Miranda And Caliban
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Author | : Jacqueline Carey |
Publisher | : Tor Books |
Total Pages | : 350 |
Release | : 2017-02-14 |
Genre | : Fiction |
ISBN | : 0765386801 |
Miranda and Caliban is bestselling fantasy author Jacqueline Carey’s gorgeous retelling of The Tempest. With hypnotic prose and a wild imagination, Carey explores the themes of twisted love and unchecked power that lie at the heart of Shakespeare’s masterpiece, while serving up a fresh take on the play's iconic characters. A lovely girl grows up in isolation where her father, a powerful magus, has spirited them to in order to keep them safe. We all know the tale of Prospero's quest for revenge, but what of Miranda? Or Caliban, the so-called savage Prospero chained to his will? In this incredible retelling of the fantastical tale, Jacqueline Carey shows readers the other side of the coin—the dutiful and tenderhearted Miranda, who loves her father but is terribly lonely. And Caliban, the strange and feral boy Prospero has bewitched to serve him. The two find solace and companionship in each other as Prospero weaves his magic and dreams of revenge. Always under Prospero’s jealous eye, Miranda and Caliban battle the dark, unknowable forces that bind them to the island even as the pangs of adolescence create a new awareness of each other and their doomed relationship. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author | : Margaret Atwood |
Publisher | : Hogarth |
Total Pages | : 286 |
Release | : 2016-10-11 |
Genre | : Fiction |
ISBN | : 0804141304 |
NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle
Author | : Tad Williams |
Publisher | : Harpercollins |
Total Pages | : 194 |
Release | : 1995 |
Genre | : Fiction |
ISBN | : 9780061054136 |
Discovering the beautiful Miranda, the daughter of Prospero, Caliban the Beast has a single evening in which to tell her the most compelling stories she has ever heard. By the author of Tailchaser's Song. Reprint.
Author | : Foz Meadows |
Publisher | : Abaddon Books |
Total Pages | : 62 |
Release | : 2016-01-08 |
Genre | : Fiction |
ISBN | : 1786180006 |
Miranda, daughter to Prospero, the feared sorcerer-Duke of Milan, stifles in her new marriage. Oppressed by her father, unloved by Ferdinand, she seeks freedom; and is granted it, when her childhood friend, the fairy spirit Ariel, returns. Miranda sets out to reach Queen Titania's court in Illyria, to make a new future... Monstrous Little Voices is a collection of five short novellas, a single long tale set in Shakespeare's fantasy world of fairies, wizards and potions, in honour of the four-hundredth anniversary of the Bard's death.
Author | : William Shakespeare |
Publisher | : Paw Prints |
Total Pages | : 0 |
Release | : 2009-07-10 |
Genre | : |
ISBN | : 9781442042247 |
Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.
Author | : William Shakespeare |
Publisher | : |
Total Pages | : 112 |
Release | : 1720 |
Genre | : |
ISBN | : |
Author | : Katharine Duckett |
Publisher | : Macmillan + ORM |
Total Pages | : 128 |
Release | : 2019-03-26 |
Genre | : Fiction |
ISBN | : 1250306310 |
With Miranda in Milan, debut author Katharine Duckett reimagines the consequences of Shakespeare’s The Tempest, casting Miranda into a Milanese pit of vipers and building a queer love story that lifts off the page in whirlwinds of feeling. After the tempest, after the reunion, after her father drowned his books, Miranda was meant to enter a brave new world. Naples awaited her, and Ferdinand, and a throne. Instead she finds herself in Milan, in her father’s castle, surrounded by hostile servants who treat her like a ghost. Whispers cling to her like spiderwebs, whispers that carry her dead mother’s name. And though he promised to give away his power, Milan is once again contorting around Prospero’s dark arts. With only Dorothea, her sole companion and confidant to aid her, Miranda must cut through the mystery and find the truth about her father, her mother, and herself. “Love and lust, mothers and monsters, magicians and masked balls, all delivered with Shakespearean panache.” —Nicola Griffith, author of Hild “Miranda in Milan is somehow both utterly charming and perfectly sinister, and altogether delightful. A pleasure for any lover of romance, myth, and magic—whether or not they're fans of the Bard.” —Cherie Priest, author of Boneshaker and I Am Princess X At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author | : Aimé Césaire |
Publisher | : |
Total Pages | : 64 |
Release | : 2010 |
Genre | : Drama |
ISBN | : |
Author | : Jacqueline Carey |
Publisher | : Macmillan |
Total Pages | : 350 |
Release | : 2017-02-14 |
Genre | : Fiction |
ISBN | : 0765386798 |
The dutiful and tenderhearted Miranda loves her father but is terribly lonely. She finds solace and companionship with Caliban, the strange and feral boy Prospero has bewitched to serve him. As Prospero weaves his magic and dreams of revenge, Miranda and Caliban battle the dark, unknowable forces that bind them to the island even as the pangs of adolescence create a new awareness of each other and their doomed relationship.
Author | : Bill Ashcroft |
Publisher | : Routledge |
Total Pages | : 400 |
Release | : 2009-01-21 |
Genre | : Literary Criticism |
ISBN | : 1134030061 |
In Shakespeare’s Tempest, Caliban says to Miranda and Prospero: "...you taught me language, and my profit on’t Is, I know how to curse. " With this statement, he gives voice to an issue that lies at the centre of post-colonial studies. Can Caliban own Prospero’s language? Can he use it to do more than curse? Caliban’s Voice examines the ways in which post-colonial literatures have transformed English to redefine what we understand to be ‘English Literature’. It investigates the importance of language learning in the imperial mission, the function of language in ideas of race and place, the link between language and identity, the move from orature to literature and the significance of translation. By demonstrating the dialogue that occurs between writers and readers in literature, Bill Ashcroft argues that cultural identity is not locked up in language, but that language, even a dominant colonial language, can be transformed to convey the realities of many different cultures. Using the figure of Caliban, Ashcroft weaves a consistent and resonant thread through his discussion of the post-colonial experience of life in the English language, and the power of its transformation into new and creative forms.