Modern English Art
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Author | : Helen Chislett |
Publisher | : |
Total Pages | : 272 |
Release | : 2021-09-28 |
Genre | : |
ISBN | : 9780865653931 |
Showcasing 18 landmark projects that celebrate the critically acclaimed interiors of leading English design studio Todhunter Earle Founded by Emily Todhunter and Kate Earle in 1998 and based in Chelsea, London, the design studio Todhunter Earle is renowned for creating beautiful, sensitively considered interiors around the world. With a hugely diverse mix of projects, ranging from traditional country estates and uber‑contemporary town houses to ski chalets and fashionable restaurants, one key element remains constant: their commitment to imbuing interiors with passion, dedication, and sensibility to place. Here, 18 projects showcase their extraordinarily varied catalogue of work, revealing the pivotal factors and challenges encountered on each design journey. The sumptuous book encapsulates Todhunter Earle's instinctive approach: relaxed, unpretentious, and discreet interiors that whisper rather than shout, each one embodying the right feel for the client. Including original photography plus specially commissioned concept illustrations by renowned watercolorist Marianne Topham, Modern English will inspire design enthusiasts and fellow professionals alike.
Author | : Dawn Ades |
Publisher | : Te Neues Publishing Company |
Total Pages | : 474 |
Release | : 1987 |
Genre | : Art |
ISBN | : |
Includes paintings and sculpture which have shaped the course of art in the 20th century.
Author | : Paul Rennie |
Publisher | : Black Dog Pub Limited |
Total Pages | : 189 |
Release | : 2010 |
Genre | : Art |
ISBN | : 9781906155971 |
Modern British Posters explores the interaction between modern art and graphic design in Britain throughout the twentieth century. A distinctive characteristic of modern society is the progressively more complete integration of art, design and architecture. The poster has been an integral expression of this phenomenon since its invention, in modern form, during the 1860s. The poster was made possible by the development of industrial colour lithography and by the appearance of large hoardings as a consequence of metropolitan redevelopment. Furthermore, this co-incidence developed at precisely the same time as the birth of the cultural avant-garde. Following the First World War, during a period of social and political realignment, major artists embraced the developing technologies of graphic reproduction to make commercial poster images and reach out to an audience beyond the complacent limits of the gallery. This required artists to embrace the possibilities of new technologies in print media, and was thus instrumental in transforming commercial art into graphic design. From this point forward, the poster and the artistic avant-garde have been inextricably linked. The poster reached a level of maturity in design just as the cultural reform of the 1920s was beginning. This synchronicity has established the poster as a particularly significant cultural object. Every great artist in Britain contributed to this effort and Modern British Posters features the work of artists such as John Minton, Paul Nash, Hubert Williams, Edward McKnight Kauffer, Leonard Cusden, Edward Wadsworth and Tom Eckersley, amongst many others. These images speak broadly of people, landscape, technology and identity and cover themes such as transport, architecture, the seaside, accident prevention and popular culture. In Britain, the graphic archive is dispersed amongst various institutions. This fragmentation means that, for practical purposes, the general story of British poster design remains to be told. As such Modern British Posters provides an important addition to the history of visual culture in Britain during the twentieth century.
Author | : Robert Storr |
Publisher | : |
Total Pages | : 247 |
Release | : 2000 |
Genre | : Art |
ISBN | : 9780870700316 |
Essay by Robert Storr. Foreword by Glenn D. Lowry.
Author | : William E. Engel |
Publisher | : Routledge |
Total Pages | : 226 |
Release | : 2022-04-26 |
Genre | : Literary Criticism |
ISBN | : 042962820X |
This is the first book to demonstrate how mnemotechnic cultural commonplaces can be used to account for the look, style, and authorized content of some of the most influential books produced in early modern Britain. In his hybrid role as stationer, publisher, entrepreneur, and author, John Day, master printer of England’s Reformation, produced the premier navigation handbook, state-approved catechism and metrical psalms, Book of Martyrs, England’s first printed emblem book, and Queen Elizabeth’s Prayer Book. By virtue of finely honed book trade skills, dogged commitment to evangelical nation-building, and astute business acumen (including going after those who infringed his privileges), Day mobilized the typographical imaginary to establish what amounts to—and still remains—a potent and viable Protestant Memory Art.
Author | : Camilla Caporicci |
Publisher | : Routledge |
Total Pages | : 251 |
Release | : 2019-11-04 |
Genre | : Literary Criticism |
ISBN | : 1000734838 |
Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.
Author | : Thomas Crow |
Publisher | : Yale University Press |
Total Pages | : 288 |
Release | : 1996-01-01 |
Genre | : Art |
ISBN | : 9780300076493 |
Hoofdstukken over kunstenaars en kunstuitingen vormen het uitgangspunt van deze Studie over de relatie tussen avant-garde kunst en de massacultuur
Author | : David Cottington |
Publisher | : OUP Oxford |
Total Pages | : 169 |
Release | : 2005-02-24 |
Genre | : Art |
ISBN | : 0191577820 |
As public interest in modern art continues to grow, as witnessed by the spectacular success of Tate Modern and the Bilbao Guggenheim, there is a real need for a book that will engage general readers, offering them not only information and ideas about modern art, but also explaining its contemporary relevance and history. This book achieves all this and focuses on interrogating the idea of 'modern' art by asking such questions as: What has made a work of art qualify as modern (or fail to)? How has this selection been made? What is the relationship between modern and contemporary art? Is 'postmodernist' art no longer modern, or just no longer modernist - in either case, why, and what does this claim mean, both for art and the idea of 'the modern'? Cottington examines many key aspects of this subject, including the issue of controversy in modern art, from Manet's Dejeuner sur L'Herbe (1863) to Picasso's Les Demoiselles, and Tracey Emin's Bed, (1999); and the role of the dealer from the main Cubist art dealer Kahnweiler to Charles Saatchi. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author | : Herschel Browning Chipp |
Publisher | : Univ of California Press |
Total Pages | : 692 |
Release | : 1968 |
Genre | : Art |
ISBN | : 9780520014503 |
Author | : Anne Middleton Wagner |
Publisher | : Paul Mellon Ctr for Studies |
Total Pages | : 304 |
Release | : 2005 |
Genre | : Art |
ISBN | : 9780300106855 |
In Mother Stone Anne Middleton Wagner looks anew at the carvings of the first generation of British modernists, a group centered around Henry Moore, Barbara Hepworth, and Jacob Epstein. Wagner probes the work of these sculptors, discusses their shared avant-garde materialism, and identifies a common theme that runs through their work and that of other artists of the period: maternity. Why were artists for three turbulent decades after the First World War seemingly preoccupied with representations of pregnant women and the mother and child? Why was this the great new subject, especially for sculpture? Why was the imagery of bodily reproduction at the core of the effort to revitalize what in Britain had become a somnolent art? Wagner finds the answers to these questions at the intersection between the politics of maternity and sculptural innovation. She situates British sculpture fully within the new reality of “bio-power”—the realm of Marie Stopes, Brave New World, and Melanie Klein. And in a series of brilliant studies of key works, she offers a radical rereading of this sculpture’s main concerns and formal language.