with references and further readings, as well as cross references to related entries. A Reader′s Guide groups related entries by broad topic areas and themes, making it easy for readers to quickly identify related entries. A Chronology of Music places material into historical context; a Glossary defines key terms from the field; and a Resource Guide provides lists of books, academic journals, websites and cross-references. The multimedia digital edition is enhanced with video and audio clips and features strong search-and-browse capabilities through the electronic Reader’s Guide, detailed index, and cross references. Music in the Social and Behavioral Sciences, available in both multimedia digital and print formats, is a must-have reference for music and social science library collections. Key Themes: Aesthetics and Emotion Business and Technology Communities and Society Culture and Environment Elements of Musical Examination Evolutionary Psychology Media and Communication Musicianship and Expertise Neuroscience Perception, Memory, Cognition Politics, Economics, Law Therapy, Health, Wellbeing
| Author | : Ruth Katz |
| Publisher | : Transaction Publishers |
| Total Pages | : 254 |
| Release | : 1994-01-01 |
| Genre | : Music |
| ISBN | : 9781412838498 |
In this cultural history, Ruth Katz conceives of opera as a laboratory dedicated to exploration of the powers hidden in the interaction between words and music. Opera combines not only music and libretto, but the sensuality, acting out, and lyricism that characterize the popular culture of the Italians. The Powers of Music is thus a contribution to cultural studies, providing unique insight into the social meaning of opera in Italy. According to Katz, opera's origins in Renaissance Italy can be traced to numerous characteristics of life at that time. Among them are: the belief of the Humanists that the magical properties of music could be harnessed; the transition from polyphony to monody that gave musical expression to individualism; the melodramatic propensity of Italian culture reflected in its literary and theatrical arts; and the salons of Florentine aristocrats, scientists, and artists whose agenda included the challenge to rediscover how the ancient Greeks succeeded in heightening the rhetorical power of words by allying them with music. Katz discusses each of these factors in detail. In her new introduction, Katz reconsiders her original work by discussing three topics. The first has to do with the perception that there has been a major change in the academic climate for this kind of analysis. The second relates to her concern with the eighteenth-century expansion of the Florentine comparison of the attributes of the arts, from which music emerges as the purest of all, for being freest of external reference. Third, she reconsiders her initial impression that opera was on the wane. The Powers of Music is an intriguing study that will be of interest to sociologists, cultural historians, and scholars of communication and popular culture.
| Author | : Philip Newell |
| Publisher | : Taylor & Francis |
| Total Pages | : 424 |
| Release | : 2006-10-05 |
| Genre | : Music |
| ISBN | : 0240522818 |
Need advice on which type of speaker to use and where? Very often the choice and positioning of loudspeakers is down to intuition, hearsay and chance. This practical guide explores the link between experience and the technology, giving you a better understanding of the tools you are using and why, leading to greatly improved results. Newell and Holland share years of experience in the design, application and use of loudspeakers for recording and reproducing music. Get practical advice on the applications of different loudspeakers to the different phases of the music recording and reproduction chain. If you are using loudspeakers in a recording studio, mastering facility, broadcasting studio, film post production facility, home or musician's studio, or you inspire to improve your music reproduction system this book will help you make the right decisions.
| Author | : Granville Lowther |
| Publisher | : |
| Total Pages | : 544 |
| Release | : 1914 |
| Genre | : |
| ISBN | : |
| Author | : Frederic Ernest Farrington |
| Publisher | : |
| Total Pages | : 322 |
| Release | : 1906 |
| Genre | : Education |
| ISBN | : |
| Author | : Derek B. Scott |
| Publisher | : Routledge |
| Total Pages | : 614 |
| Release | : 2016-03-23 |
| Genre | : Music |
| ISBN | : 1317041976 |
The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
| Author | : Werner Wolf |
| Publisher | : BRILL |
| Total Pages | : 691 |
| Release | : 2017-11-13 |
| Genre | : Literary Criticism |
| ISBN | : 9004346643 |
This volume collects twenty-two major essays by Werner Wolf published between 1992 and 2014, all of them revised but retaining the original argument. They form the core of those seminal writings which have contributed to establishing 'intermediality' as an internationally recognized research field, besides providing a by now widely accepted typology of the field and opening intermedial perspectives on areas as varied as narratology, metareferentiality and iconicity. The essays are presented chronologically under the headings of “Theory and Typology”, “Literature–Music Relations”, “Transmedial Narratology”, and “Miscellaneous Transmedial Phenomena” and cover a wide spectrum of topics of both historical and contemporary relevance, ranging from J.S. Bach, Mozart, Schubert and Gulda through Sterne, Hardy, Woolf and Beckett to Jan Steen, Hogarth, Magritte and comics. The volume should be essential reading for scholars of literature, music and art history with an interdisciplinary orientation as well as general readers interested in the fascinating interaction of the arts.
