Modelled Sculpture And Plaster Casting
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Author | : Nick Brooks |
Publisher | : Crowood |
Total Pages | : 418 |
Release | : 2013-12-21 |
Genre | : Crafts & Hobbies |
ISBN | : 1847977308 |
Mouldmaking and Casting is a technical manual of the many techniques of this ancient craft and art form. With step-by-step illustrations, it explains the materials required and the processes involved to create reproductions of a range of pieces. The book covers traditional techniques as well as today's more advanced technical methods.
Author | : Philippe Faraut |
Publisher | : Pcf Studios |
Total Pages | : 214 |
Release | : 2004-01-01 |
Genre | : Head in art |
ISBN | : 9780975506509 |
Step-by-step techniques for modeling the portrait in clay, firing meethods and mold making.
Author | : John W. Mills |
Publisher | : Trafalgar Square Publishing |
Total Pages | : 184 |
Release | : 1967 |
Genre | : Art |
ISBN | : |
Experience has confirmed John Mill's belief that modelling, and the necessary technical aspects that accompany this skill, must be taught. This book provides all the necessary information and instruction for a student of sculpture to master the technique of casting.
Author | : Edouard Lanteri |
Publisher | : Courier Corporation |
Total Pages | : 351 |
Release | : 2012-11-01 |
Genre | : Art |
ISBN | : 0486138291 |
"A joy to read, as well as a constant reference library. Thoroughly inspiring." — Workbench The republication of this highly valuable text by Edouard Lanteri, a renowned teacher, sculptor, and intimate friend of Rodin (Rodin called him "my dear master, my dear friend"), makes it possible for serious students to gain the requisite skills needed for figurative sculpture and to bridge the gap between artistic concept and figurative realization. Modelling and Sculpting Animals, together with its companion piece Modelling and Sculpting the Human Figure, is the classic treatise on the techniques of figurative sculpture. Representing at least three thousand years of studio lore, this readily understandable, authoritative guide is a goldmine of technical information, easily comprising a four-year sculpture curriculum unavailable elsewhere. In this reasonably priced volume, devoted almost entirely to the modelling of animals, Lanteri offers thorough step-by-step instruction for the figurative sculptor. Beginning with a description of the historical symbolism of animals in different cultures, the author then proceeds to give meticulous anatomy for the horse, lion, and bull. Rules of motion, measurements of construction, erecting the framework, tools, materials, and other pertinent aspects of animal sculpture are covered in detail. The final section presents a comprehensive exposition of the methods of casting in plaster, including how to mix the plaster, applying successive layers and irons, opening the mold, soaping and oiling, chipping off the mold, and special precautions. A profusion of illustrations — over 200 photographs, drawings, and diagrams — clearly demonstrate every principle and method the author describes. 64 full-page photographic plates, 139 drawings and diagrams.
Author | : Edouard Lanteri |
Publisher | : Courier Corporation |
Total Pages | : 497 |
Release | : 2012-08-02 |
Genre | : Art |
ISBN | : 0486132366 |
Covers modelling from casts, live models; measurements; frameworks; scale of proportions; compositions; reliefs, drapery, medals, etc. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.
Author | : Albert Toft |
Publisher | : |
Total Pages | : 424 |
Release | : 1922 |
Genre | : Modeling |
ISBN | : |
Author | : Rune Frederiksen |
Publisher | : Walter de Gruyter |
Total Pages | : 765 |
Release | : 2010-09-27 |
Genre | : Art |
ISBN | : 3110216876 |
This volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day. Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists’ models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.
Author | : Albert Toft |
Publisher | : Courier Corporation |
Total Pages | : 338 |
Release | : 2012-12-04 |
Genre | : Art |
ISBN | : 048614528X |
"Give(s) in detail every process and method of the sculptor's craft with a fullness to be found in no other works." — Encyclopedia Britannica A student of the great Edouard Lanteri and a celebrated sculptor in his own right, Albert Toft created this manual to offer students every practical detail necessary for a complete knowledge of modeling and sculpture. Both professionals and amateurs will find Toft's experienced guidance a valuable help in surmounting difficulties and avoiding errors. Topics include: •Modelling a portrait bust •Casting •Modelling for terra-cotta, in relief, and for bronze •Modelling in clay as a prelude to working in stone and wood Thirty-six plates and eighty-two line illustrations enhance this manual, and a helpful glossary defines the most common terms.
Author | : Louis Slobodkin |
Publisher | : Courier Corporation |
Total Pages | : 260 |
Release | : 1973-01-01 |
Genre | : Art |
ISBN | : 9780486229607 |
Offers advice on using tools and constructing armatures as well as shaping human figures, portrait heads, and bas reliefs from clay, plaster, wood, stone, and metal
Author | : Mahmoud Farag |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 302 |
Release | : 2020-01-17 |
Genre | : Art |
ISBN | : 1527545806 |
Creating a successful sculpture requires an imaginative concept and a sound design that utilize the potential and avoid the limitations of the material and the process used in making it. Prior to a few decades ago, most sculptors were restricted to carving stone and wood or casting plaster, ceramics and bronze for their creations. Contemporary sculptors, however, are no longer bound by the limitations of these traditional materials and processes, and can now create works in sizes, forms and textures that could not have been achieved previously. Many modern sculptures are now made from materials ranging from steel and aluminum to plastics and composites using processes ranging from welding and adhesive bonding to molding and 3D printing. To fully utilize the full potential of such new materials, the sculptor needs to understand their points of strength, their limitations, and the most effective way of shaping them to achieve a given design. Although this book is written by a materials engineer, the subject matter is presented from the point of view of the sculptor with emphasis on the strengths and weaknesses of different materials, their resistance to weather conditions, natural color and possible surface textures, possible methods of shaping and joining, tools and equipment needed, and safety measures to take. Whenever possible, case studies are used to illustrate the sequence of processes and the cost elements involved in shaping a given material to create an actual work of sculpture.