Money And The Age Of Shakespeare Essays In New Economic Criticism
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| Author | : L. Woodbridge |
| Publisher | : Springer |
| Total Pages | : 296 |
| Release | : 2015-12-25 |
| Genre | : Literary Criticism |
| ISBN | : 1403982465 |
In this collection literary scholars, theorists and historians deploy new economic techniques to illuminate English Renaissance literature in fresh ways. Contributors variously explore poetry's precarious perch between gift and commodity; the longing for family in The Comedy of Errors as symbolically expressing the alienating pressures of mercantilism; Measure for Measure 's representation of singlewomen and the feminization of poverty; the collision between two views of money in a possible collaboration between Shakespeare and Middleton; the cultural spread of an accounting mentality and quantitative thinking; and money as it crosses the frontier between price and pricelessness, and from early bodily-injury insurance schemes to The Merchant of Venice .
| Author | : Peter F. Grav |
| Publisher | : Routledge |
| Total Pages | : 352 |
| Release | : 2008-04-25 |
| Genre | : Literary Criticism |
| ISBN | : 1135894124 |
Despite the volume of work Shakespeare produced, surprisingly few of his plays directly concern money and the economic mindset. Shakespeare and the Economic Imperative examines the five plays that do address monetary issues (The Comedy of Errors, The Merry Wives of Windsor, The Merchant of Venice, Measure for Measure and Timon of Athens), plays in which Shakespeare’s view of how economic determinants shape interpersonal relationships progressively darkens. In short, what thematically starts out in farce ends in nihilistic tragedy. Working within the critical stream of new economic criticism, this book uses formal analysis to interrogate how words are used — how words and metaphoric patterns from the quantifiable dealings of commerce transform into signifiers of qualitative values and how the endemic employment of discursive tropes based on mercantile principles debases human relationships. This examination is complemented by historical socio-economic contextualization, as it seems evident that the societies depicted in these plays reflect the changing world in which Shakespeare lived and wrote.
| Author | : Laura Kolb |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 241 |
| Release | : 2021-01-28 |
| Genre | : Drama |
| ISBN | : 0198859694 |
Fictions of Credit in the Age of Shakespeare argues that practical texts and plays are "equipment for living": practical texts offer strategies for navigating England's culture of credit, and plays explore credit's dangers and possibilities. Dramatic texts show what it feels like to live in credit culture: to live inside a fiction.
| Author | : Vivian Thomas |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 416 |
| Release | : 2015-03-26 |
| Genre | : Literary Criticism |
| ISBN | : 1474216080 |
Shakespeare's plays are pervaded by political and economic words and concepts, not only in the histories and tragedies but also in the comedies and romances. The lexicon of political and economic language in Shakespeare does not consist merely of arcane terms whose shifting meanings require exposition, but includes an enormous number of relatively simple words which possess a structural significance in the configuration of meanings. Often operating by such means as puns, they open up a surprising number of possibilities. The dictionary reveals the conceptual nucleus of each term and explores the contexts in which it is embedded. The overlap between the political and economic dimensions of a word in Shakespeare's drama is particularly exciting as he is highly attuned to the interactions of these two spheres of human activity and their centrality in human affairs.
| Author | : Marjorie Garber |
| Publisher | : Anchor |
| Total Pages | : 1010 |
| Release | : 2008-11-19 |
| Genre | : Drama |
| ISBN | : 0307490815 |
A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country’s foremost authorities on his life and work. Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.
| Author | : Natasha Korda |
| Publisher | : Routledge |
| Total Pages | : 310 |
| Release | : 2016-02-11 |
| Genre | : Performing Arts |
| ISBN | : 1134783043 |
Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.
| Author | : Susan Zimmerman |
| Publisher | : Fairleigh Dickinson Univ Press |
| Total Pages | : 282 |
| Release | : 2006-10 |
| Genre | : Literary Criticism |
| ISBN | : 0838641202 |
Shakespeare Studies is an international volume published every year in hard cover that contains essays and studies by critics and cultural historians from both hemispheres. Although the journal maintains a focus on the theatrical milieu of Shakespeare and his contemporaries, it is also concerned with Britain's intellectual and cultural connections to the continent, its sociopolitical history, and its place in the emerging globalism of the period. In addition to articles, the journal includes substantial reviews of significant publications dealing with these issues, as well as theoretical studies relevant to scholars of early modern culture. Volume XXXIV continues the journal's series of Forums, in which a group of scholars address an issue of importance to early modern studies. The Forum in this issue is entitled "Is There Character After Theory?" Organized and introduced by Raphael Falco, it features Tom Bishop, Dympna Callaghan, Jonathan Crewe, Christy Desmet, Elizabeth Fowler, and Alan Sinfield. Volume XXXIV also includes three essays: Roger Chartier on "Jack Cade, the Skin of a Dead Lamb, and the Hatred for Writing"; Julian Yates on "Stealing Shakespeare's Oranges"; and Anston Bosman on " 'Best Play with Mardian': Eunuch and Blackamoor and Imperial Culturegram." Susan Zimmerman is Professor of English at Queens College, City University of New York. Garrett Sullivan is Associate Professor of English at Pennsylvania State University.
| Author | : Brian Sheerin |
| Publisher | : Routledge |
| Total Pages | : 175 |
| Release | : 2016-04-28 |
| Genre | : Literary Criticism |
| ISBN | : 1317152018 |
Desires of Credit in Early Modern Theory and Drama traces the near-simultaneous rise of economic theory, literary criticism, and public theater in London at the turn of the seventeenth century, and posits that connecting all three is a fascination with creating something out of nothing simply by acting as if it were there. Author Brian Sheerin contends that the motivating force behind both literary and economic inquiry at this time was the same basic quandary about the human imagination--specifically, how investments of belief can produce tangible consequences. Just as speculators were realizing the potency of collective imagination on economic circulation, readers and dramatists were becoming newly introspective about whether or not the 'lies' of literature could actually be morally 'profitable.' Could one actually benefit by taking certain fictions 'seriously'? Each of the five chapters examines a different dimension of this question by highlighting a particular dramatization of economic trust on the Renaissance stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and Jonson. The book fills a gap in current scholarship by keeping economic and dramatic interests rigorously grounded in early modern literary criticism, but also by emphasizing the productive nature of debt in a way that resonates with recent economic sociology.
| Author | : Jill L Levenson |
| Publisher | : Routledge |
| Total Pages | : 779 |
| Release | : 2017-03-27 |
| Genre | : Literary Criticism |
| ISBN | : 1317696182 |
The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.
| Author | : Christa Mahalik |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 350 |
| Release | : 2010-08-11 |
| Genre | : Literary Criticism |
| ISBN | : 1443824623 |
Merchants, Barons, Sellers and Suits: The Changing Images of the Businessman through Literature originally began as a conversation about a hybrid course at Quinnipiac University. Its purpose was to take an online English course for non-traditional business majors and create a theme that would be relevant to the business world. Being given the task to create this course from the ground up was exciting and intriguing. There turned out to be a lot more material that could be used for this theme than previously thought. To gauge the temperature of the topic, a panel was set up with the theme of businessmen (or women) and their changing image through literature. At the 2009 NeMLA (Northeast Modern Language Association) conference in Boston, the panel was held and many ideas, such as some of the ones presented in this book, were discussed. A secondary theme evolved out of the construction of the first. Participants discussed the environment as a catalyst in the change of “what a person actually thinks a businessman (or woman) looks like.” Many of these images were formed based upon pop culture, such as the traveling salesman in the Looney Tunes cartoons who sells brushes door to door and hails from Walla Walla, Washington. Others were based on the images read about in books, such as Willy Loman from Death of a Salesman. The essays included in this volume, presented by doctoral candidates and scholars from across a range of geographical regions and disciplines, result in a collection that investigates the idea of the changing image of the businessman throughout literature both in America and in Europe. The arrangement of the collection is a comparative timeline allowing the changing images of business to evolve with each essay.
