Moms Only Fans
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Author | : MR. BIG WEALTH |
Publisher | : MR. BIG WEALTH |
Total Pages | : 20 |
Release | : 2023-12-25 |
Genre | : Drama |
ISBN | : |
#mrbigwealth Welcome to the ultimate discussion of any content creator where i ask around and get people's opinion on ONLYFANS
Author | : Davina Rhine |
Publisher | : iUniverse |
Total Pages | : 629 |
Release | : 2011 |
Genre | : Family & Relationships |
ISBN | : 1462026516 |
Biographies of women who combine effective motherhood with highly individual lives.
Author | : Jacqueline Toboroff |
Publisher | : Bombardier Books |
Total Pages | : 234 |
Release | : 2023-07-19 |
Genre | : Biography & Autobiography |
ISBN | : 1637587201 |
Moms—the largest voting bloc—have had enough. Democrats have sold them a bill of lies. They’ve had their parental rights stripped, gender mocked, bodily autonomy rejected, safety imperiled, voices silenced, and children turned against them by the educational system they fund. Moms are only loyal to one party: their kids. Supermoms Activated charts the journey of twelve mothers from across the nation from varying socioeconomic, religious, racial, and political party affiliations. From flipping school boards, bringing cases before the Supreme Court, running for office, lobbying, crafting policy, starting new schools, and changing how politicians campaign, the mom army is coming to save this nation. The mom crusade has come to protect children from the mainstreaming of “gender dysmorphia,” “privilege blocks,” and “furries.” Their movement has been so impactful that the big guns, hoping to silence and disavow them, have been summoned: mainstream and social media, teachers unions, educators, campaign consultants, Hollywood, and even the president of the United States, Joe Biden. These groups have waged war against concerned moms, labeling them “domestic terrorists.” Supermoms Activated takes readers on a deep-dive into why moms woke up and risked everything. Through personal journeys, this book shows different approaches taken to fight back against Marxism on all fronts. There are wins and losses, but more than that, there’s a game plan moving forward. Personal agency is most important when it comes to stopping wokeism from taking over and one person can start a prairie fire. Join these moms in the American revival.
Author | : Divina Demure |
Publisher | : Dibella Publications |
Total Pages | : 48 |
Release | : 2024-08-28 |
Genre | : Fiction |
ISBN | : |
When only silence and sign language are spoken at home, things take a turn for the TABOO when forbidden skins slapping together becomes a daily event. Find out what happens when a poor, deaf, and mute MILF learns her broken voice box can work if activated through the nerves found deep within her pink trap. Includes GRAPHIC scenes of struggling to fight back before going limp in bed at home!
Author | : Tanya Erzen |
Publisher | : Beacon Press |
Total Pages | : 185 |
Release | : 2012-10-30 |
Genre | : Social Science |
ISBN | : 0807006335 |
An author immerses herself in the frenzied fandom of Twilight, the young-adult vampire romance series that has captivated women of all ages Twilight, Stephenie Meyer’s young-adult vampire romance series, has captivated women of all ages, from teenagers who swoon over the film adaptations to college-educated women who devour the novels as a guilty pleasure. All told, over 110 million copies of the books have been sold worldwide, with translations into 37 languages, and the movies are some of the highest-grossing of all time. Twilight is a bona fide cultural phenomenon that has inspired a vast and unimaginably fertile fan subculture—the “fanpire,” as the members describe it. Just what is it about Twilight that has enchanted so many women? Tanya Erzen—herself no stranger to the allure of the series—sets out to explore the irresistible pull of Twilight by immersing herself in the vibrant and diverse world of “Twi-hards,” from Edward-addition groups and “Twi-rock” music to Cullenism, a religion based on the values of Edward’s family of vegetarian vampires. Erzen interviews hundreds of fans online and in person, attends thousand-strong conventions, and watches the film premiere of New Moon with Twilight moms in Utah. Along the way, she joins a tour bus on a pilgrimage to Twilight-inspired sites, struggles through a Bella self-defense class, and surveys the sub-universe of Twilight fan-fiction (including E. L. James’s enormously popular “Master of the Universe” story, the basis for her erotic novel Fifty Shades of Grey). Erzen also takes a deeper look at the appeal of traditional gender roles in a postfeminist era saturated with narratives of girl power. If Twilight’s fantasies of romance and power reflect the fears, insecurities, and longings of the women who love it, the fanpire itself, Erzen shows, offers a space for meaningful bonding, mutual understanding, and friendship. Part journalistic investigation and part cultural analysis, Fanpire will appeal to obsessed fans, Twilight haters, and bemused onlookers alike.
Author | : Eugene Quinn |
Publisher | : AuthorHouse |
Total Pages | : 198 |
Release | : 2009-08 |
Genre | : Business & Economics |
ISBN | : 1438984871 |
So many books are coming out today about different ways of running companies. Several of these books envision some historical figure as the CEO: Lincoln, Attila the Hun, Jesus and others. Only one person is CEO to everyone, and that is our mother. Everyone is molded by the teaching of their mother, and taught the same things that they later apply to their business career. I had the pleasure of interviewing many successful people for the book, Don Kirshner, Ken Anderson and Jeff Webb, just to name a few, and found that they all had a lot in common: first they have a passion for what they do; have a purpose to succeed; moved ahead with total determination; but first and foremost they owe their success to the role their mother played in shaping their respective lives. Each chapter of the book is a lesson my mother taught me while I was growing up. They are the same ones all children hear from their own mother. The first part of each chapter tells the story of how I learned one of my own mother's lessons. Most people who read them will see themselves, since all children go through many of the same trials and tribulations. The second part of each chapter relates to a specific individual who used their mother's lessons to be successful in their chosen field. Some are funny, some are sad; but all are about life...and all true. Having interviewed each of these people for the book, I wish I could show the raw emotion on each person's face while relating what their mother meant to their individual success. I hope everyone takes away from this book that success is not easy, but everyone receives the seeds for their success from their mother.
Author | : Carla Anne Coroy |
Publisher | : Kregel Publications |
Total Pages | : 274 |
Release | : 2011-11-15 |
Genre | : Religion |
ISBN | : 0825489245 |
Married Mom, Solo Parent is a common-sense, down-to-earth look at the struggles wives and mothers face when their husband is not actively involved in family life. Writing from her own experience as a married single mom, Carla Anne Coroy will encourage moms to see their position as a high calling, to find healing for their worries and frustrations, and to tap into God's strength for help in facing the daily challenge of being a married mom, solo parent. --from publisher description
Author | : Jamie J. Zhao |
Publisher | : Hong Kong University Press |
Total Pages | : 253 |
Release | : 2023-02-16 |
Genre | : Social Science |
ISBN | : 9888805614 |
The 2010s have seen an explosion in popularity of Chinese television featuring same-sex intimacies, LGBTQ-identified celebrities, and explicitly homoerotic storylines even as state regulations on “vulgar” and “immoral” content grow more prominent. This emerging “queer TV China” culture has generated diverse, cyber, and transcultural queer fan communities. Yet these seemingly progressive televisual productions and practices are caught between multilayered sociocultural and political-economic forces and interests. Taking “queer” as a verb, an adjective, and a noun, this volume counters the Western-centric conception of homosexuality as the only way to understand nonnormative identities and same-sex desire in the Chinese and Sinophone worlds. It proposes an analytical framework of “queer/ing TV China” to explore the power of various TV genres and narratives, censorial practices, and fandoms in queer desire-voicing and subject formation within a largely heteropatriarchal society. Through examining nine cases contesting the ideals of gender, sexuality, Chineseness, and TV production and consumption, the book also reveals the generative, negotiative ways in which queerness works productively within and against mainstream, seemingly heterosexual-oriented, televisual industries and fan spaces. “This cornucopia of fresh and original essays opens our eyes to the burgeoning queer television culture thriving beneath official media crackdowns in China. As diverse as the phenomenon it analyses, Queer TV China is the spark that will ignite a prairie fire of future scholarship.” —Chris Berry, Professor of Film Studies, King’s College London “This timely volume explores the various possibilities and nuances of queerness in Chinese TV and fannish culture. Challenging the dichotomy of ‘positive’ and ‘negative’ representations of gender and sexual minorities, Queer TV China argues for a multilayered and queer-informed understanding of the production, consumption, censorship, and recreation of Chinese television today.” —Geng Song, Associate Professor and Director of Translation Program, University of Hong Kong
Author | : Kassia Krone |
Publisher | : McFarland |
Total Pages | : 210 |
Release | : 2024-04-22 |
Genre | : Performing Arts |
ISBN | : 1476688931 |
From Carrie and Rosemary's Baby to Us, Hereditary, and Run, the image of the mentally ill mom as villain looms large in the horror genre. What do these movies communicate about mothers living with mental illness, and how do these depictions affect them? Portraying mentally ill moms as problems to be overcome, often by their own children, perpetuates harmful stereotypes with potential real-world consequences, such as the belief that these women are unfit to bear or raise children. More compassionate representations are needed to lessen the social stigma associated with the mentally ill. Fortunately, some of the contemporary horror films are attempting to achieve that task with critical success. Using case studies from a broad range of films--including the classic, campy, slasher, or prestige--and placing them within their historical context, this work extends conversations about horror and mental illness, such as post-partum depression, bulimia, Munchausen by proxy syndrome, and others. Highlighting the trope of the mentally ill mother as a pervasive image within the genre furthers examination of how these films challenge or reflect existing stereotypes and illustrates how horror can be both a site of oppression and a source for positive transformation.
Author | : Rebecca Jo Plant |
Publisher | : University of Chicago Press |
Total Pages | : 264 |
Release | : 2010-03-15 |
Genre | : Social Science |
ISBN | : 0226670236 |
In the early twentieth century, Americans often waxed lyrical about “Mother Love,” signaling a conception of motherhood as an all-encompassing identity, rooted in self-sacrifice and infused with social and political meaning. By the 1940s, the idealization of motherhood had waned, and the nation’s mothers found themselves blamed for a host of societal and psychological ills. In Mom, Rebecca Jo Plant traces this important shift by exploring the evolution of maternalist politics, changing perceptions of the mother-child bond, and the rise of new approaches to childbirth pain and suffering. Plant argues that the assault on sentimental motherhood came from numerous quarters. Male critics who railed against female moral authority, psychological experts who hoped to expand their influence, and women who strove to be more than wives and mothers—all for their own distinct reasons—sought to discredit the longstanding maternal ideal. By showing how motherhood ultimately came to be redefined as a more private and partial component of female identity, Plant illuminates a major reorientation in American civic, social, and familial life that still reverberates today.