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| Author | : Boston, Mass. Isabella Stewart Gardner Museum |
| Publisher | : Yale University Press |
| Total Pages | : 170 |
| Release | : 1995-01-01 |
| Genre | : Art |
| ISBN | : 9780300063417 |
"This book takes you through the collection gallery by gallery, illuminating the art and installations in each room"--From preface.
| Author | : Emilie Rhys |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-07-30 |
| Genre | : |
| ISBN | : 9781737413868 |
This richly illustrated volume documents in detail the exhibition "New Orleans Music Observed: The Art of Noel Rockmore and Emilie Rhys" at the New Orleans Jazz Museum from January 30, 2020 to September 1, 2021, curated by the museum's own David Kunian and expanded upon in this book by Emilie Rhys (wearing several hats as contributing artist, contributing writer, co-editor, photo editor, layout designer, and publisher). Noel Rockmore, well-known in New Orleans for his mid-1960s oil portraits of Preservation Hall musicians, and his daughter Emilie Rhys, whose artwork of contemporary musicians all around town has gained her recent public notice, are brought together for their first joint exhibition in which a selection of their drawings and paintings is paired with a wide variety of artifacts and historic instruments, culled mostly from the Jazz Museum's incomparable archives. As the curator of this profusely illustrated book, Emilie Rhys not only provides a visual record of the exhibition, she expands upon it through the presentation of significant new material by several Louisiana natives who are close observers of the vibrant cultural life that makes New Orleans a veritable global magnet. They are novelist, journalist, and art collector John Ed Bradley; print and public radio journalist Gwen Thompkins; and scientist and art collector Myles Robichaux. For the lead chapter in this book, Bradley has written the first ever literary exploration of the intertwined lives of Rockmore and Rhys, "Picture in a Picture: Noel Rockmore and Emilie Rhys in New Orleans." In Chapter 3, Robichaux's original essay speaks to the profound impact on him of discovering Rockmore's art in 2002 and meeting Rhys in 2011. For Chapter 4, "Depiction/Being Depicted," Thompkins conducted interviews in 2020 with 14 musicians exploring their interest in visual art, their thoughts about the development of their own image, and how they feel about their image appearing in drawings, paintings, and photographs by visual artists. The book has 368 illustrations including 302 in full color, a large number of which have never been seen in public previously and have been selected by Rhys, many from her extensive personal archives.
| Author | : Frank M. Young |
| Publisher | : ABRAMS |
| Total Pages | : 202 |
| Release | : 2012-12-15 |
| Genre | : Comics & Graphic Novels |
| ISBN | : 161312368X |
A biographical graphic novel about the original superstar American folk music group, their lives, and their successes & struggles. The Carter Family: Don’t Forget This Song is a rich and compelling original graphic novel that tells the story of the Carter Family—the first superstar group of country music—who made hundreds of recordings and sold millions of records. Many of their hit songs, such as “Wildwood Flower” and “Will the Circle Be Unbroken,” have influenced countless musicians and remain timeless country standards. The Carter Family: Don’t Forget This Song is not only a unique illustrated biography, but a moving account that reveals the family’s rise to success, their struggles along the way, and their impact on contemporary music. Illustrated with exacting detail and written in the Southern dialect of the time, its dynamic narrative is pure Americana. It is also a story of success and failure, of poverty and wealth, of racism and tolerance, of creativity and business, and of the power of music and love. Praise for The Carter Family Winner of the 2013 Eisner Award for Best Reality-Based Work “[A] charming, faithful, and resonant biography of the most influential trio in the history of American roots music. . . . Frank Young and David Lasky, on the other hand, will charm the pants off you with a book full of characters who are all too human.” —The Comics Journal
| Author | : Morris Museum |
| Publisher | : |
| Total Pages | : |
| Release | : 2019-02-21 |
| Genre | : |
| ISBN | : 9781792304378 |
| Author | : Josephine Matyas |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 289 |
| Release | : 2021-09-15 |
| Genre | : Music |
| ISBN | : 1493060619 |
Chasing the Blues explores the roots of the blues---the music birthed in the Mississippi Delta by African Americans who fashioned a new form of musical expression grounded in their shared experience of brutal oppression. They used the power of music to survive that oppression, creating a simple-in-structure, emotionally complex form that transformed and upended culture and became the bedrock of popular song. Tracing the music back to its geographical and cultural origins in the Delta is key to understanding how the blues were shaped. Over time, the Delta blues have touched virtually every form of popular music (rock and roll, soul, R&B, country-western, gospel), creating the soundscape of our lives. What makes this book unique? Fathoming how the music flowed from living and working conditions in the heart of the Deep South; appreciating how life-changing events like the Flood of 1927 sparked a mass migration away from plantation life, spreading the blues to the cities in the North and becoming the soundtrack to the civil rights movement; how blues musicians interacted, "cross-fertilizing" their music by learning, influencing, and imitating each other. The habits of travel are shifting, and there is more interest and a larger market for diving deep into destinations closer to home. Interest in Black history and culture and the role Black Americans played in shaping America is at an all-time high. By appreciating the roots of this most American style of music, readers will have a richer experience listening to songs and visiting blues' holy and sacred sites.
| Author | : Jacob McMurray |
| Publisher | : Fantagraphics Books |
| Total Pages | : 248 |
| Release | : 2011-05-23 |
| Genre | : Art |
| ISBN | : 1606994336 |
Taking Punk to the Masses: From Nowhere to Nevermind visually documents the explosion of Grunge, the Seattle Sound, within the context of the underground punk subculture that was developing throughout the u.S. in the late 1970s and 1980s. The book serves as a companion and contextual backdrop to the Nirvana: Taking Punk to the Masses exhibition, which opens at Seattle’s Experience Music Project in 2011. This decade-and-a-half musical journey will be represented entirely through the lens of EMP’s oral history and permanent object collection, an invaluable and rich cultural archive of over 800 interviews and 140,000 objects ― instruments, costumes, posters, records and other ephemera dedicated to the pursuit of rock ’n’ roll. Taking Punk to the Masses focuses on 100 key objects from EMP’s permanent collection that illustrate the evolution of punk rock from underground subculture to the mainstream embrace (and subsequent underground rejection) of Grunge. These objects are put into context by the stories of those who lived it, culling from EMP’s vast archive of oral histories with such Northwest icons as Mudhoney’s Mark Arm, cartoonist Peter Bagge, design legend Art Chantry, Beat Happening’s Calvin Johnson, Sub Pop founders Bruce Pavitt and Jonathan Poneman, the Screaming Trees’ Mark Lanegan, Nirvana’s krist Novoselic, photographer Charles Petersen, Soundgarden’s kim Thayil, and dozens of others. From the Northwest’s earliest punk bands like The Wipers, to proto-grunge bands of the 1980s like Green River, Melvins and Malfunkshun, through the heady 1990s when bands such as Nirvana, Soundgarden, Pearl Jam, Alice in Chains and Mudhoney rose to the national stage and popularized alternative music, Taking Punk to the Masses is the first definitive history of one of America’s most vibrant music scenes, as told by the participants who helped make it so, and through the artifacts that survive.
| Author | : Sara Cohen |
| Publisher | : Routledge |
| Total Pages | : 274 |
| Release | : 2014-08-27 |
| Genre | : Music |
| ISBN | : 1134103182 |
This volume examines the location of memories and histories of popular music and its multiple pasts, exploring the different ‘places’ in which popular music can be situated, including the local physical site, the museum storeroom and exhibition space, and the digitized archive and display space made possible by the internet. Contributors from a broad range of disciplines such as archive studies, popular music studies, media and cultural studies, leisure and tourism, sociology, museum studies, communication studies, cultural geography, and social anthropology visit the specialized locus of popular music histories and heritage, offering diverse set of approaches. Popular music studies has increasingly engaged with popular music histories, exploring memory processes and considering identity, collective and cultural memory, and notions of popular culture’s heritage values, yet few accounts have spatially located such trends to focus on the spaces and places where we encounter and engender our relationship with popular music’s history and legacies. This book offers a timely re-evaluation of such sites, reinserting them into the narratives of popular music and offering new perspectives on their function and significance within the production of popular music heritage. Bringing together recent research based on extensive fieldwork from scholars of popular music studies, cultural sociology, and museum studies, alongside the new insights of practice-based considerations of current practitioners within the field of popular music heritage, this is the first collection to address the interdisciplinary interest in situating popular music histories, heritages, and pasts. The book will therefore appeal to a wide and growing academic readership focused on issues of heritage, cultural memory, and popular music, and provide a timely intervention in a field of study that is engaging scholars from across a broad spectrum of disciplinary backgrounds and theoretical perspectives.
| Author | : Vikki Tobak |
| Publisher | : Clarkson Potter |
| Total Pages | : 290 |
| Release | : 2018-10-16 |
| Genre | : Music |
| ISBN | : 0525573895 |
ONE OF AMAZON'S BEST ART & PHOTOGRAPHY BOOKS 0F 2018 AN NPR AND PITCHFORK BEST MUSIC BOOK OF 2018 PICK ONE OF TIME'S 25 BEST PHOTOBOOKS OF 2018 NEW YORK TIMES, ASSOCIATED PRESS, WALLSTREET JOURNAL, ROLLING STONE, AND CHICAGO SUN HOLIDAY GIFT GUIDE PICK The perfect gift for music and photography fans, an inside look at the work of hip-hop photographers told through their most intimate diaries—their contact sheets. Featuring rare outtakes from over 100 photoshoots alongside interviews and essays from industry legends, Contact High: A Visual History of Hip-Hop takes readers on a chronological journey from old-school to alternative hip-hop and from analog to digital photography. The ultimate companion for music and photography enthusiasts, Contact High is the definitive history of hip-hop’s early days, celebrating the artists that shaped the iconic album covers, t-shirts and posters beloved by hip-hop fans today. With essays from BILL ADLER, RHEA L. COMBS, FAB 5 FREDDY, MICHAEL GONZALES, YOUNG GURU, DJ PREMIER, and RZA
| Author | : Scott Bomar |
| Publisher | : Distributed for the Country Mu |
| Total Pages | : 0 |
| Release | : 2012 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780915608065 |
Nestled at the southern end of California's San Joaquin Valley, the city of Bakersfield is best known for farming, oil fields, and a unique brand of country music called the "Bakersfield Sound." The term is generally used to describe a hard-edged honkytonk sensibility characterized by sharp, twanging Fender Telecaster guitars, crying pedal steel, and straight-ahead country vocals - a sound that thrived in Bakersfield clubs in the 1950s and '60s. The music emanating from these venues was by no means homogeneous. One need only compare Buck Owens's razor-sharp honky-tonk attack with Merle Haggard's western swing and blues-inflected recordings to recognize that there is no single Bakersfield Sound. The label is best understood as an umbrella term encompassing a number of strains developed by Haggard, Owens, and their West Coast contemporaries. The Bakersfield Sound is a full-color exploration of what social and economic factors led to this country music hotbed, as well as a look at the many stars who rose to fame with roots in Bakersfield. Country luminaries with ties to the area include Bob Willis, Leon Payne, Jean Shepherd, Dallas Frazier, Bonnie Owens, Barbara Mandrell, and Ferlin Husky. Written by the experts at the Country Music Hall of Fame, The Bakersfield Sound describes with rich words and classic photos how the deep roots of the Bakersfield Sound are so much more than just a reaction to the pop-oriented Nashville Sound.
| Author | : Sarah Baker |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 191 |
| Release | : 2019-06-27 |
| Genre | : Music |
| ISBN | : 1501343572 |
Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.
