Monsters Mushroom Clouds And The Cold War
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| Author | : M. Keith Booker |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 206 |
| Release | : 2001-05-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313073627 |
The 1950s are widely regarded as the golden age of American science fiction. This book surveys a wide range of major science fiction novels and films from the long 1950s--the period from 1946 to 1964--when the tensions of the Cold War were at their peak. The American science fiction novels and films of this period clearly reflect Cold War anxieties and tensions through their focus on such themes as alien invasion and nuclear holocaust. In this sense, they resemble the observations of social and cultural critics during the same period. Meanwhile, American science fiction of the long 1950s also engages its historical and political contexts through an interrogation of phenomena, such as alienation and routinization, that can be seen as consequences of the development of American capitalism during this period. This economic trend is part of the rise of the global phenomenon that Marxist theorists have called late capitalism. Thus, American science fiction during this period reflects the rise of late capitalism and participates in the beginnings of postmodernism, described by Frederic Jameson as the cultural logic of late capitalism.
| Author | : M. Keith Booker |
| Publisher | : Praeger |
| Total Pages | : 216 |
| Release | : 2001 |
| Genre | : Literary Criticism |
| ISBN | : |
Surveying a wide range of major science fiction novels and films, this book focuses on the long 1950s--the period from 1946 to 1964--when the tensions of the Cold War were at their peak. It demonstrates that these works reflect their historical and political contexts through a consistent concern with such phenomena as alienation and routinization, which Marxist critics have seen as central consequences of capitalism. Through its engagement with such issues, American science fiction of this period reflects the growing hegemony of capitalist ideology and consequently demonstrates the beginnings of postmodernism as a major American cultural phenomenon.
| Author | : Richard C. Box |
| Publisher | : M.E. Sharpe |
| Total Pages | : 178 |
| Release | : 2005 |
| Genre | : Medical |
| ISBN | : 9780765615541 |
Richard Box offers a framework for the application of critical social theory in public administration. His goal is to encourage awareness of social conditions that tend to shape & constrain scholarship, practice, teaching, & social change.
| Author | : Joyce Evans |
| Publisher | : Routledge |
| Total Pages | : 202 |
| Release | : 2018-03-05 |
| Genre | : Social Science |
| ISBN | : 0429981422 |
Celluloid Mushroom Clouds is a historical account of how the movie industry responded to specific economic and political forces over the postwar years. Joyce Evans investigates the transformation of the imagery associated with atomic technology found in Hollywood films produced and distributed between 1947 and 1964. Incorporating qualitative and quantitative research methods, over 90 are analyzed in terms of their historical context and the context of film production and distribution.
| Author | : Natalia Voinova |
| Publisher | : Anchor Academic Publishing (aap_verlag) |
| Total Pages | : 45 |
| Release | : 2013-05-23 |
| Genre | : Art |
| ISBN | : 3954890585 |
This study will compare the USSR and the United States according to their cinematic use of science fiction in the late 1950s and 1960s in order to coincide with the period of de-Stalinisation and thaw in the USSR, and late McCarthyism in the United States. The genre provides an opportunity to express the two powers' scientific stand-off through fiction, and serves as a vehicle for the dissemination of ideas and propaganda. Post-1956 marks the time when the period of de-Stalinisation officially began and science fiction saw a carefully crafted rebirth for it served as a tool that could reflect the socialist ideal and quasi-religious faith in science that was promoted by the party. Science fiction uniquely demands for an imaginative view of the future, and therefore, corresponds with the Marxist- Leninist future-oriented ideology. For this period, the themes for American science fiction are hyperbolised monsters and invasion, and reflect the fear of the otherness of the Soviet Union, and its threat on domestic ideals. These themes are reflected in movies as 'Angry Red Planet', and 'Them!'. On the other hand, Soviet science fiction movies focus on the heroic Soviet man who frequently receives calls for help from outer space, and overcomes great trials to save those not living in utopia. This storyline is represented in 'Towards a Dream', and 'The Sky is calling'. The author gives special attention to the Soviet movie 'The Sky is calling' and the subsequent redubbed American version 'Battle beyond the Sun'. Further, she addresses alterations or plot, and subtle propaganda messages in the Soviet movies 'Planet of Storms', and the Hollywood remake 'Journey to the Prehistoric Planet'.
| Author | : Bryn Upton |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 209 |
| Release | : 2014-08-26 |
| Genre | : Performing Arts |
| ISBN | : 1442237945 |
From the late 1940s until the early 1990s, the Cold War was perhaps the most critical and defining aspect of American culture, influencing television, music, and movies, among other forms of popular entertainment. Films in particular were at the center of the battle for the hearts and minds of the American public. Throughout this period, the Cold War influenced what movies got produced, how such movies were made, and how audiences understood the films they watched. In the post–Cold War era, some genres of film suffered from the shift in our national narratives, while others were quickly reimagined for an audience with different political and social fears. In Hollywood and the End of the Cold War: Signs of Cinematic Change, Bryn Upton compares films from the late Cold War era with movies of similar themes from the post–Cold War era. In this volume, Upton pays particular attention to shifts in narrative that reflect changes in American culture, attitudes, and ideas. In exploring how the absence of the Cold War has changed the way we understand and interpret film, this volume seeks to answer several key questions such as: Has the end of the Cold War altered how we tell our stories? Has it changed how we perceive ourselves? In what ways has our popular culture been affected by the absence of this once dominant presence? With its focus on themes that are central to the concerns of many historians—including civil religion, social fracture, and the culture wars—Hollywood and the End of the Cold War will serve as a useful tool for those seeking to integrate film into the classroom, as well as for film scholars exploring representations of sociopolitical change on screen.
| Author | : Michael Gardiner |
| Publisher | : Edinburgh University Press |
| Total Pages | : 233 |
| Release | : 2024-11-30 |
| Genre | : |
| ISBN | : 1474475752 |
In this book, Michael Gardiner suggests that the conception of the ‘war-ending’ weapon was tied up with a longer commitment to unified space and singular progress. The mission for total weapons can be seen rising with the highly-technical defensive war of the later nineteenth century, and passing through twentieth century atomic research, then the targeting of the outsides of commercial empire, and the post-war consensus with deterrence as its foundation. The end of the Cold War brought an opportunity to fully naturalise deterrence, but also brought a tacit acceptance of nuclear violence while forms of violence against the individual were rigorously sought out. If the world-unifying role of deterrence has always been undermined by the rise of rival empires, it has also been questioned by critical communities including the consensus-sceptics of the 1950s–60s, 1980s–90s Nuclear Criticism and readers of ‘nuclear ism’, millennial campaigns for Scottish independence, and twenty-first century descriptions of nuclear colonialism. Recently it has become more obvious that an Anglosphere concept of ‘worldly’ deterrence was bound to a singular and ultimately nihilistic idea of progress.[bio]Michael Gardiner is Professor in the Department of English and Comparative Literature at the University of Warwick.
| Author | : Paul Williams |
| Publisher | : Liverpool University Press |
| Total Pages | : 289 |
| Release | : 2011-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 1846317088 |
Ranging across fiction and poetry, critical theory and film, comics and speeches, Race, Ethnicity and Nuclear War explores how writers, thinkers, and filmmakers have tackled the question: Are nuclear weapons white? Paul Williams addresses myriad representations of nuclear weapons: the Manhattan Project, the destruction of Hiroshima and Nagasaki, nuclear tests across the globe, and the anxiety surrounding the superpowers' devastating arsenals. Ultimately, Williams concludes that many texts act as a reminder that the power enjoyed by the white Western world imperils the whole planet.
| Author | : Jonathan Hogg |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 249 |
| Release | : 2016-01-28 |
| Genre | : History |
| ISBN | : 1441109242 |
The advent of the atomic bomb, the social and cultural impact of nuclear science, and the history of the British nuclear state after 1945 is a complex and contested story. British Nuclear Culture is an important survey that offers a new interpretation of the nuclear century by tracing the tensions between 'official' and 'unofficial' nuclear narratives in British culture. In this book, Jonathan Hogg argues that nuclear culture was a pervasive and persistent aspect of British life, particularly in the years following 1945. This idea is illustrated through detailed analysis of various primary source materials, such as newspaper articles, government files, fictional texts, film, music and oral testimonies. The book introduces unfamiliar sources to students of nuclear and cold war history, and offers in-depth and critical reflections on the expanding historiography in this area of research. Chronologically arranged, British Nuclear Culture reflects upon, and returns to, a number of key themes throughout, including nuclear anxiety, government policy, civil defence, 'nukespeak' and nuclear subjectivity, individual experience, protest and resistance, and the influence of the British nuclear state on everyday life. The book contains illustrations, individual case studies, a select bibliography, a timeline, and a list of helpful online resources for students of nuclear history.
| Author | : Dennis R. Cutchins |
| Publisher | : McFarland |
| Total Pages | : 312 |
| Release | : 2023-07-17 |
| Genre | : Performing Arts |
| ISBN | : 1476687854 |
Science fiction cinema, once relegated to the undervalued "B" movie slot, has become one of the dominant film genres of the 21st century, with Hollywood alone producing more than 400 science fiction films annually. Many of these owe a great deal of their success to the films of one defining decade: the 1950s. Essays in this book explore how classic '50s science fiction films have been recycled, repurposed, and reused in the decades since their release. Tropes from Don Siegel's Invasion of the Body Snatchers (1956), for instance, have found surprising new life in Netflix's wildly popular Stranger Things. Interstellar (2014) and Arrival (2016) have clear, though indirect roots in the iconic 1950s science fictions films Rocketship X-M (1950) and The Day the Earth Stood Still (1951), and The Shape of Water (2017) openly recalls and reworks the major premises of The Creature From the Black Lagoon (1954). Essays also cover 1950's sci-fi influences on video game franchises like Fallout, Bioshock and Wolfenstein.
