Mockumentary Comedy
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| Author | : Richard Wallace |
| Publisher | : Springer |
| Total Pages | : 230 |
| Release | : 2018-07-13 |
| Genre | : Performing Arts |
| ISBN | : 331977848X |
This book is the first to take comedy seriously as an important aspect of the popular mockumentary form of film and television fiction. It examines the ways in which mockumentary films and television programmes make visible—through comedy—the performances that underpin straight documentaries and many of our public figures. Mockumentary Comedy focuses on the rock star and the politician, two figures that regularly feature as mockumentary subjects. These public figures are explored through detailed textual analyses of a range of film and television comedies, including A Hard Day’s Night, This is Spinal Tap, The Thick of It, Veep and the works of Christopher Guest and Alison Jackson. This book broadens the scope of existing mockumentary scholarship by taking comedy seriously in a sustained way for the first time. It ultimately argues that the comedic performances—by performers and of documentary conventions—are central to the form’s critical significance and popular appeal.
| Author | : Jason Middleton |
| Publisher | : Routledge |
| Total Pages | : 200 |
| Release | : 2013-12-04 |
| Genre | : Art |
| ISBN | : 1317952197 |
Despite the prominence of "awkwardness" as cultural buzzword and descriptor of a sub-genre of contemporary film and television comedy, it has yet to be adequately theorized in academic film and media studies. Documentary’s Awkward Turn contributes a new critical paradigm to the field by presenting an analysis of awkward moments in documentary film and other reality-based media formats. It examines difficult and disrupted encounters between social actors on the screen, between filmmaker and subject, and between film and spectator. These encounters are, of course, often inter-connected. Awkward moments occur when an established mode of representation or reception is unexpectedly challenged, stalled, or altered: when an interviewee suddenly confronts the interviewer, when a subject who had been comfortable on camera begins to feel trapped in the frame, when a film perceived as a documentary turns out to be a parodic mockumentary. This book makes visible the ways in which awkwardness connects and subtends a range of transformative textual strategies, political and ethical problematics, and modalities of spectatorship in documentary film and media from the 1970s to the present.
| Author | : Craig Hight |
| Publisher | : Manchester University Press |
| Total Pages | : 320 |
| Release | : 2011-01-15 |
| Genre | : Performing Arts |
| ISBN | : 9780719073175 |
Mockumentary is now an established part of the spectrum of television styles, with both deep roots in television history and a key part of innovations in the sitcom genre since the 1990s. Tracing the development of mockumentary series within the broader history of traditions of satire, drama, and nonfiction programming, the author uses detailed discussions of popular and innovative television series from Britain, the United States, Canada, Ireland, Australia, and New Zealand. This is the first detailed study of the rich vein of mockumentary television programs, covering series such as The Larry Sanders Show, The Daily Show, and the British and American versions of The Office to discuss how producers have experimented with mockumentary as a distinctive approach to storytelling.
| Author | : Cynthia J. Miller |
| Publisher | : Scarecrow Press |
| Total Pages | : 303 |
| Release | : 2012 |
| Genre | : Performing Arts |
| ISBN | : 0810885182 |
In Too Bold for the Box Office, Cynthia J. Miller has assembled essays by scholars and filmmakers who examine the unique cinematic form of mockumentary. Individually, each of these essays looks at a given instance of mockumentary parody and subversion, examining the ways in which each calls into question our assumptions, pleasures, beliefs, and even our senses. Writing about national film, television, and new media traditions as diverse as their backgrounds, this volume's contributors explore and theorize the workings of mockumentaries, as well as the strategies and motivations of the writers and filmmakers who brought them into being.
| Author | : Liz Giuffre |
| Publisher | : Taylor & Francis |
| Total Pages | : 215 |
| Release | : 2017-03-27 |
| Genre | : Music |
| ISBN | : 1317273575 |
The study of television and music has expanded greatly in recent years, yet to date no book has focused on the genre of comedy television as it relates to music. Music in Comedy Television: Notes on Laughs fills that gap, breaking new critical ground. With contributions from an array of established and emerging scholars representing a range of disciplines, the twelve essays included cover a wide variety of topics and television shows, spanning nearly fifty years across network, cable, and online structures and capturing the latest research in this growing area of study. From Sesame Street to Saturday Night Live, from Monty Python to Flight of the Conchords, this book offers the perfect introduction for students and scholars in music and media studies seeking to understand the role of music in comedy onscreen and how it relates to the wider culture.
| Author | : Marc Blake |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 272 |
| Release | : 2015-12-17 |
| Genre | : Performing Arts |
| ISBN | : 1501316346 |
"A practical guide to creating the comedy movie, referencing its subgenres, history, and tropes, along with exclusive interviews with craft practitioners"--
| Author | : Daniel Marcus |
| Publisher | : Routledge |
| Total Pages | : 229 |
| Release | : 2015-10-05 |
| Genre | : Social Science |
| ISBN | : 1317534166 |
Contemporary Documentary offers a rich survey of the rapidly expanding landscape of documentary film, television, video, and new media. The collection of original essays addresses the emerging forms, popular genres, and innovative approaches of the digital era. The anthology highlights geographically and thematically diverse examples of documentaries that have expanded the scope and impact of non-fiction cinema and captured the attention of global audiences over the past three decades. It also explores the experience of documentary today, with its changing dynamics of production, collaboration, distribution, and exhibition, and its renewed political and cultural relevance. The twelve chapters - featuring engaging case studies and written from a wide range of perspectives including film theory, social theory, ethics, new media, and experience design - invite students to think critically about documentary as a vibrant field, unrestricted in its imagination and quick in its response to new forms of filmmaking. Offering a methodical exploration of the expansive reach of documentary as a creative force in the media and society of the twenty-first century, Contemporary Documentary is an ideal collection for students of film, media, and communication who are studying documentary film.
| Author | : Michael V. Tueth |
| Publisher | : Scarecrow Press |
| Total Pages | : 230 |
| Release | : 2012-05-03 |
| Genre | : Performing Arts |
| ISBN | : 0810883686 |
Film comedy has been around as long as cinema itself. Over the years, particular forms of the genre have emerged, evolved, and spawned other branches of comedy. While these subgenres may vary in their approach to humor, all of them have the same goal: amusing audiences. In Reeling with Laughter: American Film Comedies—From Anarchy to Mockumentary, Michael V. Tueth examines some of the most enjoyable comic movies of all time. Beginning with the anarchic romp Duck Soup (1933), each chapter explores a specific subgenre through a representative film. Along with the Marx Brothers’ classic, other subgenres discussed in this volume include romantic comedy (It Happened One Night), screwball comedy (Bringing Up Baby and What’s Up, Doc?), musical comedy (Singin’ in the Rain), sex farce (Some Like It Hot), satire (Dr. Strangelove), parody (Young Frankenstein), neurotic comedy (Annie Hall), Dionysian comedy (Animal House), mockumentary (Waiting for Guffman), and animated comedy (South Park: Bigger, Longer & Uncut). In this volume, Tueth provides the background of each film’s production and discusses their audience reception, critical appraisal, and the qualities that have characterized these enduring works. Reeling with Laughter will appeal to film students, as well as the general public eager to revisit these great American films.
| Author | : John A. De Vito |
| Publisher | : iUniverse |
| Total Pages | : 237 |
| Release | : 2002-11-13 |
| Genre | : Fiction |
| ISBN | : 1462041353 |
The battle between good and evil began long ago. Before the birth of humanity, God and Satan fought for the domination of heaven. And, as everyone knows, God was triumphant over Satans evil. The tale has been told for thousands of years. But its all a lie. A manuscript has been discovered, written over a century ago by a priest who was visited by the Devil himself. A priest who left the church to seek out Three Mad Prophets and learn the truth. An Amazon.com bestseller, The Devil's Apocrypha is a tale that begins in another universe, before creation, and ends with a chilling prophesy. Here is the truth about the origin of God, his journey to our universe, and the battle for heaven. Discover why God manipulated the flesh of our race, the reason for his commandmentsand why one being dared to try and stop him. This is the true story of Satan and Godand its unlike anything youve been told. "A terrifying blend of science, religion and philosophy!"OccultForums.com, R.I. Davis "Dark and terrifying...the next Omen!"Daniel Farrands, screenwriter, producer, director
| Author | : Brian Winston |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 418 |
| Release | : 2019-07-25 |
| Genre | : Performing Arts |
| ISBN | : 1838718753 |
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.
