Modern Theories Of Art From Impressionism To Kandinsky
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| Author | : Moshe Barasch |
| Publisher | : NYU Press |
| Total Pages | : 400 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : 081471272X |
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
| Author | : Moshe Barasch |
| Publisher | : Psychology Press |
| Total Pages | : 404 |
| Release | : 2000 |
| Genre | : Aesthetics |
| ISBN | : 9780415926270 |
| Author | : Moshe Barasch |
| Publisher | : NYU Press |
| Total Pages | : 400 |
| Release | : 1998-03-01 |
| Genre | : Art |
| ISBN | : 0814739482 |
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
| Author | : Jan Assmann |
| Publisher | : BRILL |
| Total Pages | : 384 |
| Release | : 2018-08-14 |
| Genre | : Religion |
| ISBN | : 9004379126 |
The role of representation in religion is complex. While often perceived as essential, it is also associated in many traditions with the liability of idolatry and provokes iconoclasm. The essays in this volume examine the nuances of representation in religion and the debate concerning its place across a variety of traditions from the three Abrahamic faiths, to those of antiquity and the East. This volume consists of presentations made at an international conference held in honor of Moshe Barasch, art historian and cultural critic, who has done much to elucidate the light which representation and religion shed on each other. It pays tribute to Barasch by expanding the base of understanding and insight he has erected. It should be of interest to students of religion and of art history.
| Author | : Moshe Barasch |
| Publisher | : NYU Press |
| Total Pages | : 400 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : 0814712738 |
In this volume, the third in his classic series of texts surveying the history of art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from Impressionism to Abstract Art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the interrelation of new modes of scientific inquiry with artistic theory and praxis. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense, immediate sensory experiences, psychological reflection on the effects of art, and a magnetic pull to the exotic and alien, making for the most exciting and fertile period in the history of art criticism.
| Author | : Krešimir Purgar |
| Publisher | : Routledge |
| Total Pages | : 246 |
| Release | : 2020-06-15 |
| Genre | : Art |
| ISBN | : 0429557574 |
This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
| Author | : Andrea Meyertholen |
| Publisher | : Boydell & Brewer |
| Total Pages | : 311 |
| Release | : 2021 |
| Genre | : Art, Abstract, in literature |
| ISBN | : 1640141049 |
An alternative genealogy of abstract art, featuring the crucial role of 19th-century German literature in shaping it aesthetically, culturally, and socially.
| Author | : Moshe Barasch |
| Publisher | : Routledge |
| Total Pages | : 404 |
| Release | : 2013-10-18 |
| Genre | : Art |
| ISBN | : 1135199655 |
In this volume, the third in his classic series on art theory, Moshe Barasch traces the hidden patterns and interlocking themes in the study of art, from impressionism to abstract art. Barasch details the immense social changes in the creation, presentation, and reception of art which have set the history of art theory on a vertiginous new course: the decreased relevance of workshops and art schools; the replacement of the treatise by the critical review; and the emerging interrelationship between scientific inquiry and artistic theory. The consequent changes in the ways in which critics as well as artists conceptualized paintings and sculptures were radical, marked by an obsession with intense sensory experiences, psychological reflection on the effects of art, and an attraction to the exotic and alien--making for the most exciting and fertile period in the history of art criticism.
| Author | : Wassily Kandinsky |
| Publisher | : Courier Corporation |
| Total Pages | : 111 |
| Release | : 2012-04-20 |
| Genre | : Art |
| ISBN | : 048613248X |
Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.
| Author | : Jorge I. Valdovinos |
| Publisher | : Springer Nature |
| Total Pages | : 431 |
| Release | : 2022-02-26 |
| Genre | : Social Science |
| ISBN | : 303095546X |
This book takes an interdisciplinary approach to the critique of contemporary ideology, offering an innovative genealogy of one of its most fundamental discursive manoeuvres: the ideological effacement of mediation. Providing a comprehensive historical revision of media (from the Greeks to the Internet), this book identifies several critical junctures at which the tension between visibility and invisibility has overlapped with conceptions of neutrality—a tension best incarnated in today's use of the word transparency. Then, it traces this term's evolving semantic constellation through a variety of intellectual discourses, exposing it as a key operator in the revaluation of ideals, sensibilities, and modalities of perception that lie at the core of our contemporary attention-based economy.
