Guide to the Study of United States Imprints
Author | : George Thomas Tanselle |
Publisher | : Harvard University Press |
Total Pages | : 1146 |
Release | : 1971 |
Genre | : Bibliographical literature |
ISBN | : 9780674367616 |
Download More Confederate Imprints By Richard Harwell full books in PDF, epub, and Kindle. Read online free More Confederate Imprints By Richard Harwell ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : George Thomas Tanselle |
Publisher | : Harvard University Press |
Total Pages | : 1146 |
Release | : 1971 |
Genre | : Bibliographical literature |
ISBN | : 9780674367616 |
Author | : Henry Putney Beers |
Publisher | : |
Total Pages | : 552 |
Release | : 1986 |
Genre | : Archives |
ISBN | : |
A guide to Confederate records held in various repositories.
Author | : E. Lawrence Abel |
Publisher | : McFarland |
Total Pages | : 265 |
Release | : 2015-06-14 |
Genre | : History |
ISBN | : 1476606382 |
During the American Civil War, songs united and inspired people on both sides. The North had a well-established music publishing industry when the war broke out, but the South had no such industry. The importance of music as an expression of the South's beliefs was obvious; as one music publisher said, "The South must not only fight her own battles but sing her own songs and dance to music composed by her own children." Southern entrepreneurs quickly rose to the challenge. This reference book is distinguished by three major differences from previously published works. First, it lists sheet music that is no longer extant (and listed nowhere else). Second, it gives complete lyrics for all extant songs, a rich source for researchers. And third, a brief historical background has been provided for many of the songs. Each entry provides as much of the following as possible (staying faithful to the typography of each title page): the title as published, names of all lyricists, composers and publishers; dates of publication; cities of publication; and if applicable, the names of catalogs or magazines in which the song appeared. Music published in Southern cities under Federal occupation is excluded.
Author | : James Donal Sullivan |
Publisher | : University of Illinois Press |
Total Pages | : 222 |
Release | : 1997 |
Genre | : History |
ISBN | : 9780252066245 |
James Sullivan presents a brief history of American poetry broadsides from the seventeenth through twentieth centuries. He then explores the extensive use of the broadside during one era, the 1960s, showing how it refigured the poetry of Gwendolyn Brooks, Robert Lowell, Allen Ginsberg, and others and situating it for specific cultural uses within the social and political struggles of the times. Sullivan's introduction lays out the project's theoretical groundwork in the cultural studies movement and surveys the history of the broadside in North America since the advent of printing.
Author | : August P. Trovaioli |
Publisher | : Pelican Publishing |
Total Pages | : 224 |
Release | : 2008-01-01 |
Genre | : Art |
ISBN | : 9781589805095 |
The extensive paintings of William Aiken Walker illustrate life in the late 1800s to the early 1900s, when cotton reigned. As a Southerner born to an Irish Protestant father and a South Carolinian mother, Walker grew up with a profound respect for the often-misunderstood cotton field worker. His painterly expressions document cultural and social conditions of the time, offering respect for the people themselves.
Author | : Prof. J. G. Randall |
Publisher | : Pickle Partners Publishing |
Total Pages | : 1216 |
Release | : 2016-08-09 |
Genre | : History |
ISBN | : 1787200272 |
This is a revised edition by David Herbert Donald of his former professor J. G. Randall’s book The Civil War and Reconstruction, which was originally published in 1937 and had long been regarded as “the standard work in its field”, serving as a useful basic Civil War reference tool for general readers and textbook for college classes. This Second Edition retains many of the original chapters, “such as those treating border-state problems, non-military developments during the war, intellectual tendencies, anti-war efforts, religious and educational movements, and propaganda methods [...] bearing evidence of Mr. Randall’s thoroughgoing exploration of the manuscripts and archives,” whilst it expands considerably on other original chapters, such as those relating to the Confederacy. Still other portions have been entirely recast or rewritten, such as the pre-war period chapters and Reconstruction chapters, reflecting factual updates since Randall’s original publication. A must-read for all Civil War students and scholars.
Author | : George C. Rable |
Publisher | : Univ of North Carolina Press |
Total Pages | : 625 |
Release | : 2000-11-09 |
Genre | : History |
ISBN | : 0807863963 |
Although much has been written about the ways in which Confederate politics affected the course of the Civil War, George Rable is the first historian to investigate Confederate political culture in its own right. Focusing on the assumptions, values, and beliefs that formed the foundation of Confederate political ideology, Rable reveals how southerners attempted to purify the political process and avoid what they saw as the evils of parties and partisanship. According to Rable, secession marked the beginning of a revolution against politics, in which the Confederacy's founding fathers saw themselves as the true heirs of the American Revolution. Nevertheless, factionalism developed as the war dragged on, with Confederate nationalists emphasizing political unity and support for President Jefferson Davis's administration and libertarian dissenters warning of the dangers of a centralized Confederate government. Both sides claimed to be the legitimate defenders of a genuine southern republicanism and of Confederate nationalism, and the conflict between them carried over from the strictly political sphere to matters of military strategy, civil religion, and education. Rable concludes that despite the war's outcome, the Confederacy's antipolitical legacy had a profound impact on southern politics.
Author | : Ian Binnington |
Publisher | : University of Virginia Press |
Total Pages | : 221 |
Release | : 2013-11-15 |
Genre | : History |
ISBN | : 0813935016 |
Nationalism in nineteenth-century America operated through a collection of symbols, signifiers citizens could invest with meaning and understanding. In Confederate Visions, Ian Binnington examines the roots of Confederate nationalism by analyzing some of its most important symbols: Confederate constitutions, treasury notes, wartime literature, and the role of the military in symbolizing the Confederate nation. Nationalisms tend to construct glorified pasts, idyllic pictures of national strength, honor, and unity, based on visions of what should have been rather than what actually was. Binnington considers the ways in which the Confederacy was imagined by antebellum Southerners employing intertwined mythic concepts—the "Worthy Southron," the "Demon Yankee," the "Silent Slave"—and a sense of shared history that constituted a distinctive Confederate Americanism. The Worthy Southron, the constructed Confederate self, was imagined as a champion of liberty, counterposed to the Demon Yankee other, a fanatical abolitionist and enemy of Liberty. The Silent Slave was a companion to the vocal Confederate self, loyal and trusting, reliable and honest. The creation of American national identity was fraught with struggle, political conflict, and bloody Civil War. Confederate Visions examines literature, newspapers and periodicals, visual imagery, and formal state documents to explore the origins and development of wartime Confederate nationalism.