Monumental America
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| Author | : Publications International |
| Publisher | : |
| Total Pages | : 144 |
| Release | : 2018-06 |
| Genre | : Memorials |
| ISBN | : 9781640301535 |
"This beautiful book introduces the reader to monuments, statues, and memorials across America, from DC to Hawaii. Learn about monuments to wars, military service, presidents, exploration of the West, losses and tragedies, religion, and industry and innovation. Includes approximately 100 monuments, both historical and modern, from places throughout the country."--Amazon.com.
| Author | : Brian K. Mitchell |
| Publisher | : |
| Total Pages | : |
| Release | : 2021-02 |
| Genre | : |
| ISBN | : 9780917860836 |
"Depicted as a graphic history and informed by newly discovered primary sources and years of archival research, Monumental resurrects, in vivid detail, Louisiana and New Orleans after the Civil War, and an iconic American life that never should have been forgotten. The graphic history is supplemented with personal and historiographical essays as well as a map, timeline, and endnotes that explore the riveting scenes in even greater depth. Monumental is a story of determination, scandal, betrayal-and how one man's principled fight for equality and justice may have cost him everything"--
| Author | : Erin L. Thompson |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 288 |
| Release | : 2022-02-08 |
| Genre | : History |
| ISBN | : 0393867684 |
A leading expert on the past, present, and future of public monuments in America. An urgent and fractious national debate over public monuments has erupted in America. Some people risk imprisonment to tear down long-ignored hunks of marble; others form armed patrols to defend them. Why do we care so much about statues? Which ones should stay up and which should come down? Who should make these decisions, and how? Erin L. Thompson, the country’s leading expert in the tangled aesthetic, legal, political, and social issues involved in such battles, brings much-needed clarity in Smashing Statues. She lays bare the turbulent history of American monuments and its abundant ironies, from the enslaved man who helped make the statue of Freedom that tops the United States Capitol, to the fervent Klansman fired from sculpting the world’s largest Confederate monument—who went on to carve Mount Rushmore. And she explores the surprising motivations behind contemporary flashpoints, including the toppling of a statue of Columbus at the Minnesota State Capitol, the question of who should be represented on the Women’s Rights Pioneers Monument in Central Park, and the decision by a museum of African American culture to display a Confederate monument removed from a public park. Written with great verve and informed by a keen sense of American history, Smashing Statues gives readers the context they need to consider the fundamental questions for rebuilding not only our public landscape but our nation as a whole: Whose voices must be heard, and whose pain must remain private?
| Author | : |
| Publisher | : |
| Total Pages | : 182 |
| Release | : 2017 |
| Genre | : Historic sites |
| ISBN | : 9780871300720 |
Originally published to great acclaim in 1976, The American Monument has become one of the most sought-after photography publications of the 20th century. Long out of print, this second edition is once again available again for all to enjoy and own. Published in the same oversized format as the first editionwith exquisite duotone reproductions of the original 213 photographsthe album of post-bound single sheets can easily be disassembled for display. Considered by many, including Friedlander himself, to be one of his most important books, The American Monument has influenced generations of photographers, curators and art historians. The second edition includes the original essay by Eakins Press founder Leslie George Katz along with a new essay by eminent past NYCs Museum of Modern Arts photography curator and Friedlander scholar Peter Galassi, which illuminates the history and continued significance of this iconic artist and this early publication. The deeply influential American curator of photography at MoMA during the 1960s-70s, John Szarkowski (19272007), stated: I am still astonished and heartened by the deep affection of those pictures, by the photographers tolerant equanimity in the face of the facts, by the generosity of spirit, the freedom from pomposity and rhetoric. One might call this work an act of high artistic patriotism, an achievement that might help us reclaim that word from ideologues and expediters. Lee Friedlander is the recipient of three Guggenheim Fellowships as well as a MacArthur Fellowship. He has published more than 50 monographs since 1969, and exhibited extensively around the world for the past five decades, including a major retrospective at the MoMA, NY, in 2005.
| Author | : Robert Dallek |
| Publisher | : Simon and Schuster |
| Total Pages | : 994 |
| Release | : 2020-05-05 |
| Genre | : Architecture |
| ISBN | : 1684129257 |
From personal correspondence to presidential speeches and documents, Monument: Four Presidents Who Sculpted America explores the written words of the men forever remembered on the face of Mount Rushmore National Memorial in South Dakota. Originally a project to boost tourism, the sculpture received congressional approval in 1925, and construction was completed in 1941, shortly after the death of sculptor Gutzon Borglum. Canterbury Classics has gathered historic documents penned by George Washington, Thomas Jefferson, Abraham Lincoln, and Theodore Roosevelt into this beautiful leather-bound volume, and added introductions by learned scholars to outline the contribution each president made to the birth, growth, development, and preservation of the United States. Also included is the story of how Mount Rushmore came to be, and a foreword written by historian Robert Dallek. With more than two million visitors annually, Mount Rushmore lives up to its status as a “Shrine of Democracy,” and this rich piece of U.S. history is preserved in this timeless collectible edition.
| Author | : |
| Publisher | : |
| Total Pages | : 970 |
| Release | : 1916 |
| Genre | : Monuments |
| ISBN | : |
| Author | : Hans A. Pohlsander |
| Publisher | : Peter Lang |
| Total Pages | : 256 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 9783034301381 |
This book looks at the many transatlantic bonds which have linked and still link Germany and the United States. German immigrants to the Americas brought with them a good deal of cultural baggage. They cultivated their German heritage in their schools, churches, and clubs. They expressed pride in this heritage by erecting monuments to Goethe or Schiller, Beethoven or Wagner, Alexander von Humboldt or «Turnvater» Jahn. They claimed Friedrich Wilhelm von Steuben, Carl Schurz, Gustave Koerner, and John A. Roebling as their own. But German-born or German-trained sculptors did not limit themselves to German subjects. They also paid tribute to America by creating sculptures of Benjamin Franklin, George Washington, Thomas Jefferson, Abraham Lincoln, and others who occupy a place of honor in American history. While a few German monuments can be found in Canada and in Latin America, the number of German monuments in the United States is surprisingly large. These monuments illustrate the contribution - often overlooked or ignored - of the German-American community to American society and American cultural life.
| Author | : Sally Webster |
| Publisher | : Routledge |
| Total Pages | : 255 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351542028 |
The commemorative tradition in early American art is given sustained consideration for the first time in Sally Webster's study of public monuments and the construction of an American patronymic tradition. Until now, no attempt has been made to create a coherent early history of the carved symbolic language of American liberty and independence. Establishing as the basis of her discussion the fledgling nation's first monument, Jean-Jacques Caffi?'s Monument to General Richard Montgomery (commissioned in January of 1776), Webster builds on the themes of commemoration and national patrimony, ultimately positing that like its instruments of government, America drew from the Enlightenment and its reverence for the classical past. Webster's study is grounded in the political and social worlds of New York City, moving chronologically from the 1760s to the 1790s, with a concluding chapter considering the monument, which lies just east of Ground Zero, against the backdrop of 9/11. It is an original contribution to historical scholarship in fields ranging from early American art, sculpture, New York history, and the Revolutionary era. A chapter is devoted to the exceptional role of Benjamin Franklin in the commissioning and design of the monument. Webster's study provides a new focus on New York City as the 18th-century city in which the European tradition of public commemoration was reconstituted as monuments to liberty's heroes.
| Author | : Margaret M. Grubiak |
| Publisher | : University of Virginia Press |
| Total Pages | : 293 |
| Release | : 2020-02-11 |
| Genre | : Architecture |
| ISBN | : 0813943752 |
The American landscape is host to numerous works of religious architecture, sometimes questionable in taste and large, if not titanic, in scale. In her lively study of satire and religious architecture, Margaret Grubiak challenges how we typically view such sites by shifting the focus from believers to doubters, and from producers to consumers. Grubiak considers an array of sacred architectural constructions—from "Touchdown Jesus" at the University of Notre Dame to the Wizard of Oz Mormon temple outside Washington D.C. to the renamed "Gumby Jesus" of the Christ of the Ozarks statue in Eureka Springs, Arkansas - and how such constructions are confronted by the doubt and dismissiveness articulated by the more skeptical of their viewers. These responses of doubt activate our religious built environment in ways unanticipated but illuminating, asking us, at times forcefully, to consider and clarify what it is we believe. Opening up new avenues of thinking about how people deal with theological questions in the vernacular, Grubiak’s book shows how religious doubt is made manifest in the humorous, satirical, blasphemous, and popular culture responses to religious architecture and image in modern America. Midcentury: Architecture, Landscape, Urbanism, and Design
| Author | : United States. Congress. House. Committee on Foreign Affairs |
| Publisher | : |
| Total Pages | : 72 |
| Release | : 1922 |
| Genre | : Cemeteries |
| ISBN | : |
