Mirages And Mad Beliefs
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| Author | : Christopher Prendergast |
| Publisher | : Princeton University Press |
| Total Pages | : 233 |
| Release | : 2013-07-21 |
| Genre | : Literary Criticism |
| ISBN | : 1400846315 |
Marcel Proust was long the object of a cult in which the main point of reading his great novel In Search of Lost Time was to find, with its narrator, a redemptive epiphany in a pastry and a cup of lime-blossom tea. We now live in less confident times, in ways that place great strain on the assumptions and beliefs that made those earlier readings possible. This has led to a new manner of reading Proust, against the grain. In Mirages and Mad Beliefs, Christopher Prendergast argues the case differently, with the grain, on the basis that Proust himself was prey to self-doubt and found numerous, if indirect, ways of letting us know. Prendergast traces in detail the locations and forms of a quietly nondogmatic yet insistently skeptical voice that questions the redemptive aesthetic the novel is so often taken to celebrate, bringing the reader to wonder whether that aesthetic is but another instance of the mirage or the mad belief that, in other guises, figures prominently in In Search of Lost Time. In tracing the modalities of this self-pressuring voice, Prendergast ranges far and wide, across a multiplicity of ideas, themes, sources, and stylistic registers in Proust's literary thought and writing practice, attentive at every point to inflections of detail, in a sustained account of Proust the skeptic for the contemporary reader.
| Author | : Peta Mayer |
| Publisher | : Liverpool English Texts and St |
| Total Pages | : 288 |
| Release | : 2020 |
| Genre | : Literary Criticism |
| ISBN | : 1789620597 |
Anita Brookner was known for writing boring books about lonely, single women. Misreading Anita Brookner unlocks the mysteries of the Brookner heroine by creating entirely new ways to read six Brookner novels. Drawing on diverse intertextual sources, Peta Mayer illustrates how Brookner's solitary twentieth-century women can also be seen as variations of queer nineteenth-century male artist archetypes.
| Author | : Larry D. Harwood |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 363 |
| Release | : 2024-05-30 |
| Genre | : Philosophy |
| ISBN | : 1725249162 |
In this book Larry Harwood situates and evaluates Bertrand Russell’s thought on religion within the context of Russell’s biography. His well-known animus toward religious belief is highlighted and maintained without neglecting his quieter and comparatively unknown quest for something religious. The book argues that while Russell’s critique of religious belief is not unlike that of other thinkers, his superlative prose, extraordinary skill with words, and candor gave him an advantage and audiences beyond competing secular thinkers. Harwood argues that among secularists few have been as vehemently critical of religious belief and believers as Russell, while even fewer have displayed his appetite for some religious truth. The author presses these two antipodes in Russell’s mind to provide a holistic picture of the life and thought of arguably the greatest philosopher of the twentieth century. By the conclusion of this study, the reader has witnessed Russell as not only a petulant and abiding critic of religious belief, but also as a thinker who has “carried the burden of God.”
| Author | : Perry Anderson |
| Publisher | : Verso Books |
| Total Pages | : 214 |
| Release | : 2022-11-08 |
| Genre | : Literary Criticism |
| ISBN | : 1804290815 |
There are few writers about whom opinions diverge so widely as Anthony Powell, whose Dance to the Music of Time sequence is one of the most ambitious literary constructions in the English language. In Different Speeds, Same Furies, Perry Anderson measures Powell's achievement against Marcel Proust's celebrated In Search of Lost Time. The literature on Dance is a drop in the ocean compared to that on Proust. Yet in construction of plot and depiction of character, Anderson ranks Powell above him. How much do particular advantages of this kind matter, and why is Powell an odd man out in English letters? At once so similar and dissimilar, the intricate retrospectives of the two novelists on bohemia and Society, upbringing and mortality, relationships and personality, invite interrelated judgements. The closing chapters of Different Speeds, Same Furies reach beyond their handlings of time to chart the historical novel from Waverley to Underworld, and the breakthrough in epistolatory fiction of Montesquieu's Persian Letters, held together by what its author described as 'a secret chain which remains, as it were, invisible'.
| Author | : Anna Elsner |
| Publisher | : Taylor & Francis |
| Total Pages | : 735 |
| Release | : 2022-12-30 |
| Genre | : Philosophy |
| ISBN | : 1000790630 |
When Marcel Proust started to work on In Search of Lost Time in 1908, he wrote this question in his notebook: ‘Should I make it a novel, a philosophical study, am I a novelist?’ Throughout his famous multi-volume work, Proust directly engages several philosophers, and few novels are as thoroughly saturated with philosophical themes and concepts as In Search of Lost Time. The Proustian Mind is an outstanding reference source to the rich philosophical range of Proust’s work and the first major volume of its kind. Including 31 chapters by an international team of contributors, the volume is divided into seven clear parts: Proust’s life and works metaphysics and epistemology mind and language aesthetics ethics gender and sexuality predecessors, contemporaries and successors. Within these sections, key Proustian themes are explored from a philosophical standpoint, including time, the self, memory, imagination, jealousy, beauty, love, subjectivity and desire. The final section considers Proust in relation to important philosophers such as Schopenhauer, Nietzsche, Bergson, Merleau-Ponty, Sartre, de Beauvoir and Deleuze. The Proustian Mind is essential reading for those studying aesthetics, philosophy of literature, phenomenology and ethics, and will also be of interest to those in literature studying modernism, French literature and the relationship between literature and philosophy.
| Author | : Christian Dahl |
| Publisher | : transcript Verlag |
| Total Pages | : 231 |
| Release | : 2014-09-30 |
| Genre | : Political Science |
| ISBN | : 3839421748 |
»To Be Unfree« is a collection of essays investigating how political unfreedom has been and can be articulated within the republican tradition of political thought. The book combines a theoretical discussion of how freedom and its opposites have been conceptualized in the republican tradition with a broader perspective on this tradition's impact on the representation of unfreedom in Western literature and cultural history. It thus complicates our understanding of what it means to be unfree and unveils a series of distinctions which also shape our modern notions of freedom.
| Author | : John D. Lyons |
| Publisher | : Cambridge University Press |
| Total Pages | : 305 |
| Release | : 2016 |
| Genre | : Literary Criticism |
| ISBN | : 1107036046 |
A fresh and comprehensive account of the literature of France, from medieval romances to twenty-first-century experimental poetry and novels.
| Author | : Michael Lucey |
| Publisher | : University of Chicago Press |
| Total Pages | : 355 |
| Release | : 2022-03-25 |
| Genre | : Literary Criticism |
| ISBN | : 0226816680 |
Michael Lucey offers a linguistic anthropological analysis of Proust’s In Search of Lost Time. What happens when we talk? This deceptively simple question is central to Marcel Proust’s monumental novel In Search of Lost Time. Both Proust’s narrator and the novel that houses him devote considerable energy to investigating not just what people are saying or doing when they talk, but also what happens socioculturally through their use of language. Proust, in other words, is interested in what linguistic anthropologists call language-in-use. Michael Lucey elucidates Proust’s approach to language-in-use in a number of ways: principally in relation to linguistic anthropology, but also in relation to speech act theory, and to Pierre Bourdieu’s sociology. The book also includes an interlude after each of its chapters that contextualizes Proust’s social-scientific practice of novel writing in relation to that of a number of other novelists, earlier and later, and from several different traditions, including Honoré de Balzac, George Eliot, Virginia Woolf, Nathalie Sarraute, and Rachel Cusk. Lucey is thus able to show how, in the hands of quite different novelists, various aspects of the novel form become instruments of linguistic anthropological analysis. The result introduces a different way of understanding language to literary and cultural critics and explores the consequences of this new understanding for the practice of literary criticism more generally.
| Author | : Anna Despotopoulou |
| Publisher | : Taylor & Francis |
| Total Pages | : 250 |
| Release | : 2023-03-14 |
| Genre | : Literary Criticism |
| ISBN | : 1000834301 |
This collection of essays explores the hotel as a site of modernity, a space of mobility and transience that shaped the transnational and transcultural modernist activity of the first half of the twentieth century. As a trope for social and cultural mobility, transitory and precarious modes of living, and experiences of personal and political transformation, the hotel space in modernist writing complicates binaries such as public and private, risk and rootedness, and convention and experimentation. It is also a prime location for modernist production and the cross-fertilization of heterogeneous, inter- and trans- literary, cultural, national, and affective modes. The study of the hotel in the work of authors such as E. M. Forster, Katherine Mansfield, Kay Boyle, and Joseph Roth reveals the ways in which the hotel nuances the notions of mobilities, networks, and communities in terms of gender, nation, and class. Whereas Mary Butts, Djuna Barnes, Anaïs Nin, and Denton Welch negotiate affective and bodily states which arise from the alienation experienced at liminal hotel spaces and which lead to new poetics of space, Vicki Baum, Georg Lukács, James Joyce, and Elizabeth Bishop explore the socio-political and cultural conflicts which are manifested in and by the hotel. This volume invites us to think of “hotel modernisms” as situated in or enabled by this dynamic space. Including chapters which traverse the boundaries of nation and class, it regards the hotel as the transcultural space of modernity par excellence.
| Author | : Chris Andrews |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 376 |
| Release | : 2022-09-15 |
| Genre | : Literary Criticism |
| ISBN | : 0228012430 |
The Oulipo (Ouvroir de littérature potentielle, or Workshop for Potential Literature) is a literary think tank that brings together writers and mathematicians. Since 1960, its worldwide influence has refreshed ways of making and thinking about literature. How to Do Things with Forms assesses the work of the group, explores where it came from, and envisages its future. Redefining the Oulipo’s key concept of the constraint in a clear and rigorous way, Chris Andrews weighs the roles of craft and imitation in the group’s practice. He highlights the importance of translation for the Oulipo’s writers, explaining how their new forms convey meanings and how these famously playful authors are also moved by serious concerns. Offering fresh interpretations of emblematic Oulipian works such as Georges Perec’s Life: A User’s Manual, Andrews also examines lesser-known texts by Jacques Roubaud, Anne F. Garréta, and Michelle Grangaud. How to Do Things with Forms addresses questions of interest to anyone involved in the making of literature, illuminating how writers decide when to stop revising, the risks and benefits of a project mentality in creative writing, and ways of holding a reader’s interest for as long as possible.
