Modernizing Joan Of Arc
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Author | : Ellen Ecker Dolgin |
Publisher | : McFarland |
Total Pages | : 212 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
This work explores the attitudes that have followed Joan of Arc for centuries, beginning with the notions of gender and authority in the 15th century during Joans criminal trials.
Author | : Larissa Juliet Taylor |
Publisher | : Yale University Press |
Total Pages | : 224 |
Release | : 2009-10-06 |
Genre | : Biography & Autobiography |
ISBN | : 0300161298 |
“A fresh and provocative biography of La Pucelle . . . her transformation from a naive girl to a strong-willed, bold, and gifted captain of war.”—Frederic J. Baumgartner, author of France in the Sixteenth Century France’s great heroine and England’s great scourge: whether a lunatic, a witch, a religious icon, or a skilled soldier and leader, Joan of Arc’s contemporaries found her as extraordinary and fascinating as the legends that abound about her today. But her life has been so endlessly cast and recast that we have lost sight of the remarkable girl at the heart of it—a teenaged peasant girl who, after claiming to hear voices, convinced the French king to let her lead a disheartened army into battle. In the process she changed the course of European history. In The Virgin Warrior, Larissa Juliet Taylor paints a vivid portrait of Joan as a self-confident, charismatic and supremely determined figure, whose sheer force of will electrified those around her and struck terror into the hearts of the English soldiers and leaders. The drama of Joan’s life is set against a world where visions and witchcraft were real, where saints could appear to peasants, battles and sieges decided the fate of kingdoms and rigged trials could result in burning at the stake. Yet in her short life, Joan emboldened the French soldiers and villagers with her strength and resolve. A difficult, inflexible leader, she defied her accusers and enemies to the end. From her early years to the myths and fantasies that have swelled since her death, Taylor “goes deep into Joan of Arc’s heart and soul and shows us the maiden, the warrior and the heroine” (Kate Williams, New York Times bestselling author)./
Author | : Stephen Knight |
Publisher | : Melbourne Univ. Publishing |
Total Pages | : 206 |
Release | : 2015-10-01 |
Genre | : Social Science |
ISBN | : 0522868444 |
In The Politics of Myth, Stephen Knight studies nine figures still vividly alive, all of them appearing in twenty-first century film and television. Analysing how they relate to the major themes of Power, Resistance and Knowledge, he shows how fact and fiction mix to help us explore and understand the complexities of our world. Surprising mythic shifts occur across time. Robin Hood can be a tough anti-authoritarian, a genial aristocrat, a Saxon patriot; Queen Elizabeth I has been seen as a Protestant heroine, a love-lorn lady, even a grumpy manipulator. From Merlin's multiple manifestations and Sherlock Holmes's smoking habits to the ongoing arguments about Ned Kelly, this book explores the richness and the range of figures of myth.
Author | : Lagretta Tallent Lenker |
Publisher | : Springer Nature |
Total Pages | : 258 |
Release | : |
Genre | : |
ISBN | : 3031496043 |
Author | : Scott E. Hendrix |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 817 |
Release | : 2018-03-01 |
Genre | : Religion |
ISBN | : |
This book provides reliable information about important world religious leaders, correcting the misinformation that can be on the internet. Religious leaders have shaped the course of history and deeply affected the lives of many individuals. This book offers alphabetically arranged profiles of roughly 160 religious leaders from around the world and across time, carefully chosen for their impact and importance and to maximize inclusiveness of faiths from around the world. Scholars from around the world, each one an expert in his or her field and all holding advanced degrees, came together to create an essential resource for students and for those with an interest in religion and its history. Every entry has been carefully edited in a two-stage review process, guaranteeing accuracy and readability throughout the work. Not strictly a biographical reference that recounts the facts of religious figures' lives, the book helps users understand how the selected figures changed history. The entries are accompanied by excerpts of primary source documents and suggestions for further reading, while the book closes with a bibliography of essential print and electronic resources for further research.
Author | : Robert Bresson |
Publisher | : New York Review of Books |
Total Pages | : 305 |
Release | : 2023-09-26 |
Genre | : Performing Arts |
ISBN | : 1681377802 |
Now in paperback, a collection of interviews with a French cinematic titan—covering subjects such as adaptation, the effects of capitalism on art, and the importance of intuition—selected from a period of four decades. Robert Bresson, the director of such cinematic masterpieces as Pickpocket, A Man Escaped, Mouchette, and L’Argent, was one of the most influential directors in the history of French film, as well as one of the most stubbornly individual: He insisted on the use of nonprofessional actors; he shunned the “advances” of Cinerama and CinemaScope (and the work of most of his predecessors and peers); and he minced no words about the damaging influence of capitalism and the studio system on the still-developing—in his view—art of film. Bresson on Bresson collects the most significant interviews that Bresson gave (carefully editing them before they were released) over the course of his forty-year career to reveal both the internal consistency and the consistently exploratory character of his body of work. Successive chapters are dedicated to each of his fourteen films, as well as to the question of literary adaptation, the nature of the soundtrack, and to Bresson’s one book, the great aphoristic treatise Notes on the Cinematograph. Throughout, his close and careful consideration of his own films and of the art of film is punctuated by such telling mantras as “Sound...invented silence in cinema,” “It’s the film that...gives life to the characters—not the characters that give life to the film,” and (echoing the Bible) “Every idle word shall be counted.” Bresson’s integrity and originality earned him the admiration of younger directors from Jean-Luc Godard and Jacques Rivette to Olivier Assayas. And though Bresson’s movies are marked everywhere by an air of intense deliberation, these interviews show that they were no less inspired by a near-religious belief in the value of intuition, not only that of the creator but that of the audience, which he claims to deeply respect: “It’s always ready to feel before it understands. And that’s how it should be.”
Author | : Philipp Wolf |
Publisher | : BRILL |
Total Pages | : 217 |
Release | : 2021-11-22 |
Genre | : Literary Criticism |
ISBN | : 9004487050 |
Contemporary studies of memory focus either on the psychology of remembering, on its archives and media, or on the traditional ars memoriae. The general cultural framework with its social and material factors is largely neglected, despite the obvious impact on both collective and individual mnemonic mentality. But, as in the first half of the seventeenth century or the later twentieth century, the literary and political invocation of religious, collective or national memory occurs most of all in times of historical rupture, and attendant changes of a radical technological and cultural nature. Appeals to the power of memory are not only indicative of the anxiety about the loss of its binding or absolving character. They are already symptomatic of a deep crisis of cultural memory in itself, resulting from an erosion of firm spatial, temporal and historical references along with an increasing tendency towards reflexivity, which calls the apparently self-evident facts of past and present into question. The continuity of remembering, however, as this study argues, presupposes the permanence and recurrence of social and material relations, of representative or symbolic persons, objects and events, in which it can inscribe itself. But owing to the shift in historical consciousness from (typological) past to progressive future and novelty and under the impress of industrial production and modern media (mobility and communications), the Western subject has to cope constantly with new empirical situations, symbolic values and historical or current information whose origin and evolution – indeed, the very memory of them – remain alien to personal identity and memory. The promise of redemption and salvation, still inherent in seventeenth-century collective memory, loses credibility. The study includes a wide range of authors from Donne to Pope, Tennyson to George Eliot and Walter Pater, W.B. Yeats to Don DeLillo and covers the whole period from early modern England to postmodernism. It can thus also be read as a brief history of Western memory and its continuing crises.
Author | : Paul A Cohen |
Publisher | : Columbia University Press |
Total Pages | : 302 |
Release | : 2014-05-13 |
Genre | : History |
ISBN | : 0231166362 |
When people experience a traumatic event, such as war or the threat of annihilation, they often turn to history for stories that promise a positive outcome to their suffering. During World War II, the French took comfort in the story of Joan of Arc and her heroic efforts to rid France of foreign occupation. To bring the Joan narrative more into line with current circumstances, popular retellings modified the original story so that what people believed took place in the past was often quite different from what actually occurred. Paul A. Cohen believes this interplay between story and history is a worldwide phenomenon found in countries of radically different cultural, religious, and social character. He focuses on Serbia, Israel, the Soviet Union, China, Great Britain, and France, all of which experienced severe crises in the twentieth century and, in response, appropriated age-old historical narratives that resonated with what was happening in the present to serve a unifying, restorative purpose. A central theme in the book is the distinction between popular memory and history. Although vitally important to historians, this distinction is routinely blurred in people’s minds, and the historian’s truth often cannot compete with the power of a compelling story from the past, even when it has been seriously distorted by myth or political manipulation. Cohen concludes by suggesting that the patterns of interaction he probes, given their near universality, may well be rooted in certain human propensities that transcend cultural difference.
Author | : Brooke Speer Orr |
Publisher | : Peter Lang Incorporated, International Academic Publishers |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Biography & Autobiography |
ISBN | : 9781453911983 |
This book is the first comprehensive biography tracing the captivating life of renowned activist Mary Elizabeth Lease. While Lease is most remembered in American history textbooks as the radical leader of the Populist Party, her influence and involvement in the late-nineteenth-century women's suffrage movement and early-twentieth-century feminist movement place her on par with luminaries such as Susan B. Anthony.
Author | : Ellen Ecker Dolgin |
Publisher | : McFarland |
Total Pages | : 254 |
Release | : 2015-02-12 |
Genre | : Performing Arts |
ISBN | : 1476619794 |
Early 20th century non-commercial theaters emerged as hubs of social transformation on both sides of the Atlantic. The 1904-1907 seasons at London's Royal Court Theatre were a particularly galvanizing force, with 11 plays by Bernard Shaw--along with works by Granville Barker, John Galsworthy and Elizabeth Robins--that starred activist performers and challenged social conventions. Many of these plays were seen on American stages. Featuring more conversation than plot points, the new drama collectively urged audiences to recognize themselves in the characters. In 1908, four hundred actresses attended a London hotel luncheon, determined to effect change for women. The hot topics--chillingly pertinent today--mixed public and private controversies over sexuality, income distribution and full citizenship across gender and class lines. A resolution emerged to form the Actresses Franchise League, which produced original suffrage plays, participated in mass demonstrations and collaborated with ordinary women.