Multisensory And Sensorimotor Interactions In Speech Perception
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Author | : Kaisa Tiippana |
Publisher | : Frontiers Media SA |
Total Pages | : 265 |
Release | : 2015-06-26 |
Genre | : Psychology |
ISBN | : 2889195481 |
Speech is multisensory since it is perceived through several senses. Audition is the most important one as speech is mostly heard. The role of vision has long been acknowledged since many articulatory gestures can be seen on the talker's face. Sometimes speech can even be felt by touching the face. The best-known multisensory illusion is the McGurk effect, where incongruent visual articulation changes the auditory percept. The interest in the McGurk effect arises from a major general question in multisensory research: How is information from different senses combined? Despite decades of research, a conclusive explanation for the illusion remains elusive. This is a good demonstration of the challenges in the study of multisensory integration. Speech is special in many ways. It is the main means of human communication, and a manifestation of a unique language system. It is a signal with which all humans have a lot of experience. We are exposed to it from birth, and learn it through development in face-to-face contact with others. It is a signal that we can both perceive and produce. The role of the motor system in speech perception has been debated for a long time. Despite very active current research, it is still unclear to which extent, and in which role, the motor system is involved in speech perception. Recent evidence shows that brain areas involved in speech production are activated during listening to speech and watching a talker's articulatory gestures. Speaking involves coordination of articulatory movements and monitoring their auditory and somatosensory consequences. How do auditory, visual, somatosensory, and motor brain areas interact during speech perception? How do these sensorimotor interactions contribute to speech perception? It is surprising that despite a vast amount of research, the secrets of speech perception have not yet been solved. The multisensory and sensorimotor approaches provide new opportunities in solving them. Contributions to the research topic are encouraged for a wide spectrum of research on speech perception in multisensory and sensorimotor contexts, including novel experimental findings ranging from psychophysics to brain imaging, theories and models, reviews and opinions.
Author | : Andrew J. Bremner |
Publisher | : Oxford University Press |
Total Pages | : 393 |
Release | : 2012-06-21 |
Genre | : Medical |
ISBN | : 0199586055 |
We perceive and understand our environment using many sensory systems-vision, touch, hearing, taste, smell, and proprioception. These multiple sensory modalities give us complementary sources of information about the environment. This book explores how we develop the ability to integrate our senses.
Author | : Adrian Kuo Ching Lee |
Publisher | : |
Total Pages | : |
Release | : 2019 |
Genre | : PSYCHOLOGY |
ISBN | : 9783030104603 |
Auditory behavior, perception, and cognition are all shaped by information from other sensory systems. This volume examines this multi-sensory view of auditory function at levels of analysis ranging from the single neuron to neuroimaging in human clinical populations. Visual Influence on Auditory Perception Adrian K.C. Lee and Mark T. Wallace Cue Combination within a Bayesian Framework David Alais and David Burr Toward a Model of Auditory-Visual Speech Intelligibility Ken W. Grant and Joshua G. W. Bernstein An Object-based Interpretation of Audiovisual Processing Adrian K.C. Lee, Ross K. Maddox, and Jennifer K. Bizley Hearing in a "Moving" Visual World: Coordinate Transformations Along the Auditory Pathway Shawn M. Willett, Jennifer M. Groh, Ross K. Maddox Multisensory Processing in the Auditory Cortex Andrew J. King, Amy Hammond-Kenny, Fernando R. Nodal Audiovisual Integration in the Primate Prefrontal Cortex Bethany Plakke and Lizabeth M. Romanski Using Multisensory Integration to Understand Human Auditory Cortex Michael S. Beauchamp Combining Voice and Face Content in the Primate Temporal Lobe Catherine Perrodin and Christopher I. Petkov Neural Network Dynamics and Audiovisual Integration Julian Keil and Daniel Senkowski Cross-Modal Learning in the Auditory System Patrick Bruns and Brigitte Röder Multisensory Processing Differences in Individuals with Autism Spectrum Disorder Sarah H. Baum Miller, Mark T. Wallace Adrian K.C. Lee is Associate Professor in the Department of Speech & Hearing Sciences and the Institute for Learning and Brain Sciences at the University of Washington, Seattle Mark T. Wallace is the Louise B McGavock Endowed Chair and Professor in the Departments of Hearing and Speech Sciences, Psychiatry, Psychology and Director of the Vanderbilt Brain Institute at Vanderbilt University, Nashville Allison B. Coffin is Associate Professor in the Department of Integrative Physiology and Neuroscience at Washington State University, Vancouver, WA Arthur N. Popper is Professor Emeritus and research professor in the Department of Biology at the University of Maryland, College Park Richard R. Fay is Distinguished Research Professor of Psychology at Loyola University, Chicago.
Author | : Barry E. Stein |
Publisher | : MIT Press |
Total Pages | : 841 |
Release | : 2012-06-01 |
Genre | : Science |
ISBN | : 0262017121 |
The major reference work for a rapidly advancing field synthesizes central themes, reports on current findings, and offers a blueprint for future research. Scientists' attempts to understand the physiology underlying our apprehension of the physical world was long dominated by a focus on the individual senses. The 1980s saw the beginning of systematic efforts to examine interactions among different sensory modalities at the level of the single neuron. And by the end of the 1990s, a recognizable and multidisciplinary field of "multisensory processes" had emerged. More recently, studies involving both human and nonhuman subjects have focused on relationships among multisensory neuronal ensembles and their behavioral, perceptual, and cognitive correlates. The New Handbook of Multisensory Processing synthesizes the central themes in this rapidly developing area, reports on current findings, and offers a blueprint for future research. The contributions, all of them written for this volume by leading experts, reflect the evolution and current state of the field. This handbook does more than simply review the field. Each of the volume's eleven sections broadly surveys a major topic, and each begins with a substantive and thought-provoking commentary by the section editor that identifies the major issues being explored, describes their treatment in the chapters that follow, and sets these findings within the context of the existing body of knowledge. Together, the commentaries and chapters provide an invaluable guide to areas of general agreement, unresolved issues, and topics that remain to be explored in this fast-moving field.
Author | : Micah M. Murray |
Publisher | : CRC Press |
Total Pages | : 786 |
Release | : 2011-08-25 |
Genre | : Medical |
ISBN | : 1439812195 |
It has become accepted in the neuroscience community that perception and performance are quintessentially multisensory by nature. Using the full palette of modern brain imaging and neuroscience methods, The Neural Bases of Multisensory Processes details current understanding in the neural bases for these phenomena as studied across species, stages
Author | : Gérard Bailly |
Publisher | : Cambridge University Press |
Total Pages | : 507 |
Release | : 2012-04-26 |
Genre | : Computers |
ISBN | : 1107006821 |
This book presents a complete overview of all aspects of audiovisual speech including perception, production, brain processing and technology.
Author | : Andrew J. Bremner |
Publisher | : OUP Oxford |
Total Pages | : 393 |
Release | : 2012-06-21 |
Genre | : Psychology |
ISBN | : 0191627585 |
We perceive and understand our environment using many sensory systems-vision, touch, hearing, taste, smell, and proprioception. These multiple sensory modalities not only give us complementary sources of information about the environment but also an understanding that is richer and more complex than one modality alone could achieve. As adults, we integrate the multiple signals from these sense organs into unified functional representations. However, the ease with which we accomplish this feat belies its computational complexity. Not only do the senses convey information about the environment in different neural codes, but the relationship between the senses frequently changes when, for example, the body changes posture (e.g. when the eyes move in their sockets), or indeed shape, when the body grows across development. These computational problems prompt an important question which represents the key focus of this book: How do we develop the ability to integrate the senses? While there is a considerable literature on the development of single senses, such as vision or hearing, few books have considered the development of all our senses, and more importantly, how they develop the ability to work with each other. This book is unique in exploring this extraordinary feat of human nature - how we develop the ability to integrate our senses. It will be an important book for all those in the fields of cognitive and developmental neuroscience.
Author | : |
Publisher | : Academic Press |
Total Pages | : 2668 |
Release | : 2015-02-14 |
Genre | : Science |
ISBN | : 0123973163 |
Brain Mapping: A Comprehensive Reference, Three Volume Set offers foundational information for students and researchers across neuroscience. With over 300 articles and a media rich environment, this resource provides exhaustive coverage of the methods and systems involved in brain mapping, fully links the data to disease (presenting side by side maps of healthy and diseased brains for direct comparisons), and offers data sets and fully annotated color images. Each entry is built on a layered approach of the content – basic information for those new to the area and more detailed material for experienced readers. Edited and authored by the leading experts in the field, this work offers the most reputable, easily searchable content with cross referencing across articles, a one-stop reference for students, researchers and teaching faculty. Broad overview of neuroimaging concepts with applications across the neurosciences and biomedical research Fully annotated color images and videos for best comprehension of concepts Layered content for readers of different levels of expertise Easily searchable entries for quick access of reputable information Live reference links to ScienceDirect, Scopus and PubMed
Author | : Michael A. Arbib |
Publisher | : MIT Press |
Total Pages | : 442 |
Release | : 1998 |
Genre | : Medical |
ISBN | : 9780262011594 |
In Neural Organization, Arbib, Erdi, and Szentagothai integrate structural, functional, and dynamical approaches to the interaction of brain models and neurobiologcal experiments. Both structure-based "bottom-up" and function- based "top-down" models offer coherent concepts by which to evaluate the experimental data. The goal of this book is to point out the advantages of a multidisciplinary, multistrategied approach to the brain.Part I of Neural Organization provides a detailed introduction to each of the three areas of structure, function, and dynamics. Structure refers to the anatomical aspects of the brain and the relations between different brain regions. Function refers to skills and behaviors, which are explained by means of functional schemas and biologically based neural networks. Dynamics refers to the use of a mathematical framework to analyze the temporal change of neural activities and synaptic connectivities that underlie brain development and plasticity--in terms of both detailed single-cell models and large-scale network models.In part II, the authors show how their systematic approach can be used to analyze specific parts of the nervous system--the olfactory system, hippocampus, thalamus, cerebral cortex, cerebellum, and basal ganglia--as well as to integrate data from the study of brain regions, functional models, and the dynamics of neural networks. In conclusion, they offer a plan for the use of their methods in the development of cognitive neuroscience."
Author | : Peter Meineck |
Publisher | : Routledge |
Total Pages | : 233 |
Release | : 2017-07-14 |
Genre | : History |
ISBN | : 1315466554 |
Theatrocracy is a book about the power of the theatre, how it can affect the people who experience it, and the societies within which it is embedded. It takes as its model the earliest theatrical form we possess complete plays from, the classical Greek theatre of the fifth century BCE, and offers a new approach to understanding how ancient drama operated in performance and became such an influential social, cultural, and political force, inspiring and being influenced by revolutionary developments in political engagement and citizen discourse. Key performative elements of Greek theatre are analyzed from the perspective of the cognitive sciences as embodied, live, enacted events, with new approaches to narrative, space, masks, movement, music, words, emotions, and empathy. This groundbreaking study combines research from the fields of the affective sciences – the study of human emotions – including cognitive theory, neuroscience, psychology, artificial intelligence, psychiatry, and cognitive archaeology, with classical, theatre, and performance studies. This book revisits what Plato found so unsettling about drama – its ability to produce a theatrocracy, a "government" of spectators – and argues that this was not a negative but an essential element of Athenian theatre. It shows that Athenian drama provided a place of alterity where audiences were exposed to different viewpoints and radical perspectives. This perspective was, and is, vital in a freethinking democratic society where people are expected to vote on matters of state. In order to achieve this goal, the theatre offered a dissociative and absorbing experience that enhanced emotionality, deepened understanding, and promoted empathy. There was, and still is, an urgent imperative for theatre.